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James joyce's women
James joyce's women
Themes in james joyce the dubliners
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Male and Female Paralysis in Dubliners
Critics widely recognized that each story within James Joyce’s Dubliners contains a theme of paralysis. In fact, Joyce himself wrote, “My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis” (Joyce, letter to Grant Richards, 5 May 1906). Contained in this moral history called Dubliners are twelve stories that deal with the paralysis of a central male character and only four that deal with so called paralysis within a central female character. It could be said that Joyce did this merely because he is a male, therefore could write the character better. However, Joyce writes female characters just as convincing as male characters. In looking at the male-centered stories versus the female-centered stories I find a difference. As the author Marilyn French says in her book Shakespeare’s Division of Experience, “The basic distinction in human social order since the beginning of recorded history has been gender” (French, 11). While it is obvious that each of the stories within Dubliners deal with paralysis, I contend that the paralysis within a male character and the paralysis within a female character are essentially different.
Male paralysis is evident in the story “Araby,” about a young boy’s obsession over his friend’s sister. His life revolves around thinking about her and when the next time he is going to see her will be, even though he has never had a conversation with her. He comments, “I had never spoken to her except for a few casual words, and yet her name was like a summons to all my foolish blood” (Joyce 20). His life is ruled by this fascination, and when she final...
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...wrote the male and female characters differently within Dubliners.
Works Cited:
Benstock, Bernard. Critical Essays on James Joyce. G.K. Hall & Co. Boston, Massachusetts: 1985.
French, Marilyn. Shakespeare’s Division of Experience. Summit Books. New York, New York: 1981.
Joyce, James. Dubliners. Washington Square Press. New York, New York: 1998.
Seidel, Michael. James Joyce: A Short Introduction. Blackwell Publishers, Inc. Oxford, UK: 2002.
Works Consulted:
Fairhall, James. James Joyce and the Question of History. Cambridge University Press. New York, New York: 1993.
Garrett, Peter K., ed. Twentieth Century Interpretations of Dubliners. Prentice-Hall, Inc. Englewood Cliffs, New Jersey: 1968.
Torchiana, Donald T. Backgrounds for Joyce’s Dubliners. Allen & Unwin, Inc. Winchester, Massachusetts: 1986.
Irish American Magazine, Aug.-Sept. 2009. Web. The Web. The Web. 06 May 2014.
Julie Otsuka’s When The Emperor Was Divine told the unspoken stories of many Japanese-Americans during the Interment. Remembering the experiences that thousands of innocent people went through can leave them to feel uneasy and upset. The stripping of their identity and reclassifying them as enemy aliens left them with everlasting trauma and nightmares. Japanese-Americans were arrested, rounded up and transported to Internment camps across the United States where, in some cases, they were held for several years. Therefore, the Japanese-Americans during the Second World War had lasting repercussions from psychological, physical and financial aspects on the prisoners.
Many different depictions of gender roles exist in all times throughout the history of American culture and society. Some are well received and some are not. When pitted against each other for all intents and purposes of opposition, the portrayal of the aspects and common traits of masculinity and femininity are separated in a normal manner. However, when one gender expects the other to do its part and they are not satisfied with the results and demand more, things can shift from normal to extreme fairly quickly. This demand is more commonly attributed by the men within literary works. Examples of this can be seen in Tennessee Williams' “A Streetcar Named Desire”, where Stella is constantly being pushed around and being abused by her drunken husband Stanley, and also in Charlotte Perkins Gilman's “The Yellow Wallpaper”, where the female narrator is claimed unfit by her husband as she suffers from a sort of depression, and is generally looked down on for other reasons.
Prange, Gordon W., Donald M. Goldstein, and Katherine V. Dillon. At Dawn We Slept: The Untold Story of Pearl Harbor. New York: Penguin Books, 1981. Print.
The Japanese-American Internment experience lasted from 1942-1946. Approximately 120,000 Japanese Americans were affected. Many lost their property, health, sense of identity, and also patriotism during the experience. The internment brings into question the constitutionality of “military necessity” and also paved the way for the later Civil Rights Movement.
Burton, A. (1959). Case studies in counseling and psychotherapy (Prentice-Hall psychology series). Englewood Cliffs, N.J: Prentice-Hall.
On December 7,1941 Japan raided the airbases across the islands of Pearl Harbour. The “sneak attack” targeted the United States Navy. It left 2400 army personnel dead and over a thousand Americans wounded. U.S. Navy termed it as “one of the great defining moments in history”1 President Roosevelt called it as “A Day of Infamy”. 2 As this attack shook the nation and the Japanese Americans became the immediate ‘focal point’. At that moment approximately 112,000 Persons of Japanese descent resided in coastal areas of Oregon, Washington and also in California and Arizona.3
Twenty years after the First World War, humanity was, yet again, plagued with more hostility. September 1st, 1939 marked the start of World War II, this time, with new players on the board. Waves of fear and paranoia rippled throughout the United States, shaking its’ very foundation of liberty and justice for all. The waves powerfully crashed onto a single ethnic group, the Japanese-Americans, who had their rights and respect pulled away from them. They were seen as traitors and enemies in their own country, and were thrown into prison camps because of it. This event marks one of the absolute lowest points in United States history and has changed the course of the country as a whole.
"Romanticism." A Guide to the Study of Literature: A Companion Text for Core Studies 6,
Campbell, Joseph. Mythic Worlds, Modern Words: On the Art of James Joyce. New York: Harper Collins, 1993.
"Romanticism -- Britannica Online Encyclopedia." Encyclopedia - Britannica Online Encyclopedia. Web. 3 Dec. 2010. .
...ate with their therapists. “A systematic relationship between the therapists' personal reactions to the patient and the quality of their communication, diagnostic impressions, and treatment plans” (Horvath & Greenberg, ). While positive attitudes from the therapists are more likely to result in a successful treatment, negative attitudes will not develop the necessary cooperation from the clients side to successfully reach the goal of the therapy.
... of stories Dubliners, James Joyce leads the reader to the conclusion that the Catholic Church took the role of a governing body, and that modernist movement was inhibited by the outdated ideas of the Catholic Church. The story “The Boarding House” provides the reader with excellent examples of a priest who overextended his role in society, and it has been shown that such an occurrence has negative effects of the society as a whole. The Catholic church as a burdensome entity is very well shown in Joyce’s’ the “The sisters”. The story also provides us with a good explanation of the social connotations of religion within the modernist movement. In the stories of Dubliners the legal system is replaced by the institute of religion, and it is the presence and social context of the Catholic Church which prevents the Irish community from advancement.
One thing that really stood out to me is counter-transference. During class, I realized that I practice countertransference a lot when meeting with clients. My perception of countertransference was therapists developing feelings for clients. However, this is not the only case. Counter-transference does not have to only be romantic feelings towards clients. In many instances when clients share their feelings and their personal struggles, I find myself feeling bad for the client. As I see clients visibly upset, I do not challenge them to further express their feelings. Due to their struggles, I do not challenge clients to go further into their feelings and talk about their struggles. I may feel bad for the client and discourage them from talking about their issues. However, they may feel the need to get their feelings off their chest. I should not perceive that a client does not want to talk about they're a traumatic event or past events unless they say they say they do not want to. They should determine when and at what pace to work on the issues.
Peake, C.H. James Joyce: The Citizen and The Artist. Stanford: Stanford University Press, 1977. 56-109.