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Them manhood in Macbeth
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In this Shakespearean tragedy, the key character, Macbeth, undergoes numerous vicissitudes throughout the play, though the most significant is his evolution of manhood. In the opening of the play, Macbeth is depicted as a valiant and honorable “man”. After a violent and ferocious battle with Norway, three witches provide Macbeth with his forthcoming, bestowing that he will be King of Scotland. Macbeth shortly realizes that he might need to murder Duncan to fulfill his fate; however, his feelings on Manhood preclude him until Lady Macbeth assesses his decision. When Macbeth takes on Lady Macbeth’s definition of manhood, he loses his honor and she loses her sanity.
Macbeth begins the play with a strong grip on his principle of manhood: displaying
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power, strength, bravery and emotion, traits that Macbeth uses to demonstrate his masculinity.
However, his actions and opinions are distorted due to his wife’s insight of what it takes to be a man. After the battle with Norway, the Captain explains to Duncan that “Brave Macbeth- well he deserves that name” (1.2.16), is scorning affluence on the battlefield. The captain continues with Macbeth’s courageousness and willpower and that he slew the trader McDonald, turning the war in favor of Scotland. Not only is Macbeth thought of as the protagonist during this act of the play by the readers, but also by the additional characters. He has a practical view on manhood and distinguishes what it takes to be considered a man. His thoughts become grotesque as he thinks about murdering Duncan due to the witches’ prophecies. His wife, Lady Macbeth encourages him to murder the king: “When you durst do it, then you are a man. And to be more than you were, you would be so much more the man” (1.7.48-50). Lady Macbeth creates an impractical picture of manhood because she isn’t a man herself. She begins criticizing her husband because he refuses to kill Duncan. She explains that he was more of man when he ventured to commit murder. She also supposes that to be a man, one must be a cold-hearted killer,
someone who will do what it takes to be a bigger man: "Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe top-full of direst cruelty!" (1.5.40-43). If the spirits unsex her, then she won’t be concerned about a woman’s sympathy or regret. She will be a murderer, like her description of man. Macbeth, portraying the man he his, knows better than to do this: "Prithee, peace: I dare do all that may become a man/Who dares do more is none" (1.7.45-47). Macbeth explains that a proper man wouldn’t commit murder, and a man who dares to do more is not a man; however, Macbeth’s ambitions get the best of him and he decides to murder Duncan.
Macbeth's wife, Lady Macbeth, is one of the most frightening and powerful female character in the play. Both of them are trying to seek the throne and become king and queen.
In Shakespeare’s Macbeth, he uses the theme of manhood to create motives for characters to act like a man. This is seen in many occurrences in Macbeth where characters try to act like men for certain reasons. Characters that apply this action are Macbeth, the first murderer, Macduff, and Young Siward. These actions are seen throughout the play, and play a key role in the development of the performance.
Manhood and its definition is a major theme in Shakespeare’s play Macbeth. On first appearance, Macbeth is characterized as a loyal and valiant thane in defense of the honor of Scotland and King Duncan. The brutality that he shows as a warrior on the battlefield is an acceptable and lauded trait. These attributes come into question as the witches introduce the prophecies tempting Macbeth’s vaulting ambition. After the regicide, Macbeth is damned and is no longer concerned with being honorable. He covets immediate gratification at all costs and by all means. However, this gratification is temporary due to that Macbeth later on, experiences guilt and regret which directs him towards his morbid fate and ultimate demise.
