Male View of Hysteria Presented in The Yellow Wallpaper
Charlotte Perkins Gilman's short story "The Yellow Wallpaper" has been viewed as either a work of supernatural horror or as a feminist treatise regarding the role of women in society. A close analysis of Gilman's use of symbols reveals "The Yellow Wallpaper" as her response to the male view of hysteria from ancient times through the nineteenth century. " In "The Yellow Wallpaper" Gilman questions the validity of Hippocrates's theory of the wandering uterus and Weir Mitchell's "rest cure". As she wrote in her essay "Why I Wrote the Yellow Wallpaper?", "[the story] was not intended to drive people crazy, but to save people from being driven crazy…" (107). By her own account, Gilman's purpose in writing "The Yellow Wallpaper" was to educate and inform the public of the misinterpretation of hysterical symptoms.
The origin of the word hysteria expresses the belief in the inferiority of women. As James Palis writes in The Hippocratic Concept of Hysteria: A Translation of the Original Texts: "Etymologically, the term usteria (hysteria) derives from ustera (hystera), the Greek word for uterus, which means an inferior position. Thus, usteria denotes suffering of the uterus, the most inferior organ in the female" (226). The fact that the literal translation of hystera is "inferior position" reinforces the fact that from ancient times women were viewed as physically inferior to men.
Since the one major physical difference between women and men is the presence of the uterus, psychological problems that were considered to be strictly female were attributed to some malfunction of the uterus. Hippocrates first proposed in his work "The Art of Healing"that hysteria wa...
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Meyer, Cheryl L. The Wandering Uterus: Politics and the Reproductive Rights of Women. New York: New York University Press, 1997.
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Palis, James., et al. "The Hippocratic Concept of Hysteria: A Translation of the Original Texts." Integrative Psychiatry 3.3 (1985): 226-228.
Hysteria has no place in a society because it is wrong. It causes chaos and confusion and in these cases death.
"The Yellow Wallpaper," by Charlotte Perkins Gilman, depicts a woman in isolation, struggling to cope with mental illness, which has been diagnosed by her husband, a physician. Going beyond this surface level, the reader sees the narrator as a developing feminist, struggling with the societal values of the time. As a woman writer in the late nineteenth century, Gilman herself felt the adverse effects of the male-centric society, and consequently, placed many allusions to her own personal struggles as a feminist in her writing. Throughout the story, the narrator undergoes a psychological journey that correlates with the advancement of her mental condition. The restrictions which society places on her as a woman have a worsening effect on her until illness progresses into hysteria. The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression." In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
John Locke was an English philosopher who lived during 1632-1704. In political theory he was equally influential. Contradicting Hobbes, Locke maintained that the original state of nature was happy and characterized by reason and tolerance; all human beings were equal and free to pursue "life, health, liberty, and possessions." The state formed by the social contract was guided by the natural law, which guaranteed those inalienable rights. He set down the policy of checks and balances later followed in the U.S. Constitution; formulated the doctrine that revolution in some circumstances is not only a right but an obligation; and argued for broad religious freedom.
Hysteria is defined by dictionary.com as “Behavior exhibiting excessive or uncontrollable emotion, such as fear or panic.” This was a critical theme in the play in which it was tearing apart the community. Hysteria replaces logic and allows people to believe that their neighbors are committing some unbelievable crimes such as, communicating with the devil, killings babies, and so on.
Charlotte Gilman was a renowned feminist author who published most of her work in the late 1800s and the early 1900s. Her works, of which "The Yellow Wallpaper" is most famous, reflect her feminist views. Gilman used her writings as a way of expressing these views to the public. At the time "The Yellow Wallpaper" was written, the attitude in colonial America towards feminists was not one of tolerance or acceptance. In the mid-1880s, Gilman suffered a nervous breakdown and eventually was referred to a specialist in neurological disorders. The doctor's diagnosis was such: Gilman was perfectly healthy. The doctor ordered Gilman to domesticate her life and to immediately stop her writings. Gilman went by the doctor's orders, and nearly went mad. Now although "Yellow Wallpaper" is a fictional story, it becomes clear that the story was significantly influenced by Gilman's life experiences. Gilman seems to be exploring the depths of mental illness through her writing.
"The Yellow Wallpaper" became significant not only in literature, but also socially, it was a current issue that Gilman was relating to at the time. Gilman sought medical help from the famous neurologist S. W. Mitchell for her slight depression. Mitchell, who prescribed his famous "rest cure", that restricted women from doing anything that labored and taxed their minds, and for Gilman, her writing. More than just a psychological study of postpartum depression, Gilman's "The Yellow...
