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Elizabethan era influence on shakespeare
Elizabethan era influence on shakespeare
Analysis of shakespeare’s character othello
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The Indulgence of Machiavellian Behaviour
The Elizabethan era is named after the reign of Queen Elizabeth the first. This era is one of the most fascinating eras in history, not only because of the queen herself but also because of the very first theatre in England – The Globe –which began with the performance of plays written by William Shakespeare and due to his many inspiring and renowned plays this era has been significantly marked. I have chosen texts based on this era and they are the following, William Shakespeare plays: Othello and King Richard III, the series Reign by Stephanie SenGupta and the movie Elizabeth the golden age by Shekhar Kapur. At least one character from these texts possesses the same traits of Machiavellian behaviour
On one hand Queen Elizabeth used Machiavellian tactics in order to protect England from Spain and all the Catholics who wished to harm her and take over the court. She had also deceived everyone in court constantly. In the movie Elizabeth the golden age it was shown that Elizabeth had short hair. Though, when she was in court, dealing with people she wore a wig to fool everyone in the court and the people of other courts. On the other hand Catherine de Medici had used similar tactics to ensure the safety of her son Francis, she slipped into darkness manipulating everyone who associated with her and betraying them so that she can save her son from the fate that was predicted by her prophet Nostradamus. The prediction was that if Francis were to marry Mary of scots then Francis will die so Catherine did everything in her power to stop the wedding from taking place. Catherine tirelessly tried to change the fate of Francis and during this journey she lost herself finally embracing the darkness that had been haunting her since childhood. Richard III was a character from William Shakespeare’s play King Richard III and Iago from the play Othello used Machiavelli tactics in order to extract revenge. They manipulated and constantly lied to everyone in order to prove their point that they have been treated unfairly and deserved the right of the
They had stooped so low that they were willing to surrender themselves to the darkness. All these characters were willing to use and manipulate everyone who were able to aid them with their plans no matter of the consequences, all that mattered to them was to reach their goal. The motifs for each character to be dancing along the tunes of darkness were different. Some are compelled to choose this path due to their love and loyalty to their people while others do it for personal gain and justify it with illogical reasoning. Elizabeth the first brought forth this sort of characteristics upon herself as she was willing to do anything to protect her country and the residents of England. Catherine did it out of devotion to her family. She did it out of love and duty as a mother. She lied and manipulated people so that she can protect her son. On the other hand Iago and Richard had committed their crimes due to jealousy and hate. They wanted to rise in status and power and did everything that was necessary in order to reach their ultimate
William Shakespeare’s Julius Caesar utilizes similar methods. As shown in Julius Caesar and The Prince, a leader who follows Machiavelli’s advice will accomplish their goals; if the leader does not adhere to Machiavelli’s recommendations, then the leader will not fulfill his aspiration. A character from Shakespeare’s Julius Caesar, Cassius, exhibits Machiavellian attributes of manipulation and a drive to accomplish his goal of assassinating Julius Caesar by any means. Cassius was able to successfully manipulate both Brutus and the fellow conspirators. Cassius was able to influence Brutus enough to make Brutus believe that killing Julius Caesar, Brutus’ best friend, was the right action.
For hundreds of years, those who have read Henry V, or have seen the play performed, have admired Henry V's skills and decisions as a leader. Some assert that Henry V should be glorified and seen as an "ideal Christian king". Rejecting that idea completely, I would like to argue that Henry V should not be seen as the "ideal Christian king", but rather as a classic example of a Machiavellian ruler. If looking at the play superficially, Henry V may seem to be a religious, moral, and merciful ruler; however it was Niccolo Machiavelli himself that stated in his book, The Prince, that a ruler must "appear all mercy, all faith, all honesty, all humanity, [and] all religion" in order to keep control over his subjects (70). In the second act of the play, Henry V very convincingly acts as if he has no clue as to what the conspirators are planning behind his back, only to seconds later reveal he knew about their treacherous plans all along. If he can act as though he knows nothing of the conspirators' plans, what is to say that he acting elsewhere in the play, and only appearing to be a certain way? By delving deeper into the characteristics and behaviors of Henry V, I hope to reveal him to be a true Machiavellian ruler, rather than an "ideal king".
Shakespeare's Macbeth shows similarities to Richard III of England in his ambition and Machiavellians deeds, but their nature sets them apart. In the end, they are seen as similar tyrants in the way their countries reacted to their kingships. Despite the similarities, they both have had a very different path that led to their Ambition. Because of their natures, one was a victim of fate, the other was a victim of his own pessimism. These Machiavellian characters take different paths to a parallel end.
The Elizabethan era was an era of art above all else. Elegance reflected in all areas of the peoples’ lives. From the entertainment and language to the churches and castles, beauty shone bright.There were many vents for artistic creativity during the Elizabethan era; countless instruments, painting, books, playwright, and last but not by any stretch the least, architecture. Elizabethan architecture has a vast amount of variety and personality, the buildings reflected the pride of both the inhabitants and the builders.
The Queen being strong, smart and noble, Shakespeare would create characters like this, for example Juliet from Romeo and Jul...
Where is there a page in William Shakespeare's tragic play Macbeth which does not present the selfish virtue of personal ambition. This paper addresses the problem of ambition in the drama.
