Life on Earth constantly swings between peace and war, even though human kind is famishing for happiness. Bliss does not derive from war and violence, why then humanity cannot live without the burden of wars? We are likely pursuing the culture of death. Maybe violence is inscribed into our DNA, our ancestral reptile brain, somehow, is dominating over our intellectual reasoning and emotional intelligence, the same brain that helped us to survive in hostile environments of a primitive world. How could man make this world a better place? Could love change this status quo? Leslie Marmon Silko writes in Ceremony:
“Tonight the singing had come first, squeaking out of the iron bed, a man singing in Spanish, the melody of a familiar love song, two words again and again, “Y volveré.” Sometimes the Japanese voices came first, angry and loud, pushing the song far away, and then he could hear the shift in his dreaming, like a slight afternoon wind changing its direction, coming less and less from the south, moving into the west, and the voices would become Laguna voices,” (6)
Y volvere, in Spanish means returning, coming back, these words belong to a “familiar love song” (6) and they can evoke nostalgic feelings in the heart of a soldier in war. A Love song, how can love feelings survive in a war situation, where a soldier in battle likely does not have the right to be compassionate and human? The angry enemy voices are "pushing away the song" (6). Hate and violence are wiping away love; probably there is no space for love in war."And the voices would become Laguna voices" another place, another situation but the same struggling story. Human beings denied of their freedom, dignity, history, traditions, and storytelling....
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...iolenza” (Dottrina della
resistenza passiva). Periodi storici e tematici Storia in network “Cronologia” Copyright
One Italia 2010. Web. 06 of April, 2012
http://cronologia.leonardo.it/storia/biografie/gandhi2.htm
Leslie Marmon Silko, Ceremony, Penguin Group (USA) Inc., 375 Hudson Street, New York.
Pag. 6. Print
Mario Rigoni Stern. Il Sergente nella neve-ritorno sul Don. “In Guerra, quando sembra che tutto
debba crollare e morirre, un gesto, una parola, un fatto e’ sufficiente a ridare speranza e vita.” (Einaudi tascabili di Mario Rigoni Stern. 1 gennaio 1969. Pag.51. Print
Mark D. Tooley is president of the Institute on Religion and Democracy and author of Taking
Back the United Methodist Church. Viewpoints on war and pacifism. Web. 06 April 2012
http://0-ic.galegroup.com.library.lanecc.edu/ic/ovic/?userGroupName=laneccoll&
War is the bane of humanity’s existence, it is an indiscriminate killer, just as deadly as
time and what was going on at that moment. As it continues "A Sound of
Ginsborg P (1990). ‘A History of Contemporary Italy: Society and Politics: 1943-1980’ Published by Penguin; Reprint edition (27 Sep 1990).
name was Gian-Carlo Minotti. This man was trained in the Italian Opera and he was
Austell, Edmund S. "Great Opera Singers." : Farinelli: The Great Castrato. N.p., n.d. Web. 14 Apr. 2014.
Lorenzo De Medici can be considered as one of the most influential men of the 13th century. His work in political affairs and administration were renowned in all Italy and his family could count on him in every aspect. Lorenzo was also a promoter of a new period called Renaissance. He was one of the first “mecenate” to explore this new way of art. In this project, I will concentrate how he developed art in Florence, giving a clear example through an Artist of that period that was working for him: Sandro Botticelli. His work “The Spring” is a well-defined example of what we can call “art in the Renaissance”, in particular for the Italian Renaissance.
It was an early age when Monteverdi’s career began, he then published his first pieces, and this was based on as a collection of three-voice motets, at the age of fifteen. It was by 1591, when he went to Mantua as a musician for the Gonzaga court, by then he had already published books of “spiritual madrigals” in 1583, then another canzonettas in 1584, by 1587 and 1590 he published his first two books of “madrigals.” It was in Mantua he continued writing madrigals, and then in 1607 he produced his first work in the new genre of opera, the setting was of Orfeo. 1613, he was then appointed maestro di cappella at ST. Mark’s Cathedral which was held in Venice. Monteverdi had remained in Venice for the rest of his life, writing music in all different kinds of genres, including his final opera, “incoronaszione di Poppea in 1642.
Turner, Jane. "Bellini, Giovanni." The Dictionary of Art. Vol. 3. New York: Grove, 1996. 657-68. Print. This book provided a wealth of knowledge and information regarding everything involving the artist Giovanni Bellini. The information was extremely detailed and was used in writing both the biography and analyses.
"All you could hear was the feet of the children and a kind of murm...
Since the beginning of humans, some sort of conflict ahs arisen between them. Every culture has had a different take on war. There is however a general consensus that war is necessary. Those who question war are looked upon as deviants. It was hard and is still difficult to appose war now. Rise Against’s song Hero of War and Wilfred Owen’s Dulce et Decorum Est can be compared through the problems with war, the unnecessary glorification of war, and breaking from what society thinks of war. Through both works of art there is a general consensus on the terror of war.
songs he had a fire and a fragment of pure joy in his voice, but when he sand
The simple definition of war is a state of armed competition, conflict, or hostility between different nations or groups; however war differs drastically in the eyes of naive children or experienced soldiers. Whether one is a young boy or a soldier, war is never as easy to understand as the definition. comprehend. There will inevitably be an event or circumstance where one is befuddled by the horror of war. For a young boy, it may occur when war first breaks out in his country, such as in “Song of Becoming.” Yet, in “Dulce et Decorum Est” it took a man dying in front of a soldier's face for the soldier to realize how awful war truly is. Both “Song of Becoming” and “Dulce et Decorum Est” are poems about people experiencing the monstrosity of war for the first time. One is told from the perspective of young boys who were stripped of their joyful innocence and forced to experience war first hand. The other is from the perspective of a soldier, reflecting on the death of one of his fellow soldiers and realizing that there is nothing he can do to save him. While “Song of Becoming” and “Dulce et Decorum Est” both focus on the theme of the loss of innocence, “Song of Becoming” illustrates how war affects the lives of young boys, whereas “Dulce et Decorum Est” depicts the affect on an experienced soldier.
"Life in Italy During the Renaissance." Italy. Life in Italy, 2014. Web. 29 Apr. 2014. .
Cenedella, Marc. 29 Jan. 2010 "Leonardo Da Vinci’s Resume." Cenedella RSS. Cenedella. Web. 15 Apr. 2014. .
Demolished cities, torn families and decimated countries are a few of the destructive properties of war. Throughout history, the world has been through war after war, never ceasing. Two of the greatest and most destructive wars were World War I and World War II. These wars involved most of the world’s countries and ended with tragic results. The wars also left many soldiers with various mental and physical problems that ruined their social lives. John F. Kennedy once said that “Mankind must put an end to war before war puts an end to mankind.” For the most part, he is right; if war does not end, it will end humankind. The main problem with this is that most people barely even know how destructive war can be; people believe war is the only way to solve problems with other countries. The problem with that is that war often uncovers or starts new problems that can affect others more than the past problems. Literature has helped people grasp at the understanding of what happens during wars and the problems that it can create. Some go into deep aspects of significant wars while others go into wars that everyone fights within themselves. Mary Shelly’s Frankenstein, William Shakespeare’s Macbeth, Beowulf and John Milton’s Paradise Lost are a few pieces of the thousands of works of literatures that capture the tragic, destructive power of war, global and small.