Malmar McKnight’s The Storm
Malmar McKnight’s frightening story, “The Storm”, weaves a violent storm and murder together to heighten the horrific fears that engulf Janet Willsom. “The Storm” is a combination of Mother Nature, Janet’s emotions, and her heartbreaking dilemmas. The eerie mood is revealed throughout the story. Figurative language helps the reader bring the story to life in his/ her mind. The author’s use of irony is devolved through Janet’s changed perception of the storm.
Throughout the story, the mood becomes more suspenseful. As Janet walks out of the strong spring storm and enters her cold damp house, she is overcome by feelings of isolation and loneliness. Her husband is not there; there are dead plants around her house as if nobody has been there for a lo...
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
A storm such as Katrina undoubtedly ruined homes and lives with its destructive path. Chris Rose touches upon these instances of brokenness to elicit sympathy from his audience. Throughout the novel, mental illness rears its ugly head. Tales such as “Despair” reveal heart-wrenching stories emerging from a cycle of loss. This particular article is concerned with the pull of New Orleans, its whisper in your ear when you’ve departed that drags you home. Not home as a house, because everything physical associated with home has been swept away by the storm and is now gone. Rather, it is concerned with home as a feeling, that concept that there is none other than New Orleans. Even when there is nothing reminiscent of what you once knew, a true New Orleanian will seek a fresh start atop the foundation of rubbish. This is a foreign concept for those not native to New Orleans, and a New Orleanian girl married to a man from Atlanta found her relationship split as a result of flooding waters. She was adamant about staying, and he returned to where he was from. When he came back to New Orleans for her to try and make it work, they shared grim feelings and alcohol, the result of which was the emergence of a pact reminiscent of Romeo and Juliet. This couple decided they would kill themselves because they could see no light amongst the garbage and rot, and failure was draining them of any sense of optimism. She realized the fault in this agreement,
'The Storm' and 'The Story of an Hour' expresses the attitudes of two women's rebirth and liberation. These two stories are alike in several ways. Natures plays a major role in both of these women's lives. Calixta and Mrs. Louise Mallard struggle to find their independence and in doing so the endings are triumphant and tragic.
The story opens by embracing the reader with a relaxed setting, giving the anticipation for an optimistic story. “…with the fresh warmth of a full summer day; the flowers were blossoming profusely and the grass was richly green (p.445).”
Kate Chopin's "The Storm", is a short story about a brief love affair that takes place during a storm that has separated Calixta with her husband and son. The title "The Storm" is an obvious reference to the storm outside, but more importantly to the love affair that takes place. The title refers to nature, which is symbolically used again and again in the story. Chopin uses words like "somber clouds", "threatening roar", and "sinister intentions" to describe the approaching storm. Later in the story those same words in reference to the storm outside, will also be represented symbolically to the storm brewing inside with the love affair. In the beginning of the story Bobinot and his son Bibi stay at a store to let the storm pass by. Calixta, the wife , is at home by herself doing some chores around the house. As the storm starts to approach, Alcee rides in and asks Calixta if he could come in until the storm passes. It starts to rain immediately after he arrives. It's important to know that Alcee and Calixta had past together which he brings up to her later in the story. It is also stated that she has never seen him alone. The storm starts to increase outside, reflecting the sexual tension inside. The storm's sinister intention appears when "The rain beat upon the shingled roof that threatened to break an entrance...". It seems that the storm knows what is going on between the two and is threatening to break in and ruin their chances. They move through out the house and end up in the bedroom "with its white, monumental bed, its closed shutters, looked dim and mysterious. The bed being white symbolizes purity. The two then make their way to the window to watch the storm outside when lightning strikes nearby, falling back into his arms. The storm in a sense seems to be forcing them together now. They then embrace each other in the peek of the storm where things really start to get stormy in the love affair. The two then start making out yahda, yahda, yahda. The thunder is now distant and passing away. The storm outside turns into a soft, lighter rain, being symbolic that the storm is ending.
Mrs. Mallard’s repressed married life is a secret that she keeps to herself. She is not open and honest with her sister Josephine who has shown nothing but concern. This is clearly evident in the great care that her sister and husband’s friend Richard show to break the news of her husband’s tragic death as gently as they can. They think that she is so much in love with him that hearing the news of his death would aggravate her poor heart condition and lead to death. Little do they know that she did not love him dearly at all and in fact took the news in a very positive way, opening her arms to welcome a new life without her husband. This can be seen in the fact that when she storms into her room and her focus shifts drastically from that of her husband’s death to nature that is symbolic of new life and possibilities awaiting her. Her senses came to life; they come alive to the beauty in the nature. Her eyes could reach the vastness of the sky; she could smell the delicious breath of rain in the air; and ears became attentive to a song f...