Few characters in Shakespeare's plays outside of the leading "main" character ever are associated to actively pursue an agenda that destroys other characters lives. Charles III is well known as a Shakespearean bringer of chaos and Machiavellian figure however, he is dwarfed by Iagos malevolent nature. Iago is complex character that seeks the utter destruction of Othello emotionally and physically. Iago as a character is manipulative and secretive only revealing his inner workings to his audience through soliloquy and demonstrating his deceitful nat...
Shakespeare's presentation of the way in which King Claudius acts correlates with the view that each `Elisinorian' character assumes a pretence. Shakespeare presen...
This key paragraph of advice is given by Machiavelli to all aspiring rulers who are contemplating the act of obtaining a principality through the use of criminal methods. Macbeth is an example of someone who obtains his kingdom in a criminal manner, as he and his wife conspire together to kill the present king and blame his murder on his drunken guards, but in order for Macbeth to be considered completely Machiavellian, he would have to partake in all of the characteristics that Machiavelli urges for leaders of his sort to display. While Macbeth exhibits certain Machiavellian characteristics, he does not heed Machiavelli's advice regarding rulers who desire to obtain their principalities through crime, and through either the ignorance of, or disregard for, this advice, Macbeth cannot be considered Machiavellian.
According to many, Shakespeare intentionally portrays Richard III in ways that would have the world hail him as the ultimate Machiavel. This build up only serves to further the dramatic irony when Richard falls from his throne. The nature of Richard's character is key to discovering the commentary Shakespeare is delivering on the nature of tyrants. By setting up Richard to be seen as the ultimate Machiavel, only to have him utterly destroyed, Shakespeare makes a dramatic commentary on the frailty of tyranny and such men as would aspire to tyrannical rule.
...d leads to the deaths of many innocent characters and strips away each person’s individuality and trust, all for attaining power and recognition. Othello is not only a tragedy, but also an important reminder of how people are easily deceived to gain power and recognition. Shakespeare’s Othello stands as a warning to all generations. Some historians agree that William Shakespeare may have been one of the first psychologists in human history, since it enabled him to create a devious and Machiavellian character like Iago. Today, we study about psychopathic historic people like Adolf Hitler who annihilated millions of Jews in the name of revenge. It is in human nature to be vengeful and to attain what one desires. As said by Ghandi “An eye for an eye would make the world blind.”
Among the greatest gifts that the renaissance produced was the eloquent and incredible Shakespearean plays. Written mostly in the 1590s these plays have been performed and admired countless times; entertaining mass audiences by providing interesting tales that explore the depth of human insights and the different universal themes. Among the many Shakespearean plays Macbeth, written in 1606, stands out with its short composition but multiple themes. This tragedy narrates the tale of Macbeth and Lady Macbeth’s quest to grasp ultimate power by ignoring their morals and succumbing to their dark desires, which ultimately leads to their downfall. This tragic play portrays the desires, needs, and temptations that accompany ambition in men and women. However the ambition in Macbeth is blind, it does not abide to the morals, but it allows space for dark actions as means necessary for accomplishment. Blind ambition serves as the main driving force that drives Macbeth to subdue to his dark desires, defy his noble behavior, and ultimately his downfall.
Throughout the historical literary periods, many writers underrepresented and undervalued the role of women in society, even more, they did not choose to yield the benefits of the numerous uses of the female character concerning the roles which women could accomplish as plot devices and literary tools. William Shakespeare was one playwright who found several uses for female characters in his works. Despite the fact that in Shakespeare's history play, Richard II, he did not use women in order to implement the facts regarding the historical events. Instead, he focused the use of women roles by making it clear that female characters significantly enriched the literary and theatrical facets of his work. Furthermore in Shakespeare’s history play, King Richard II, many critics have debated the role that women play, especially the queen. One of the arguments is that Shakespeare uses the queen’s role as every women’s role to show domestic life and emotion. Jo McMurtry explains the role of all women in his book, Understanding Shakespeare’s England A Companion for the American Reader, he states, “Women were seen, legally and socially, as wives. Marriage was a permanent state” (5). McMurtry argues that every woman’s role in the Elizabethan society is understood to be a legal permanent state that is socially correct as wives and mothers. Other critics believe that the role of the queen was to soften King Richard II’s personality for the nobles and commoners opinion of him. Shakespeare gives the queen only a few speaking scenes with limited lines in Acts two, four, and five through-out the play. Also, she is mentioned only a few times by several other of the characters of the play and is in multiple scenes wit...
Shakespeare introduces to us a character who is evil according to the moral judgement of the moment. He does not respect the social values and norms. For him social taboos such as incest and crimes such as murder cease to be wrong once they become instruments of power. He is Satan incarnated, cunning, greedy and destructive. He has no respect for those who observe social, norms, family ethics and political loyalty.
Although this was a time of change, the Elizabethans still had fixed moral values. ‘The Chain of Being,’ a concept inherited from the Middle Ages, can be described as a hierarchy of society, with the monarch at the top and the lowliest peasants at the bottom. Below people were animals, plants and rocks. During the Elizabethan era, ‘dangerous ambition’ would probably involve trying to break the ‘Chain of Being’ and striving to increase one’s social status. It was believed to be necessary to accept one’s place in the chain, as to disrupt it and overcome the set order of society could mean chaos would follow.