From the first act to the last act, Macbeth repeatedly tries to prove his masculinity. In Act I, when she is introduced, she makes a startling speech, calling spirits to make her a man, fill her with evil, and take away any remorse she might have. In addition to making these surprising statements, she says that her husband is too kind to commit the callous murder of Duncan, his own cousin. Macbeth fully voices his feelings about the murder not only in several soliloquies and asides, but to his wife before and after he murders Duncan. Lady Macbeth, the master of manipulation, knows precisely what to tell her husband to get him to do what she wants. She compares his mentioning of the witches’ prophecies and saying he does not want to commit murder to become king to having a baby and then making a promise to nurture and raise it, then “dashing its brains out” (1. 7. 59) (Shakespeare). She sees this absolutely absurd comparison fitting for her own selfish purposes. Macbeth, feeling guilty about disappointing his wife, then voices his concerns about failing in their scheme. To no surprise, she convinces him that if he has the confidence and masculinity to kill Duncan, then he will not fail. After Macbeth meets his wife after murdering Duncan, he is in a traumatic state, saying he heard voices. Lady Macbeth feels the best course of action is to, again, question his masculinity, saying “My hands are of your color, but I shame/ To wear a heart so white” (2. 2. 64-65) (Shakespeare). When Duncan is found dead and he is declared king, Macbeth feels he has earned his manhood, the symbol of it being his kingship. He does everything in his power to maintain his grip on the throne, which brings about his own demise. By analyzing The Tragedy of Macbeth, the audience is able to determine that Macbeth’s downfall is the
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
After receiving prophecies from the witches about his future to come, he is forced into an ambition-fuelled madness. As previously mentioned, Macbeth was persuaded to kill King Duncan by his wife due to his debatable manliness. This presented Macbeth’s need to prove to his wife he was manly by being valiant and strong and partaking in violent acts. He responds to his wife’s forceful directives by telling her, “Please stop! I dare do all that may become a man;/ Who dares do more is none” (1.7.46-47). This quote indicates how Macbeth believes a “real” man would not murder, and only due to Lady Macbeth explicitly attempting to manipulate him into action, does he succumb to do so. Macbeth endeavours the heinous crime of murdering the King, all owing to Lady Macbeth’s commands. On more than one occasion Macbeth is seen becoming mad, being overtaken by guilt and concern, highlighting that his manhood does not in fact give him any power, but only draws attention to his lack thereof. The inferiority he has within his relationship, also makes evident that Lady Macbeth’s pressure causes the transpiration of Macbeth’s powerful future. It is clear that Macbeth’s power was affected by his gender, as seen through his desperate need to prove his masculinity. Without the questioning of his manhood, Macbeth would have still been the
When his wife told him that in order for him to become king, he must kill the current king, King Duncan. King Duncan is a friend of Macbeth who he is very loyal to. Macbeth had to decide whether his loyalty to the king or loyalty to his wife was more important. "Art thou afeard to be the same in thine own act and valor as thou desire? Wouldst thou have that which thou esteem'st the ornament of life, and live a coward in thine own esteem..." (Macbeth 60) In this quote, Lady Macbeth is questioning Macbeth's manhood. She is stating that he is not a man because he won't show the boldness or the bravery to do this
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
...hout the play, he continually worries about his own portrayal of masculinity, something that Lady Macbeth is quick to jump upon to make him do what she wants. When Macbeth says is challenged by lady Macbeth he says that he will do anything to be a man. ’when you durst do it, then you were a man’. Lady Macbeth is tormenting Macbeth by getting inside his head. This symbolises how he is being controlled by evil and corruption. Lady Macbeth and her desires on one side and the witches on the other. This shows how the two control is entangled and entwined. The word ’man’ is used to great effect here, it shows the true desires of the heart. Macbeth wants the recognition of his achievements. Lady Macbeth’s attitude explains how this is not enough. She wants Macbeth to be king, maybe more than he does. She is pushing him forwards.
“When you first do it, then you were a man, And to be more than what you were, you would, be so much more the man” (I. VII, 54-56). After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others.
Throughout the entire play, Macbeth’s lack of manliness was often questioned by Lady Macbeth. And because of this lack of manliness that exist in ma...
He lets Lady Macbeth change his view of masculinity. At first, he feels guilty about wanting to kill Duncan, but once Lady Macbeth challenges him, he says, “I dare do all that may become a man;/ Who dares do more is none.” Macbeth’s idea of manliness is to accept the challenge of Lady Macbeth. He shows that he thinks that you have to fit other people’s definitions, instead of creating your own independent version, like MacDuff did. He succumbs to Lady Macbeth taunting, proving that he actually isn’t a man, because he is letting a woman influence his morals. He finally accepts Lady Macbeth’s challenge when he says, “Whiles I threat, he lives.” Macbeth sees being a man as being someone who follows through with their ambitions and promises. He thinks that you can’t just make empty threats, but must deliver. When he says “Whiles I threat, he lives,” it reveals the selfish and ruthless side of Macbeth. He is willing to sacrifice someone else’s life for his own benefit. Macbeth is very selfish and also takes advantage of people’s kindness, because he takes advantage of the King’s trust in him to kill him. Macbeth is very power-hungry, like Lady Macbeth, and even though he has been promised kingship, he is impatient and selfish, and choses to meddle with what could’ve come to him with time. He doesn’t value loyalty, but
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In this play, the manhood is symbolized as the weakness. The weakness and lack of braveness Macbeth has to stand up for himself when he is constantly back-stabbed by Lady Macbeth.
In the play of Macbeth the topic of manhood is very prevalent. It seems as though there are many ways to define the word manhood. The actual definition of manhood is; qualities traditionally associated with men, such as courage, strength, and sexual potency. There are also many different ways to think of this. There are lovers and fighters. Both probably have their manhood but its explained differently. Lovers are more there for the girls whatever gets the girl right. Fighters are rough and tough, big guys or small ones I guess that just have that fire in their eyes. As I have read and studied this play the topic of manhood is brought up in every single act of this play. Macbeth is, in a way, centered around manhood and how women use it to their advantage.