Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Critical overview of the play twelfth night by WILLIAM SHAKESPEARE
The role of Malvolio in Twelfth Night
Character of malvolio in twelfth night
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Malvolio and the Way he is Treated in William Shakespeare's The Twelfth Night
Malvolio is an extremely complicated and difficult character to study
because of his mixed, complex personality. At times in the play he
seems very reliable and loyal but sometimes he seems foolish and weak,
and in many scenes in the play the audience are encouraged to laugh at
him, his actions or his words. He is not portrayed as a lovable
character, which makes the play funnier. Also, the way that Malvolio
seems humourless actually makes him humorous. Just Malvolio's name can
give you some idea of his personality, it means in Latin
"evil-wishing!"
Malvolio's first appearance is in Act I Scene 5. His humourless
character can be seen straight away in this scene because he is not
amused by Feste's attempts to cheer up a saddened Olivia. He talks
about Feste in a rude way, as if he is higher than the fool:
"I marvel your lady takes delight in such a
barren rascal. I saw him put down the other day
with an ordinary fool, that has no more brain than a
stone. Look you now, he's out of his guard already!"(Lines 81-84)
Olivia is not happy with this attempt to be unkind and offensive to
Feste and is quick to respond in Feste's defense:
"O you are sick of self-love, Malvolio and taste with
a distempered appetite." (Lines 89-90)
Later on in the scene Malvolio tells Olivia that Viola/Cesario wishes
to see her. He tries to make Viola/Cesario sound worse than what "he"
actually is because Malvolio wants to keep "him" away from Olivia. His
attempts fail and eventually Olivia talks with Viola/Cesario.
When Viola/Cesario leaves, Malvolio is instru...
... middle of paper ...
...also to teach him a
lesson, but instead of learning from the experience Malvolio is
vengeful and says that he will make plans to get his revenge. The
audience would now see that he had not changed and was his usual
angry, pompous and self-righteous self!
Malvolio's character adds to the story of Twelfth Night. If he was
kind, caring and not at all gullible the story of Twelfth Night would
not have the same interesting and comical theme to it. I think that
although Malvolio was mistreated at the end of the play it is only
what he deserved. He was just as horrible and vengeful as Sir Toby and
his friends and probably would have done the same thing in that
situation. Even though he is not one of the main parts he is still
very prominent in the play's storyline and adds to the overall picture
that Shakespeare paints.
In The Twelfth Night Maria (Olivia’s clever servant) plays and awful trick on Malvolio (Olivia's steward). According to the play, Maria devilishly states, “...I will drop in his way some obscure epistles of love… I can write very like my lady...” (2.3.143-147).
His inflated ego has lead him to misinterpret Lady Olivia’s feelings for him-or rather, her lack of feelings. Although he already has the notion that he should end up with the Lady, he is fooled by Sir Toby, Maria, and Sir Andrew, believing Olivia feels the same for him. The tricksters deliberately write a letter indirectly addressed to Malvolio, divulging “Olivia’s” hidden love for the steward. Without giving much thought to the credibility of this discovered letter, Malvolio follows its enclosed instructions, unwittingly earning the real Lady Olivia’s disfavor (2.5.91-195). “This and his continuous disapproval of Sir Toby and Sir Andrew's drinking, earn him their hatred and he quickly becomes their pawn in a complex romantic ruse” (Review at Absolute
In William Shakespeare’s Twelfth Night, Malvolio is considered an outcast by almost everyone in the play. He doesn’t act the same way that any of the other characters act, in that he doesn’t participate in any of their activities, he enforces rules that the others could care less about, and he is just overall a socially awkward guy. Malvolio not only claims to adhere to the rules of the household himself, but uses his relations with Olivia to try and help make the others follow the rules as well. This upsets certain characters more than others. For instance Sir Toby, Sir Andrew and Maria find his behavior particularly detestable. But Malvolio’s strict coherence to the rules allows him to have a rather high position in Olivia’s household. While Malvolio may be considered a social outcast to most of the characters in the play, Olivia considers Malvolio to be a very trusted steward of her household. For these reasons Malvolio is not only a social outcast, but an outcast that Shakespeare uses to keep people interested in his play.