Charlotte Perkins Gilman’s short story, "The Yellow Wallpaper," is the disheartening tale of a woman suffering from postpartum depression. Set during the late 1890s, the story shows the mental and emotional results of the typical "rest cure" prescribed during that era and the narrator’s reaction to this course of treatment. It would appear that Gilman was writing about her own anguish as she herself underwent such a treatment with Dr. Silas Weir Mitchell in 1887, just two years after the birth of her daughter Katherine. The rest cure that the narrator in "The Yellow Wallpaper" describes is very close to what Gilman herself experienced; therefore, the story can be read as reflecting the feelings of women like herself who suffered through such treatments. Because of her experience with the rest cure, it can even be said that Gilman based the narrator in "The Yellow Wallpaper" loosely on herself. But I believe that expressing her negative feelings about the popular rest cure is only half of the message that Gilman wanted to send. Within the subtext of this story lies the theme of oppression: the oppression of the rights of women especially inside of marriage. Gilman was using the woman/women behind the wallpaper to express her personal views on this issue.
Other topics mentioned in Oakley’s review were also the three unsolved problems with women and health. She listed the three following topics regarding production, reproduction, and medicalization of psychological costs of women’s mental diseases. She also researched health vs. social product amongst women.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. 1629-1631. Print.
Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look at 'The Yellow Wallpaper'" Women's Studies. 12 (1986): 113-128.
Charlotte Perkins Gilman’s tantalizing short story, “The Yellow Wallpaper,” tells the horrifying tale of a nineteenth century woman whose husband condemns her to a rest cure, a popular approach during the era to treat post-partum depression. Although John, the unnamed narrator’s husband, does not truly believe his wife is ill, he ultimately condemns her to mental insanity through his treatment. The story somewhat resembles Gilman’s shocking personal biography, namely the rest cure she underwent under the watchful eye of Dr. Silas Weir Mitchell in 1887, two years after the birth of her daughter, Katherine. Superficially, the rest cure the narrator in "The Yellow Wallpaper" endures loosely replicates Gilman’s personal anguish as she underwent such a treatment. More complexly, however, the story both accentuates and indirectly criticizes the oppression women faced in both marriage and motherhood.
In literature, women are often depicted as weak, compliant, and inferior to men. The nineteenth century was a time period where women were repressed and controlled by their husband and other male figures. Charlotte Gilman, wrote "The Yellow Wallpaper," showing her disagreement with the limitations that society placed on women during the nineteenth century. According to Edsitement, the story is based on an event in Gilman’s life. Gilman suffered from depression, and she went to see a physician name, Silas Weir Mitchell. He prescribed the rest cure, which then drove her into insanity. She then rebelled against his advice, and moved to California to continue writing. She then wrote “The Yellow Wallpaper,” which is inflated version of her experience. In "The Yellow Wallpaper," the main character is going through depression and she is being oppressed by her husband and she represents the oppression that many women in society face. Gilman illustrates this effect through the use of symbols such as the yellow wallpaper, the nursery room, and the barred windows.
warning her earlier. In fact, her mother does not have any right for blaming Tess for
Charlotte Perkins Gilman wrote The Yellow Wallpaper in 1890 about her experience in a psychiatric hospital. The doctor she had prescribed her “the rest cure” to get over her condition (Beekman). Gilman included the name of the sanitarium she stayed at in the piece as well which was named after the doctor that “treated” her. The short story was a more exaggerated version of her month long stay at Weir Mitchell and is about a woman whose name is never revealed and she slowly goes insane under the watch of her doctor husband and his sister (The Yellow Wallpaper 745). Many elements of fiction were utilized by Gilman in this piece to emphasize the theme freedom and confinement. Three of the most important elements are symbolism, setting and character.
First, the audience discovers that Tess has joined Alec as his pseudo-wife. We are led to believe that Tess does not really want to take this action but was cajoled by Alec, as Tess tells Angel that “he kept on saying you would never come any more… he was very kind to me, and mother” (379). The way in which Tess phrases this statement makes it apparent that Alec promised to pay for her mother and sibling’s care if she agreed to live with him. Many critics would make the argument, that due to Tess’s prior ardent refusal to even associate with Alec, this step implies that she goes willingly with him. However, we must consider what Tess would be willing to do in order to save her family. The answer would likely be almost anything, including live with a man she despises. The second dramatic event that occurs towards the end of Tess of the D’Urbervilles is the murder of Alec, executed by Tess after she has reached her limit with him. This is again a common argument meant to assure that she deserved her ultimate fate. While I would agree that legally, she was subject to the punishment of execution, in a moral sense it is arguable as to whether she deserves to die for killing the man that raped