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What Literature Teaches About Different Cultures
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An Encounter with Anti-Black Racism in Mexico
Mandinga is a coastal village located thirty-eight kilometers south of Veracruz, Mexico. I would not have paid attention to its mention in a guidebook had it not been for a conversation. A few weeks before traveling to Veracruz, I attended a Spanish/English language immersion school in Cuernavaca. There were four of us in class outside in the garden with our instructor said that it was time for our break. We passed the time by engaging in small talk. I don't know how it happened, perhaps someone mentioned Rodney King or Dr. Martin Luther, King Jr., but we started talking about race and racism. I do remember what the instructor said: "We don't have the problems you have with the blacks. All of our blacks live on the coast." By "you," he meant, the United States. He smiled as he said this, straight white teeth gleaming. I looked up at the sky to keep my anger from showing. I felt it rising, sticking in my throat, clawing to get out. I got quiet for a minute. And then I asked him what he meant. He said that all the government in Mexico makes all their black people live along the costal areas.
I went to Veracruz searching for more than just a black sand beach and coastal waters. When I read the word, "Mandinga" in the guidebook I thought about the novel Mandingo by Kyle Onsott, a
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A little over thirty minutes later the driver turned off the coastal road and I saw the sign, "Mandinga." I got up and walked to the front and asked the driver to stop and let me out. He looked at me like I was crazy, but did as I asked. I walked to town along a dirt road. I was not on a nature walk—I searched for faces. And after a while I saw them, dark brown to black and no mistaking by their hair, lips and noses that they were descended from Africans. And it dawned on me that the only black person that I had seen during my entire visit to Mexico had been myself when I looked in the
Corchado, Alfredo, Midnight in Mexico: A Reporter's Journey Through a Country's Descent into Darkness , 2013, Penguin Press
Norma Elia Cantu’s novel “Canícula: Imágenes de una Niñez Fronteriza” (“Canícula: Snapshots of a Girlhood en la Frontera”), which chronicles of the forthcoming of age of a chicana on the U.S.- Mexico border in the town of Laredo and Nuevo Laredo in the 1940s-60s. Norma Elia Cantú brings together narrative and the images from the family album to tell the story of her family. It blends authentic snapshots with recreated memoirs from 1880 to 1950 in the town between Monterrey, Mexico, and San Antonio, Texas. Narratives present ethnographic information concerning the nationally distributed mass media in the border region. Also they study controversial discourse that challenges the manner in which the border and its populations have been portrayed in the U.S. and Mexico. The canícula in the title symbolizes “The dog days of 1993,” an intense part of summer when the cotton is harvested in South Texas. The canícula also represents summer and fall; also important seasons and concepts of that bridge between child and adulthood. She describes imaginative autobioethnography life growing up on ...
“Complexion” by Richard Rodriguez is a story I don’t feel I can connect and identify with because even though I am a Mexican American, I have never gone through his painful circumstances. This is the story of a Mexican American in United States who went through countless racism, insults, and disappointments. He encountered moments of inferiority because of his ethnic group and color skin. He was a person that not only was offended in public, but also he received criticism from his mother. There is a quote from his mother that says, “You know how important looks are in this country. With los gringos looks are all that they judge on. But you! Look at you! You’re so careless!” (Line15-19) By these words I can mention that humiliation and judgment
In the book Drink Cultura by Jose Antonio Burciaga talks about how it is not easy to get into one place and get anything you want in this world or something you wish for, but it’s something you have to work for, like any other person. It also explains how it is being an immigrant, and how it is to grow up in the United States as in immigrant and how had it is, and the obstacles that as in immigrant we have to overcome. Antonio Burciaga specifically talks in his book the Chicano history, the language that we speak as a person, the family values and how we as a Chicano stick together. One quote of Burciaga is “Naces pendejo, mueres pendejo --- You were born a pendejo and you will die a pendejo (Burciaga10)”. This particular quote caught my attention because the author gives you a taste of what he experienced, and what kind of language they used. “When the wells of emotion are filled only by resentment, a crying sense of injustice, racist, affronts, deliberately designed frustrations to personal development and social worthiness (Burciaga131)”. This quote talks about how we as Chicanos have the motivation by bringing in our passion from the past, but as soon as someone brings that wall down of us having that one positive outcome, we can go into a lot of resentment towards other people, and think to ourselves at some point that we are worthiness. In chapter “The Motherland” the author talks about the pride people take about being Latinos, he talks about being back in Mexico and how it’s all so different once you’ve lived on the other side, a quote that gives you a mental picture would be “Many white Euro-Mexican will shrug their shoulders, declare they are 100 percent Mexican do not partition or categorize their ancestry. On the contr...
Sherman Alexie is very well known for his takes on Native Americans in modern American society. His books and stories most often are inside thoughts of situations that are occurring or have already occurred. Two of his shorter stories highlight two very different situations but in a sense connect with another. “Flight Plan” and “Breaking and Entering,” although confronting Native American characters, reveal to the reader the important information about American life in general. “Flight Plan” is a story that involves an encounter between a Native American business man and an Ethiopian taxi driver. This story takes place in a taxi cab, revealing personal information to allow the reader a generalization of how people of color are too judgmental, not just one group in particular. “Breaking and Entering” is a short story telling the recollection of events an American Indian editor faces before, during, and after a breaking and entering while he was home and the death he inflicted on a young Black male. Sherman Alexie uses his collection of stories to describe how Americans as a whole judge according to what race/ethnical background the judged is assumed to belong to and that those judgments are based on unreliable stereotypes. Sherman Alexie reveals to the reader in “Flight Patter” and “Breaking and Entering” that the American society tends to judge the individual according to the groups of inclusion that the individual is assumed to belong to.
