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Analysis of the Odyssey by Homer
Theme of appearance in julius caesar
What is the main theme of the odyssey
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Recommended: Analysis of the Odyssey by Homer
In almost all works of literature, people have used the concept of themes to further deepen the meaning of stories. Themes give stories dimension and allow the stories to have some sort of deep and philosophical lesson. If you look at Homer’s Odyssey and Shakespeare's Julius Caesar, you will find that there are many relatable features concerning the two. Both of these works give themes about life and death to keep the main point of each passage interesting to the readers. One of the major life lessons and themes we see numerous of times throughout each of the texts is the rules of manipulation. Manipulation is very crucial to the survival of the characters in both the Odyssey and play, Julius Caesar. In this essay, I will use evidence from both works to demonstrate how manipulation is used within these texts and why it is used as a strength and a weakness.
Manipulation involves luring people into a situation that pleases the person who is responsible for the action. We see this act of deception happen frequently throughout the Odyssey. In the Odyssey, for example, Odysseus uses his rhetorical skills to try and outsmart the one-eyed
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giant, Polyphemus. He does this by planning to get Polyphemus intoxicated and drowsy and it works, with the help of his cleverness of course. He then blinds the giant and tells him his name, “Nobody is my name. My father and mother call me Nobody, as do all the others who are my companions.” Odysseus ends up getting what he wants from Polyphemus and is praised for his bravery. His tactics in reeling Polyphemus show a perfect example of how manipulation works as a strength. The Odyssey constantly uses lies and manipulation to build up suspense into the story. This is an example of psychological manipulation, which involves deceptive and underhanded tactics. Manipulation also involves alterations in another person’s position or status. In other words, manipulation requires strategic decision making to alter one’s position. William Shakespeare tends to make his characters in the story very deceitful and manipulative and even begins the play with some cunning . In Shakespeare's Julius Caesar, one of main characters, Brutus, has a good relationship with Caesar but does not want Julius Caesar to be crowned king of Rome. Brutus speaks with Cassius, who tells him a story that convinces him to join the conspiracy against Caesar. Cassius says to Brutus, “I have heard, where many of the best respect in Rome, Except immortal Caesar, speaking of Brutus. And groaning underneath this age's yoke, have wish'd that noble Brutus had his eyes.” By reading this quote, it’s quite obvious that Cassius wants Brutus to plot against Caesar, but he wins him over in a different way. He uses flattery and compliments to boost Brutus’s confidence and even mentions Caesar as an immortal so that Brutus joins his side. Unlike the Odyssey, this example shows manipulation by using reverence in order to “resolve” the character’s situation. The power of manipulation leads to the characters stairway of getting what they really desire.
In any situation regarding manipulation, including these two stories, this point is always taken as the main reason why manipulation even happens in the first place. If manipulation is used sufficiently, the entire plan is made clear and everything is played out correctly, though it may still be detrimental to the character. In Julius Caesar, the characters make it clear that their plan was successful and they are quite impressed with the outcome. Cinna and Casca scream out, “Liberty! Freedom! Tyranny is dead! Run hence, proclaim, cry it about the streets. Some to the common pulpits, and cry out 80 'Liberty, freedom, and enfranchisement!” They both seem to be pleased with their plan, which shows that their “good” work actually did pay
off. Although manipulation plays out be a strength for the characters, there some downsides to this devious method. For instance, persuasion and manipulation are often interpreted incorrectly.
You are permitted on settle on your choices yet you need support not permitted to lift those results" that quote recognizes for a few pieces in the odyssey. The subject "Through Also through flexibility is An all the all the more persuading move over destiny" may be for a few encounters in the odyssey: those secured proprietor, eating up Hyperions dairy creatures, Moreover The minute that odysseus returns home.
Insuring the portrayal of his theme, Sophocles targets the tension of his tragic play, Oedipus Rex, through the growth of the main character, Oedipus, rather than the mystery. Utilizing literary devices such as dramatic irony, soliloquies, and foreshadowing, Sophocles reveals to the audience the conclusion to the mystery of Oedipus before the hero has solved it himself; forcing the audience’s attention towards character growth of the hero, over the actual development of the mystery.
They sit, entranced in the magic of his words. He pauses. On the edge of their seats, they await in silence his next utterance. The one spoken of is not a bard or man refined in the art of song, but rather a warrior scarred and hardened through intense conflict. He has a special mastery of the spoken language that enraptures his audience and a gift that endows him to command and persuade them without physical force. This man is a manipulator of words, a subtle combatant. The proverbial "He" represents Odysseus in Homer's epic adventure The Odyssey. Youthful Athenian men gained wisdom and admonitions about the machination of words by studying Odysseus's shrewd intellect, and in contrast the use of persuasion by Eurylochus whose ignorance brought about the demise of their comrades.
