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Male-Female Relationships in Shakespeare
The women of Shakespeare’s plays are a highly discussed topic by many critics. Shakespeare portrays various aspects of his female characters through their relationships with the men in their lives. Numerous Shakespearean females appear to be strong, independent characters and would not be perceived as such if it were not for their relationship or relationships with the men in their lives. Shakespeare likes to focus his attention on the relationships between fathers and daughters, as well as the relationship between husbands and wives. If it were not for these key relationships, the reader or audience member would not get as much insight into the demeanor of the female characters portrayed in Shakespeare’s plays.
Shakespeare’s most prominent male – female relationship is the father – daughter relationship. He shows this relationship in numerous plays and each is usually portrayed in the same manner: the father wants to control his daughter in every way possible. According to Domination and Defiance: Fathers and Daughters in Shakespeare, “Repeatedly, his plays depict the father at middle life, reluctant to release his daughter into adulthood and face his own decline, while she stands at the threshold of adult commitment in marriage” (Dreher 1). Therefore, most of the tension created between the fathers and daughters revolves around the impending marriages of the daughters. For example, in numerous Shakespearean plays, the father usually chooses his daughter’s husband, which normally does not bode well with the daughter.
The father – daughter troubled relationship usually stems from the daughter maturing and the father not being prepared to have his daughter no...
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...robably watch Hermia’s relationship with her father and see a piece of their own father – daughter relationship. Therefore, the strong female characters are born with the aid of the male counterparts in their lives.
Works Cited
Dash, Irene G. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York: Columbia University Press, 1981.
Dreher, Diane Elizabeth. Domination and Defiance: Father and Daughters in Shakespeare. Lexington, Kentucky: The University Press of Kentucky, 1986.
Shakespeare, William. A Midsummer Night’s Dream. Ed. David Bevington. New York:
Longman, 2002.
Shakespeare, William. Romeo and Juliet. Ed. David Bevington. New York: Longman, 2002.
Shakespeare, William. The Taming of the Shrew. Ed. David Bevington. New York: Longman, 2002.
Widdicombe, Toby. Simply Shakespeare. New York: Longman, 2002.
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint of Shakespeare's Women. N.p.: n.p., 1981.
Dash, Irene G. "Wooing, Wedding, and Power: Women in Shakespeare Plays". The Critical Perspective Volume 2. Ed. Harold Bloom. New York: Chelsea House Publishers, 1986. 825-833.
Dash, Irene. Wooing, Wedding, and Power: Women in Shakespeare’s Plays. New York: Columbia University Press, 1981.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Adelman, Janet. Suffocating Mothers: Fantasies of Maternal Origin in Shakespeare's plays, 'Hamlet' to 'The Tempest'. London and New York: Routledge. 1992.
The Elizabethan era gender roles were much different than they are today. Women were regarded as the weaker sex, and men were always dominant. These “rules” are shown prominently throughout Romeo and Juliet, and paved way for obstacles they went through in their relationship. The gender conventions for women and men were prodigiously stereotypical and unreasonable, as they made men out to be the superior gender. Women should not have been perceived as inferior to men, and these unwritten rules for masculinity and femininity were shown throughout the play. Romeo acted very feminine which contradicted his gender conventions while Juliet did not abide by rules and disobeyed her parents. Romeo and Juliet had many ways in which they followed and
Gender roles are one of the most controversial topics in the history of humanity. Some people approve of them, while others disagree with them. Gender roles are defined as “the behavior learned by a person as appropriate to their gender, determined by the prevailing cultural norms”. There are times throughout history where gender roles were very unfair. However, some individuals still defied them in both open and discreet ways. One of these individuals was the famous literary figure, William Shakespeare. Although Shakespeare may have defied gender roles in some of his other literary works, the scope of this essay will be limited to his stellar play, Macbeth. In Macbeth, Shakespeare mostly uses three characters to defy gender roles: The Three
Pitt, Angela. "Women in Shakespeare's Tragedies." Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare's Women. N.p.: n.p., 1981.
Kemp, Theresa D. Women in the Age of Shakespeare. Santa Barbara, CA: Greenwood, 2009. Print.
Pitt, Angela. “Women in Shakespeare’s Tragedies.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Shakespeare’s Women. N.p.: n.p., 1981.
Neely, Carol Thomas. "Shakespeare's Women: Historical Facts and Dramatic Representations." In Holland, Norman N., Sidney Homan, and Bernard J. Paris, eds. Shakespeare's Personality. Berkeley: University of California Press, 1989.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398. Neely, Carol Thomas. “Shakespeare’s Women: Historical Facts and Dramatic Representations.”
The feminism of Shakespeare’s time is still largely unrecognized. Drama from the 1590’s to the mid-1600’s is feminist in sympathy. The author