Romeo and Juliet has many themes which are fate, death and love, these are all intertwined. At the very beginning of the play, before we even know the characters, we know that ‘death-marked’ ‘Star crossed lovers’ will ‘take their lives’ which already brings in the major themes. Shakespeare uses dramatic irony throughout the play and builds up the tension until Act 3 scene 1 where death starts to play a role. The Prologue also informs us about the Montagues and Capulets dislike for each other. The theme of love is also there thought the play. There are different types of love, the unrequited love the Romeo feels for Rosaline and that Paris feels for Juliet. There is also the love between friends such as with Romeo and Mercutio as Mercutio dies to protect Romeo’s honour and then Romeo avenges his death, and then the romantic love Romeo and Juliet share. I believe the Mercutio is one of the main characters in this play. His speeches tell us a lot about him and his actions have a large affect on the ending of the play. Mercutio’s name means mercurial meaning “an unpredictable and fast changing mood” which is an accurate description of Mercutio's personality because in Queen Mabs speech at the beginning he is joking and seeking attention, but at the end he becomes serious and angry.
Mercutio and Benvolio encountered Tybalt on the street of Verona and soon enough the newly wed Romeo came. Tybalt then provokes a fight with Romeo, " 'Romeo the love I bear thee can afford no better term than this: Thou art a villain', said Tybalt." Shakespeare's play (3, 1, 61-62, 119). Romeo, on the other hand, turned down Tybalt's invitation with a response of, " 'Villain I am none. Therefore, farewell. I see thou knowest me not.' " (3, 1, 65-66, 119). Mercutio was greatly disappointed with Romeo so he just accepted Tybalt's challenge, which caused his death. Mercutio died cursing the Capulets and Montagues. Romeo felt the pain of Mercutio's lost. He craved for revenge over Tybalt so he slain him from his return. The lost of a best friend pushed Romeo to kill Tybalt. He never realized that it would end up that way, that he will lose him. It was the moment that he felt the importance of Mercutio in his life.
“O, beware, my lord, of jealousy;It is the green-eyed monster which doth mock.The meat it feeds on; that cuckold lives in bliss. Who, certain of his fate, loves not his wronger; But, O, what damned minutes tells he o'er. Who dotes, yet doubts, suspects, yet strongly loves” (3.3.163-168). In Shakespeare’s Othello, jealousy is the common theme that becomes Othello’s undoing. Through text in the play, the audience can notice Othello slowly begin to become crazed through his speech.
Andrew is funny, it is not intentional. His faults include a lack of wit, a
After Malvolio establishes that "Olivia" writes the letter he then begins to interpret the letter to suit his situation. "`M'--Malvolio! `M'! Why, that begins my name" It is humorous because he believes the letters "M.O.A.I" is an acronym for his name. However the audience knows that it is a device cleverly thought up by Maria that has obviously succeeded in its purpose to trick Malvolio.
Debra Winger had stated once that “Most bad behaviour comes from insecurity”, this could not hold anymore truth in Shakespeare’s “Othello” as the story progresses only due to the insecurities of the characters. For starters, Othello is the protagonist so we get to see his internal conflicts about societal standards and judgement on display. Meanwhile, Iago’s vulnerabilities as a villain are only showed during his monologues as he is hinted to having a superiority complex against Othello, and a complete reverse of Iago, Cassio’s issues are visible from the readers perspective and the characters as his reputation is slandered and used against him. These are all prime examples of how insecurity was used as a primary plot device to advance the
When many people decided to sit down and read a book or a play it is because the title or summary entices them. As the story comes to an end it is decided whether or not the person related to or understood the point of the literature. Great authors and playwrights know this and set in place concepts. Many different concepts, to catch different audiences attention and to deepen the understanding of the literature. In order to understand Shakespeare’s play Othello, it is necessary to examine the emotions of jealousy, manipulation, being consumed by something, and gender.
Hatred, in Shakespeare’s Othello, destroyed the lives of so many innocent people, creating an atmosphere of fear and mayhem. Jealousy turned into a deep hatred, and liberated the "beast in man" (Bloom's major dramatists).This mayhem caused a substantial amount of destruction and led to the demise of many.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
that Olivia is in love with him is a good example of a humorous and
the final act of the play, he desperately tries to maintain his own fancied idealized image where he says in his own words:
William Shakespeare's, Twelfth Night has many themes, but appearance vs. reality is the theme that illustrates a different picture from two perspectives, there are many characters behind their masks and disguises. Some are hiding love behind these disguises and some are trying to show their love through a different disguise. They both still being servants are using disguise differently. Malvolio, servant of Olivia, falls in love with the trap (the letter) thinking his lady likes him, and to show his love he uses a different appearance to express it. Viola, servant of Orsino, falls in love with him, but secretly, not wanting to express her love for him, because of her disguise as her barrier for that case. Viola/Ceasario is wearing a disguise and secretly loves Orsino. Malvolio, on the other hand, is also a servant but still changes his appearance to express love for the great lady Olivia. This essay will prove that disguises and appearances are symbolic of the characters named Viola and Malvolio and are differently used for both.