Torres, Hector Avalos. 2007. Conversations with Contemporary Chicana and Chicano Writers. U.S.: University of New Mexico press, 315-324.
Literary magazines were not remotely interested in publishing Gilb’s stories, which focus primarily on the professional and personal struggles of working-class Mexican Americans. But his unapologetic stories about working-class Mexican Americans have made him a voice of his people (Reid130). Gilb’s short stories are set vividly in cites of the desert Southwest and usually feature a Hispanic protagonist who is good-hearted but often irresponsible and is forever one pink slip or automotive breakdown away from disaster (Reid130).
The corrido has been identified as having distinctive characteristics that make up its theme and plot. First, the corrido has a “context of hostile relations between Anglos and Mexicans along the border and the establishment of a scenic structure, geographical locale, and opposing social forces” (Mendoza 146). The corrido’s hero “is a hard-working, peace-loving Mexican, who, when goaded by Anglos, outrages into violence, causing him to defend his rights and those of others of his community against the rinches, the Rangers” (Saldívar). This hero “is quickly introduced in legendary proportions and defiant stature” and many people must die before the hero reaches his triumphant, but tragic, demise (Mendoza 146). The Anglos in the corrido, meanwhile, are not one-dimensional villains but “complex figures who contain positive as well as negative qualities” (Mendoza 146). These distinctive traits of a corrido – setting, conflict, and characterization, among others – ...
Moraga, Cherrie. “Queer Aztlan: the Reformation of Chicano Tribe,” in The Color of Privilege 1996, ed Aida Hurtado. Ann Arbor: University Michigan Press, 1996.
Martinez, Oscar. Border People: Life and Society in the U.S.-Mexico Borderlands. (Tucson: The University of Arizona Press, 1994), 232.
Similar to Adnan and Zitkala-Sa, Rivera writes of discrimination towards a specific group of people, however, Rivera writes of direct discrimination for no apparent reason. The discrimination can not be justified because of a fight for land in the case of the Palestinian-Christian and Native American-American cause, instead, the hate is caused solely off of the difference in skin color. The main character is picked on and socially excluded at school due to his Hispanic heritage. There is a specific boy who often makes him feel mad and embarrassed. Rivera describes an encounter with this boy, ““Hey, Mex… I don't like Mexicans because they steal. You hear me?” “Yes” “I don't like Mexicans. You hear, Mex?”” (Rivera, 93-94). Besides the obvious racism, the boy is badgering the main character—trying to get under his skin. The boy stereotypes the main character based off of the main character’s skin color and accordingly acts in a hateful manor. Sadly, many Americans stereotype minorities without personally getting to know the individual. Based off of the main character’s Mexican heritage, the American boy assumes that he steals. However, this sort of racism towards other races on American land is rooted in an even deeper hate, the hate of the Native
What would it be like to wake up everyday knowing you would get bullied, mistreated, and/or abused just because of where you were born? Discrimination still exists! “Discrimination remains and there is an increase in hate crimes against Hispanics, Latinos and Mexican-Americans, as one of the perceived symbols of that discrimination, the U.S.-Mexico Border Fence, nears completion. Instead of pulling together in these difficult times, we may see a greater polarization of attitudes” (Gibson). But why are hate crimes increasing towards Latin and Hispanic aliens and what types of discrimination are occurring against them? Understanding violence towards the Hispanic and Latin alien is divided into three main classes; the difference between legal and illegal aliens, the attacks and effects, and the point of view of different people towards aliens.
Paz, Octavio. "Pachucos and Other Extremes" in The Labyrinth of Solitude and The Other Mexico New York: Grove Press, 1985
I have recently visited the web-site "Chicano Park" and viewed the video Chicano! I took a critical look at both and evaluated how well the two educated the general public to the issues of Mexican American history. As a point of reference, I used information from the Vargas book, along with class lectures and discussions, and compared it to information found on the video and the web-site. In the following essay I aim to show that the video and web-site do not serve as adequate tools to educating the general public. While they do touch upon many issues of Mexican- American history, they do not do so with the detail of Vargas. Also, they do not depict the hardships experienced by the Mexicans and the racism of the Anglos as well as the Vargas book.
In the first Chapter of the book ‘A Different Mirror’ by (Takaki, 1993) the author embarks on a descriptive narrative that tries to elaborate the concept of a multiracial America. The chapter begins with the author taking a taxi ride in which he is subjected to racial discrimination. The taxi driver questions the author’s origin owing to the fact that his English is perfect and eloquent. This incident prompts a discussion that transpires throughout the chapter as the author tries to explain to his audience that America is a multiracial country with different ethnic groups that moved from their homelands to settle in the United States. The chapter discusses the settlement of various racial groups such as; English immigrants, African Americans, Asian Americans, Chicanos and the Irish.