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A tale of two cities ESSAY
Analysis of a tale of two cities
Tale of two cities analytical essay
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Many people in life turn to hope to keep them going and inspired to push forward. Without hope, people tend to have a type of behavior that drives them to get what they want and that eventually turns to violence. Charles Dickens shows how many major characters find a way to get what they were wanting with the loss of hope. In A Tale of Two Cities, the author Charles Dickens reveals the truth that spiritual lives of all people depend upon the hope of renewal through the events of Madame Defarge seeking revenge on the Evremonde family, Sydney Carton giving up his life, and the rebellion caused by peasants to illustrate the theme “Without hope, people lose what makes them human and resort to violence and cruelty.” At the beginning of the book Madame Defarge was introduced to the reader as kind of sneaky and what she says goes. She is seen knitting various times though the book, and her knitting symbolizes peoples fate. She is mentioned to be knitting the Evremonde name in her quilt and that happens to be one main characters, Charles Darnay's real last name. The text states,”..so injured by the two Evremonde brothers,as the Bastille papers describes…those dead are my dead,and that summons …show more content…
In one of the chapters they are seen drinking the wine off of the dirty streets in desperate need for something to drink. But the peasants decided enough is enough and they take charge. The text states ,”The time was to come, when that wine too would be spilled on the street-stones, and when the stain of it would be red upon many there”(Dickens 30). The stain of wine spilled in the streets is a symbol for blood and foreshadows the revolution. The citizens are tired of being treated the way they are being treated and they begin to act out. They turn to violence as a source to get their point across that they weren't going to take it
Villains have been a quintessential part of the novel for generations, ranging from deranged madmen to methodical criminals. Dickens does a particularly good job in formatting his villains, and due to the levels of complexity and detail put into them, he is able to express more through them than what appears at face value. In particular, Madame Defarge in A Tale of Two Cities is one of his most well thought out villains in terms of character design and development, conflict creation and supporting characters, and thematic representation. Dickens created Madame Defarge’s character as one of great importance to the novel and thus needed to elaborate on her character immensely.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
On the subject of the French she says, “I am a subject of His Most Gracious Majesty King George the Third and as such, my maxim is, Confound their politics, Frustrate their knavish tricks…God save the King.” (338) Since she is such, she is the perfect foil for Madame Defarge. Madame Defarge epitomizes chaos and violence. With her unrelenting bloodthirstiness and unceasing desire for revenge she symbolizes the intensity and bloodiness of the French Revolution. “The Evrémonde people are to be exterminated, and the wife and child must follow the husband and father.” (418) Madame’s chilling certainty and willingness to kill an innocent mother and child show the hatred that makes up the revolution she personifies and the peasants that were a part of it. Although Madame Defarge and Miss Pross are foils they share a common ground. They both have an uncompromising sense of duty; Miss Pross to Lucie’s safety and happiness, and Madame to a new and better France. They are both willing to do anything for these causes, including lying down their lives. As Miss Pross says, “I don’t care an English Twopence for myself. I know that the longer I keep you here, the greater hope there is for my Ladybird.” (427) Dickens uses these similarities he suggests that even seemingly opposites can have underlying
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
...to revenge. She turned into this cold killer to kill the entire Evermonde family for what they had done to her family. She uses her power in the revolution to take revenge on the Evermonde family. Madame Defarge loses her true self and becomes someone who disregards the lives of people include hers. Dickens’s theme of how history repeats itself appears again when Madame Defarge kills innocent people similar to what the Marquis of Evermonde did.
The French Revolution was a time when many people sacrificed their lives for their beliefs. As the French Revolution moved on, more people joined the movement and risked their lives. A Tale of Two Cities by Charles Dickens is set during this time. Many people who sacrificed their lives for the Revolution felt like it was their fate to do this. This idea of fate is described many times in Dickens’ novel to magnify the story. The theme of fate is prevalent in the novel through the lives of many characters. This theme is used to show how a person is unable to escape their fate because it is already decided. The metaphors and symbols in the novel are greatly used to contribute to the theme of fate through the symbols of knitting, the fountain and water, and the wine.
