On occasion, a person’s motivations have the power to make their dreams a reality. This is clearly seen in the story of Philippe Petit and his dream as a young adult to tightrope walk between the infamous Twin Towers of the World Trade Center. In August 1974, Petit achieved this goal. Many years after his momentous performance, a documentary titled Man on Wire was created to capture the events that occured prior and subsequent to Petit’s most famous walk. The movie includes a series of interviews from those involved with Petit and the man himself, reenacted video clips and actual pictures. Overall the movie has been well received and even notable movie critics have given some of their own thoughts on this movie. The movie Man on Wire directed by James Marsh is an elegantly constructed documentary that fascinates and inspires any person that watches to follow their own desires.
The movie provides the audience with a storyline capable of capturing their full attention. The collection of
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all the different video clips really helps to tell the story in a way that interests the audience. Movie critic Ken Fox claims, “The film runs 95 minutes, and you'll be holding your breath for most of them.” Though the movie is completely nonfiction and the audience already knows that Petit’s mission is successful, it is still filled with the element of suspense. Instead of the audience being captivated by the thought of what Petit is going to do, they are entertained by the thought of how Petit is going to do it. The reenacted video clips that are incorporated into the movie look incredibly realistic, making such a fantastical undertaking feel more tangible and attainable. Listening to Petit pour out his passion within the interviews also intrigues the audience. Though the movie’s storyline is incredibly interesting, some parts are confusing because the events are not told in chronological order. The director chooses to follow the chronological timeline of events until some point where the storyline switches between the actual event at the World Trade Center and then the process before it. In his review of the documentary, Robert Ebert says, “Ingeniously using actors and restaging events, Marsh fleshes out the story with scenes that could never have been filmed….” The praise given to the film’s reenacted scenes is well appropriate, as it really takes viewers into the world of those involved in the tightrope walk. The whole premise of this event is already a such a grand story to tell, so it was natural for it’s telling to be just as grandiose. However, I feel that the lack of clarity took away from some of this feeling. It was not entirely clear until minutes after the start of a new scene when the story would shift backwards chronologically and then back again to where it started. Even though the storyline was eventually understood, it is easy for the audience to get lost in the telling of it. However impressive at times, the cinematographic elements that are incorporated in the movie are often jarring and awkward.
There are moments in the movie where the transition between different scenes did not feel smooth. Peter Bradshaw says in his criticism, “James Marsh's documentary about this sublime piece of audacity does full justice to Petit's vision.” I do believe that the combination of reenactments and interview video clips contributed to the beauty of the film. The way that the reenactments were shot was so well done that it was hard to discern actual footage from a reproduction. There were just some elements of the cinematography that could have been done differently in order to fit more appropriately. Not all the transitions were smooth and the use of the hard light on the people being introduced for an interview were borderline gimmicky. Despite this negative criticism, however, I feel as though they contribute to the movie’s ability to capture the audience’s
attention. Man on Wire is a well developed and produced documentary capable of mesmerizing and emotionally impacting its audience. Philippe Petit’s story starts off as a fantasy, seemingly unrealistic and past surreal. However, Petit’s drive and motivation along with the support of many others are what allows him to complete such a feat that will go down in history. It is this spirited initiative that enthralls viewers of this documentary. The passion from the man himself is clearly shown when he retells multiple events within the movie. The telling of Petit’s story is nicely presented by many interviews conducted with various people involved and remarkably done reenactments. Petit’s story illustrates how any person is capable of achieving their goals once they set their mind to it, even if their head is in the clouds.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
40 oz. to Freedom '89 Vision 100 Wieght of Collie Weed =5446 (That's My Number) Adult Books Ain't No Prophet =
the film was going to show. The film gave us an insight into what the
Philippe Petit changed numerous peoples’ thoughts about the Twin Towers when he performed his high wire walk between them in 1974. Before Philippe Petit walked the high wire between the Twin Towers in 1974, people weren’t certain how they felt about the construction of the World Trade Center. After Philippe performed, people began to warm up to the idea of the towers. Philippe Petit walked the high wire between the Twin Towers on August 7, 1974. This event prompted Andrew McMahon to write the song “Platform Fire” about this event for his band, Jack’s Mannequin. This song was not a hit for the band; however, fans of Jack’s Mannequin seem to have a special place in their heart for it.
Indeed, I found that this documentary had distinctive and remarkable visuals. I specifically liked the recreation of certain scenes. I liked how when the narrator was speaking about the middle passage the background would change to make it look like if Henry Louis Gates Jr. was traveling back in time to that specific moment. Furthermore, I liked how the filmmakers keep the events in chronological order and how the nar...
Citizen Kane has earned the prestigious honor of being regarded as the number one movie of all time because of Welles’ groundbreaking narrative and plot structures that paved a path for the future of the film industry. Though critics have viewed the film with such prestige over the years, a present day viewer might encounter a great amount of confusion or difficulty as to why Citizen Kane is the number one movie on the American Film Institute’s top 100 movies of all time. Especially considering the modern day film industry, Welles’ production does not measure up to the amount of thrill and entertainment audiences experience today. Not even considering the possibilities with special effects and technology, Citizen Kane seems to lack an exciting plot that might involve some action or twists instead of the gossip of a man’s life that we no longer appreciate. In 1941, the general public could greatly appreciate the connections between Kane and William Randolph Hearst unlike young adults watching the film now.
Even though there is a great amount of audience participation, one really has to turn your attention to the actors in the movie. It takes a special kind of person to really understand the movie they are in.
to show the genre of the film and how it is meant to be perceived. All
It is a common mis-conception that films are merely entertainment, and serve no other purpose than to provide for the viewer a two-hour escape from reality. This is a serious under-estimation of the power, purpose, and potential of film, because film, upon reflection, revea...
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
Piper, Jim. Get the Picture? The Movie Lover’s Guide to Watching Films. 2nd ed. New York, New York: Allworth, 2008. Print.
The film’s story does not simply shines forth, but is also the foundation of the plot. The film’s plot makes the traditional guidelines applicable...
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
Boggs, J. & Petrie, J. (2008). The Art of Watching Films. New York, NY: The McGraw-Hill Companies. p. 2-463.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.