Throughout history writers have offered readers lessons through themes and often symbolized. In the story, “The Storm” by Kate Chopin is quite different from “The Girl” by Jamaica Kincaid; both have a different theme, symbol, throughout the stories. “The Storm” in Kate Chopin 's story can symbolize a number of different things: temporary, fleeting and quick action, and without consequences.
Each John, the narrator's husband in “The Yellow Wallpaper”, Brently Mallard, Mrs. Mallard’s husband in “The Story of an Hour” and Henry Allen, Elisa Allen’s husband in “The Chrysanthemums” unknowingly lead their wives to a state of mental confinement through their actions taken that are meant to help them. John tells his wife to rest and not to think of her condition for the sake of him and the children which drove her mad because
...way that the story is being interpreted and how the storm influences the story as a whole. Sometimes people need a wakeup call or a 'storm' to make them aware of how good they have things. In this short story Alcee and Calixta both come to realization of how good they have things with their spouses and how that they already found the ones that they love, which weren't each other. This made me aware of how we as people can take things for granted or believing we know what’s best for us. In reality we don't always know what’s best until something occurs and shows us that what we already have is the best.
As she spends more and more time isolated in her bedroom, with nothing else to occupy her mind, she gradually become fixated on the dreadful patterns of the paper and instantly foresee something else: the narrator eventually see a “strange, provoking, formless sort of figure, that seems to skulk about behind that silly and conspicuous design”(77). The narrator’s bedroom being a prison becomes more literal as from figurative when the loneliness and social negation intensifies her need for an escape from the pre-set nature of conduct created specifically for her (a mentally depressed and unwell women) by the people in her life especially by John. Throughout the story, the narrator’s psychological breakdown goes from a typical depressed mind and lacked awareness of identity, to a complete madness and reversed sense of self-esteem. She gradually changes the place she has in the physical world and fights back the social rejection she is facing by turning away from reality in exchange for a world where she has total control and can act according to her own will. The author uses the yellow wallpaper as a symbol for representing the phases of the narrator’s gradual deteriorating
Firstly, the narrator gives little detail throughout the whole story. The greatest amount of detail is given in the first paragraph where the narrator describes the weather. This description sets the tone and mood of the events that follow. Giving the impression that a cold, wet, miserable evening was in
Once her husband, John, realizes the deepness of depression that his wife is in due to her birth of their child he decides to take action. He decides to isolate his wife from the world for her own betterment. Once arriving in her newfound place of isolation where there is no stimulation, except for her journal, the narrator is placed within a room that is lined with yellow wallpaper. This yellow room is meant to free her from any stresses, but her dislike for the wallpaper concerns her. The pattern of yellow begins to become more of an obsession, being this is her only stimulation due to her confinement. She begins to visualize a woman behind her yellow wallpaper, this woman she sees seems to be trapped pacing behind the paper as if she is trying to free herself. It is not long before the narrator begins with withdrawal pieces of this wallpaper from the wall in attempt to free this trapped woman. As the novel ends the woman who once was in such disgusted with this yellow room now traps herself, locking herself away from
In conclusion, it is safe to say that loneliness is the most conveyed theme in this novel. For example, virtually everyone in this novel exhibits loneliness at some point. I believe that the Great Depression is the root cause for this loneliness and isolation to appear in this novel everywhere. The characters, even admit to feeling lonely and/or secluded because it affects their daily lives tremendously. The fact that Candy, Crooks, and Curley’s wife admit to complete strangers about their fear of being cast off is just another reason to believe that they are in complete desperation. All this evidence supports my thesis on why I strongly believe that I consider loneliness as the perfect theme to this essay.
The story unfolds in a rickety colonial mansion described by the narrator plainly as “a haunted house” (Gilman 1) with barred windows and rings bolted to the walls (Gilman 2). These features along with the “horrid” (Gilman 6) yellow wallpaper entrap the narrator and swaddle her in her own madness. As the “woman” (Gilman 6) in the wallpaper takes hold of the narrator’s psyche she grows sinisterly corporal, depicted through the unintelligible sporadic entries. The purpose of the narrator’s journal warps from entries assuring herself of the pettiness of her sickness to entries that confirm and act as horrendous safe haven’s for her unhinged mental condition. Entries like “I see her in that long shaded lane, creeping up and down. I see her in hose dark grape 'arbors, creeping all around the garden” (Gilman 8) juxtapose nonchalant writing style with dark subject matter in a way that creates a disturbing tone that must be uncomfortably ingested by
... feel of walking through the park on a crisp winter day—by exaggerating them and bringing them to the forefront. They had gotten lost in the routine of everyday life. Joyce’s novel is meant to do the same thing; it brings beauty and the reaction to it to the forefront through Stephen, giving the reader a frame through which he or she can recognize the forgotten beauty of his or her own surrounding world.