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Theme of insanity in literature
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DEPERNE Chloé December 2013
Registration no: 13039441
Module code: EL0505
Module name: Post-war U.S. writing
“I saw the best minds of my generation destroyed by madness” (Howl, Allen Ginsberg). Why is madness an important theme in post-war U.S. writing? Your answer should demonstrate thorough knowledge of at least two texts studied on this module.
Madness, according to the English Oxford Dictionary, can be defined as “the state of having a serious mental illness”; “a state of wild or chaotic activity”, or having an “extremely foolish behaviour”. Madness in literature may refer to writers who are known for having mental troubles, but might also refer to the fictional characters who are taking place in the writer’s story. It can also be seen as a psychological book; a book talking about the study of madness with a psychological approach. Here this essay will be focusing on the first definition of madness in literature, using the context of the post-war period in the United States. It will first demonstrate that madness is an important theme in literature at this time because it comes from the suffering of the writers; to eventually show that madness is a weapon for the author to denounce the society, and that madness cannot only be seen as a mental problem, because one can consider that madness and genius are intertwined. These two parts of argumentation will be demonstrated through the analysis of Allan Ginsberg’s and Robert Lowell’s writings.
First of all, one can say that madness is an important theme in post-war U.S. writing because when the author decides to write about it, it is mainly due to the fact that madness is present in his life. Mental illness is usually in creative people themselves or in...
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Baker, C. Crawford, P. Brown, B. J. Lipsedge, M. and Carter, R. Madness in Post-1945 British and American Fiction (Basingstoke : Palgrave Macmillan 2010)
Ginsberg, A. Selected Poems 1947-1995 (London: Penguin 2011)
Kerouac, J. "Aftermath: The Philosophy of the Beat Generation" Esquire magazine (March 1958)
Lindsberg, G. The Confidence Man in American Literature (Oxford UP, 1982)
Lowell, R. Life Studies (London: Faber 1978)
Morgan, B. I Celebrate Myself: The Somewhat Private Life of Allen Ginsberg. (Penguin, 2006)
Sass, L.A. Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought. (Harvard University Press, 1994)
Simpson, L.A.M., A revolution in Taste: Studies in Dylan Thomas, Allen Ginsberg, Sylvia Plath and Robert Lowell (London: Macmilan, 1978)
Waldan, A. (editor), Ginsberg A. (foreword), The Beat Book (Shambhala Boston, 2007)
Therefore, both Poe’s poem The Tell Tale Heart and Emily Dickinson’s I felt a Funeral in my Brain share a common central idea of madness but develop it in different ways. Poe uses repetition of ideas and punctuation to create pacing. And finally, Dickerson uses repetition of words to show insanity and capitalization to stress key words for the central idea of
Throughout the years, and throughout various forms of media, some of the greatest creative minds have been the victims of the most unfortunate circumstances. For many, their major problem is that of addiction, and one could say that it affects their work, for better or worse. For example, a writer’s prose usually is affected at least partly by the author’s inner dialogue, and thus, the author’s problems get mixed in with their writings. Therefore, the author’s addictions become a part of the work itself.
...kness” hallucinations of madness. While the setting emphasizes searching for freedom despite the forms of confinement throughout the bittersweet stories, lets us view each characters life as it portrays the author’s time in which they lived, showing us there setting of life. Despite each characters will power giving them a hope of being liberated, somewhere along the lines of the story, we can conclude that freedom is just another metaphor of false hope.
Take for example, One Flew Over the Cuckoo’s Nest by Ken Kesey. There is no doubt in my mind that the mental institution that comprises the primary setting of the narrative is intended as a metaphor of societal oppression. This symbolic novel relays the story of an inmate standing up against the powerful forces that operate a psychiatric hospital, but it represents much more than just a classic case of “man versus the establishment”. The questions raised by Kesey are almost as chilling as his descriptive tales of inmate abuse. Kesey compelled me to ponder just how thin the line is that separates insanity from sanity, and treatment from control. Representing a heroic struggle of personality against an institution of mindless conformity, I found “One Flew Over the Cuckoo’s Nest” to be one powerful piece of literature.
According to the Indian Times, madness is the rule in warfare (Hebert). The madness causes a person to struggle with experiences while in the war. In “How to Tell a True War Story”, the madness of the war caused the soldiers to react to certain situations within the environment differently. Tim O’Brien’s goal with the story “How to Tell a True War Story” is to shed light on the madness the soldiers face while in the war. Tim O’Brien tells the true story of Rat experiences of the war changing his life.
Studies in American Fiction 17 (1989): 33-50.
There is a fine line between sanity and insanity, a line that can be crossed or purposefully avoided. The books The Things They Carried and Slaughterhouse-Five both explore the space around this line as their characters confront war. While O’Brien and Vonnegut both use repetition to emphasize acceptance of fate, their characters’ psychological and internal responses to war differ significantly. In The Things They Carried, the narrator and Norman Bowker carry guilt as evidence of sanity. In Slaughterhouse-Five, Billy Pilgrim and the innkeepers carry on with life in order to perpetuate sanity. Both authors develop a distinct theme of responding in the face of the insanity of war.
1970, pp. 7-8. Rpt. In The Chelsea House Library of Literary Criticism. New York.:Chelsea House Publishers, 1988.
What is madness? Is madness a brain disorder or a chemical imbalance? On the other hand, is it an expressed behavior that is far different from what society would believe is "normal"? Lawrence Durrell addresses these questions when he explores society's response to madness in his short story pair "Zero and Asylum in the Snow," which resembles the nearly incoherent ramblings of a madman. In these stories, Durrell portrays how sane, or lucid, people cannot grasp and understand the concept of madness. This inability to understand madness leads society to fear behavior that is different from "normal," and subsequently, this fear dictates how they deal with it. These responses include putting a name to what they fear and locking it up in an effort to control it. Underlying all, however, Durrell repeatedly raises the question: who should define what is mad?
Madness and Civilization: A History of Insanity in the Age of Reason. Trans. Richard Howard. New York: Pantheon, 1965.
Lisca, Peter. "Nick Carraway and the Imagery of Disorder." Twentieth Century Literature 13.1 (Apr. 1967): 18-28. Rpt. in Literature Resource Center. Detroit: Gale, 2014. Literature Resources from Gale. Web. 14 Jan. 2014.
Novelists and playwrights have often seen madness with a "discerning Eye." Select a novel or play in which a character's apparent madness or irrational behavior plays an important role. Then write a well-organized essay in which you explain what this delusion or eccentric behavior consists of and how it might be judged reasonable. Explain the significance of the "madness" to the work as a whole. Do not merely summarize the plot.
Insanity can be a dark descent into the strange, nightmarish unknown realms of the mind unable to return to the known world of reason. This is a major theme in literature, and is particularly evident in the works of Nathaniel Hawthorne and Herman Melville. The nightmarish undertones are one of the main similarities in Hawthorne's and Melville's works. Another similarity is writing style. Both men write very descriptively, and their writing is based more in intellect than emotion. Also both men write about the nightmarish descent into madness.
themes of “Madness, Dementia, Insanity,” and there is much scholarship as to how this discourse
The post World War II period had an enormous impact on American society and literature. Many important events occurred and affected directly to the movement of American literature. During this period, American Literature reflected the movement of disillusionment, and portrayed the lost generation. Many WWII writers adapted new approaches and philosophies in writing their novels. They portrayed the lost generation, anti-war perspective and explored the true meaning of “war hero”. Among them, the pioneers are Bernard Malamud, Ken Kesey and Joseph Heller, who wrote the Natural, One Flew over the Cuckoo’s Nest, and Catch-22.