Dickens uses wine to represent the blood to be spilled in the war as well as to show how divided the classes are. Through the depiction of the poor rejoicing over spilled drops of wine against the backdrop of the aristocratic town of St. Antoine, Dickens is able to evince the polarity of rich and poor existent at the time. Dickens describes the scene of the broken wine cask, “When the wine was gone, and the places where it had been most abundant were raked into a gridiron-pattern by fingers, these demonstrations ceased, as suddenly as they had broken out. The man who had left his saw sticking in the firewood he was cutting, set it in motion again; the woman who had left on a door-step the little pot of hot ashes, at which she had been trying to soften the pain in her own starved fingers and toes, or in those of her child, returned to it; emerged into the winter light from cellars, moved away to descend again; and a gloom gather on the scene that appeared more natural to it than sunshine” (Dickens 21). The townspeople run to collect, drink, and play in the wine. The aristocrats are living lavishly while these townspeople are celebrating over a few drops of wine. He further describes how a townsperson, Gas...
The French Revolution was a period of radical social and political upheaval, lead by the lower class of France, which began the decline of powerful monarchies in France and the rise of nationalism and democracy. In A Tale Of Two Cities, written by Charles Dickens, he highlights these aspects of the war between classes and makes them personal to the reader. Throughout the novel, Dickens’ establishes and develops several symbols in order to help the reader better understand the Revolution and the way people acted during this time. He shows that while emotion, desperation, and irrationality run high, humanity, justice, and morality are scarce. The blue flies, Madame Defarge’s knitting, and the sea are three of Dickens’ symbols that develop his theme of man’s inhumanity to his fellow man throughout the novel.
The book has four metaphors, all of which have a significant part in the understanding of the novel. The first metaphor the readers encounter is the broken wine cask. The wine cask represents the plight of the poor and the blood of the revolution. The scene explicitly describes the people literally licking the streets and dripping the wine into the mouths of their children. The novel states, “Some men kneeled down, made scoops of their two hands joined, and sipped, or tried to help women, who bent over their shoulders, to sip, before the wine had all run out between their fingers. Others, men and women, dipped in the puddles with little mugs of mutilated earthenware, or even with handkerchiefs from women’s heads, which were squeezed dry into infants’ mouths; others made small mud-embankments, to stem the wine as it ran; others, directed by lookers-on up at high windows, darted here and there, to cut off little streams of wine that started away in new directions; others devoted themselves to the sodden and lee-dyed pieces of the cask, licking, and even champing the moister wine-rotted fragments with eager relish.” The novel also shows the wine cask as a metaphor for the blood of the revolution. The red color of the wine is similar to that of rich, red blood, shed by many because of the plight of the poor experienced in France. The second metaphor would be revealed as the grind stone. The grind stone, which was used to grind the food the poor needed so badly, later became used to sharpen the tools the poor would use to overthrow the government. The grindstone became a metaphor of killing and empowered poor throughout the novel. The third metaphor is the shadow. A shadow represents the great unknown, the great unexpected. Not a single person may prepare for the unknown. None of the characters could prepare for the events that came about in the plot, such as the denouncement of
In his “A Tale Two Cities”, Charles Dickens uses the characters of Lucie Manette and Madame Defarge as two strong women that contrast against the rather manly group of characters. These women are both driven to do what they believe is right. Although Lucie and Madame are strong willed and independent, they both use these strengths differently. Lucie is a woman who is driven by love and affection. Whereas Madame Defarge is driven by hate and rebellion. Both these women, although similar, have such significant differences.
Sacrifice, even when it comes to one’s ultimate end, is crucial in order to survive as a productive race. In the book Tale of Two Cities by Charles Dickens, he illustrates the hardships of the early-nineteenth-century lifestyles. With the resurrection of an evicted man, the novel sprouts from a broken family recovering and growing. This novel incorporates many grand gestures and adventures, such as the French Revolution, treason trials, and the sacrifice of one’s own life in the name of love.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
Early on within the story there is an act of communion, one that also happens to be a symbol. The communion being the wine shop scene, literary communion typically involves a form of meal, and this scene turns into a feast. Dickens paints a vivid picture when he describes this scene, he illustrates what type of society that the townspeople lived in, one stricken with utter poverty. When wine spilt into the streets everyone sought wine “those who had been greedy with the staves of the cask, had acquired a tigerish smear about the mouth. ”(Dickens, 1859, p. 29)