In this scene, Caesar shows no eagerness to gain power or fame as the citizens have assumed therefore showing no ambition whatsoever. The imagery and logical reasoning persuade the audience into rethinking if Caesar was ambitious and believe that Caesar was
In Oedipus Rex by Sophocles and “The Lottery” by Shirley Jackson, there is a deception where readers think one thing, but are presented with a different point of view. They are profoundly similar for various reasons regarding structure and theme. They are complementary in establishing the primary conflict of drama during the storyline; however, Oedipus Rex encompasses foreshadowing that divulges drama from past experiences. Additionally, the authors incorporate violence as a key component in the conflict presented. However, the drama differs in plot, as well as symbolism, in which the reader understands it before or amid the story through gradual discovery. The themes and presentation of these dramatic plots are initially compelling, distinctive,
In the epic poem, The Odyssey, Odysseus finally found his way back home during the hardest time of his life. Over the course of 10 long years, Odysseus encounters monsters, gods and suitors who strive to interfere with his return to Ithaca. The strength of this war-hero aided his journey home, but his intelligence and love for his family allowed him persevere through barriers that stood in his way. In the Odyssey by Homer, Odysseus shows the importance of cunningness and trickery to overcome deteriorating obstacles.
William Shakespeare’s Julius Caesar utilizes similar methods. As shown in Julius Caesar and The Prince, a leader who follows Machiavelli’s advice will accomplish their goals; if the leader does not adhere to Machiavelli’s recommendations, then the leader will not fulfill his aspiration. A character from Shakespeare’s Julius Caesar, Cassius, exhibits Machiavellian attributes of manipulation and a drive to accomplish his goal of assassinating Julius Caesar by any means. Cassius was able to successfully manipulate both Brutus and the fellow conspirators. Cassius was able to influence Brutus enough to make Brutus believe that killing Julius Caesar, Brutus’ best friend, was the right action.
The sum of all human traits is defined as human nature, meaning the excuse for our vices, and the flaws of mortal life. In Homer's The Odyssey, the main character Odysseus demonstrates these flaws throughout his journey, constantly struggling through the eternal fight for realization of life and death, and is weighed down by the never ending power struggle of nature versus mankind.
Every person has their own individual beliefs and values that they live by. There is a line that one believes they will never cross. However, people can also be easily persuaded to abandon these values if the reasoning is fair enough. This is human nature. To manipulate someone is to use or change them for a specific purpose. In Shakespeare's play The Tragedy of Julius Caesar, he illustrates how easily people can change their minds through manipulation. He conveys how people can be manipulated, how they manipulate themselves, and how they manipulate others.
Throughout the Odyssey, there are many relationships that represent love between two people. These relationships show loyalty, compassion, and the wanting to be near one another. Two of these kinds of relationships are between Odysseus and Telemakhos, and Odysseus and Penelope.
Manipulation is a very powerful word. People use this tactic everyday to get what they want in life. By deceiving people or tricking them into seeing a certain point of view, people gain power. To skillfully use the power of manipulation a person must use another person's weaknesses. By using a person's emotions against them, they can be manipulated with ease. In Shakespeare's Othello, the character of Iago uses these tactics almost to perfection to achieve his goals.
The Odyssey, an epic poem written by Homer and translated by Robert Fitzgerald, is about the war hero Odysseus' ten year adventure to return home after the Trojan War. At one point in the epic poem, Odysseus is retelling his adventure at the land of the Kyklopês, in which he and his crew go to an island filled with these creatures. Through Odysseus, Homer uses contrasting connotation when speaking of the crew and the Kyklopês to convey that mankind is better than the Kyklopês using two different domains domains of society.
In William Shakespeare's play The Tragedy of Julius Caesar, two speeches are given to the people of Rome about Caesar's death. In Act 3, Scene 2 of this play Brutus and Antony both try to sway the minds of the Romans toward their views. Brutus tried to make the people believe he killed Caesar for a noble cause. Antony tried to persuade the people that the conspirators committed an act of brutality toward Caesar and were traitors. The effectiveness and ineffectiveness of both Antony's and Brutus's speech to the people are conveyed through tone and rhetorical devices.
The word manipulation is most commonly defined as exerting shrewd or devious influence especially for one’s own advantage. The most common manipulation used to influence human behaviour is known as psychological manipulation. Psychological manipulation is a type of social influence that aims to change the perception or behaviour of others through underhanded deception. In the tragic play, Hamlet, by William Shakespeare, the author demonstrates the use of manipulation through the two main characters Prince Hamlet and King Claudius. The character fulfill their needs through dishonesty and learn that the effects of manipulating other has serious consequences that is able to manifest into a powerful force that consumes all aspects of one’s self. Just like how Hamlet uses his actions to manipulate the people around him to avenge his father’s death and how Claudius uses his words, actions, as well as his power as king of Denmark to manipulate people into fulfilling his needs. Through these characters the readers learn that by putting up a false mask of deception one loses their self as the lies take over.
Sophocles’ tragic play, “Oedipus the King”, or “Oedipus Rex” as it’s known by its Latin name, is the Athenian drama that revolves around the events which lead to the demise of Oedipus Rex. The King Oedipus is forced down a preordained path that throws his entire world into a spiral of tragic providence, in this trilogy of a Theban play. Sophocles assigns the tragic hero to a downfall with the impossibility of changing the written fate; perhaps the views of today’s society would feel sympathy for the predicament that Oedipus is forced into, however, the publics of ancient Greece would accept that the path laid before them was a creation of the Gods. “Oedipus the King” reflects the ancient Greek credence in the belief that a person can do nothing to avoid their destiny, an idea that contrasts with what society believes today.