In the play of Macbeth the topic of manhood is very prevalent. It seems as though there are many ways to define the word manhood. The actual definition of manhood is; qualities traditionally associated with men, such as courage, strength, and sexual potency. There are also many different ways to think of this. There are lovers and fighters. Both probably have their manhood but its explained differently. Lovers are more there for the girls whatever gets the girl right. Fighters are rough and tough, big guys or small ones I guess that just have that fire in their eyes. As I have read and studied this play the topic of manhood is brought up in every single act of this play. Macbeth is, in a way, centered around manhood and how women use it to their advantage.
In act 1 scene 7 in lines 47-49 Lady Macbeth says “What beast was’t then. That made you break this enterprise to me? When you durst do it, then you were a man.” She is talking about killing Duncan and Macbeth doesn’t want to do it. Ultimately when she says this she is calling Macbeth a pansy and challenges his manhood. Macbeth doesn’t like this and goes with her plan. Really if Macbeth was a real man he
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wouldn’t have gave into her pressure and set her straight. After all Macbeth is the kingdoms best fighter. Also in scene 5 Lady Macbeth says she wishes that the spirits would “unsex” her. Meaning she wishes she could be a man and that she would just kill Duncan herself, but is worried about a woman’s kindness and remorse. But this doesn’t bother her until the end of the play and she commits suicide. In act 2 scene 3 lines 133-134, after Macduff finds Duncan’s body and everyone is woken up, Macbeth says “Let’s briefly put on manly readiness and meet I’ the hall together.” He is saying that he feels more of a man in his day clothes. In a way Macbeth is kind of saying he has to but on his manly act because he is suffering from killing Duncan. He doesn’t want everyone to think something is up. In this act after Macbeth kills Duncan, he walks back to his room and Lady Macbeth is there and asks why he still has the two knives. He won’t go back and look at what he’s done and Lady Macbeth calls him a coward and challenges his manhood yet again. She takes the knives back to the room and when she gets back she washes her hands. By the end of the play she is “washing” her hands all the time. By the time the third act rolls around Macbeth has kind of put his big boy pants on and taken charge.
In act 3 scene 1 lines 90-94 Macbeth is talking to the murders. He says,"Ay, in the catalogue ye go for men; As hounds and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs and demi-wolves, are clept All by the name of dogs" These murders don’t want to kill Banquo and his son, until Macbeth says they aren’t men. These guys puff out their chests and start telling Macbeth that they are the worst of cutthroats and they are the manliest men ever. When Macbeth sees Banquo’s ghost in his chair at the party and freaks out Lady Macbeth tells him he is being a nervous, foolish, woman, not like a man at all. She openly calls him a wimp. Macbeth takes her “advise” and challenges the ghost and drives it
away. Macbeth is finally turning into a manly man by his wife standard and in some ways overdoing it. He has everyone in Macduff’s castle, Fief, killed or slaughtered. Macduff’s son is the first one to die. When Ross the messenger tells Macduff of this he responds by saying “All my pretty ones? Did you say all? O hell-kite! All? What, all my pretty chickens and their dam At one fell swoop?" Malcolm trying to gain Macduff’s help says "Dispute it like a man" Telling him no to dry and toughen up. Macduff says "I shall do so; But I must also feel it as a man" "O, I could play the woman with mine eyes And braggart with my tongue!". (act 4 scene 3 lines 217-231) Macduff actually being a man says he will kill Macbeth but will also mourn his loss. He isn’t pushed around like everyone else in this play. He is the only one that doesn’t get pushed around and called a pansy that dies. He ends up killing Macbeth. Malcolm says in act 4 scene 3 line 235 “This tune goes manly” saying Macduff is a man. Throughout this play people are always motivated by someone challenging their manhood or showing their manhood. The women are always the ones to bring up manhood and being a coward but they will never get their hands dirty. It’s a way to get a man to do it for them. Even Malcolm tries to use this to win over Macduff. Macduff is the only one that truly shows his manhood in this play.
Initially, when her character is introduced, she displays her masculine traits with complete disregard for any form of femininity. She commands the heavens in these lines, ”Come, you spirits/That tend on mortal thoughts, unsex me here,/And fill me from the crown to the toe top-full/Of direst cruelty.”(1.5.30-33). In this, Lady Macbeth sheds any attachment she has to her natural embodiment as a woman, and asks the supernatural to help her in her quest to power. It is clearly shown that Lady Macbeth yearns to achieve ambitions that weren’t considered womanly in the time period that this play is set in. As a consequence, she pushes her husband to fulfill her horrendous dreams, because she knows that she will not be affected if Macbeth fails to execute his plans. If Macbeth gets caught, then she remains blameless, and if he doesn’t, she becomes a queen. Either way she doesn’t get hurt. Nonetheless, Lady Macbeth hides another aspiration, one which is evidenced from her humane actions. As a loyal companion to Macbeth, Lady Macbeth wants to ensure that her husband achieves his dream, to be king, at any cost, even if that means sacrificing her femininity and humanity. Generally speaking, this unique perspective on Lady Macbeth shows that her demeaning of Macbeth’s masculinity is actually a display of her true feminine traits; to always support her husband regardless of the price. Lady
Macbeth tells himself to act like a man in the following lines: “Prithee, peace! / I dare do all that may become a man; / Who dares do more is none” (I, vii, 45-47). This quote by Macbeth shows how he wants to be a man by killing King Duncan, but he does not think this would be an act of righteousness. Macbeth is in a controversy with himself in this situation. If he does not kill the king then his wife, Lady Macbeth, will not think he is a man, but if he does kill the king then he will betray his leader’s trust in him. Betrayal would not be seen as an act of manliness. Jarold Ramsey explains the situation in the following sentence: “And, striking more ruthlessly at him, she scornfully implies that his very sexuality will be called into question in her eyes if he refuses the regicide” (288). This quote by Jarold Ramsey explains how Macbeth’s manliness will be determined in the eyes of Lady Macbeth when he makes his decision on whether or not he will kill the king. Lady Macbeth shows her desire of being queen in the following lines: “What beast was’t then / That made you break this enterprise to me? /When you durst do it, then you were a man” (I, vii, 47-49). This quote shows how she wants Macbeth to kill the king. In this situation Macbeth tells himself to be a man and kill the king to please Lady Macbeth. Maria Howell exp...
Throughout Macbeth, Shakespeare shows that questioning whether or not someone is a man is highly effective in getting them to do what they want. Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
In Act 1 Scene 7, Lady Macbeth ‘bullies’ her husband by doubting his masculinity and provoking a response. She called Macbeth “afeard” and a “coward”. I am inclined to think that Lady Macbeth chose these words as Macbeth values his courage and fierce nature as it has positioned him highly in society. It is possible that Macbeth’s greatest vulnerability is his love for Lady Macbeth and that enables her to exploit his love for power. This shows her femininity as a strength as she can use it to influence Macbeth and show him as the weak spouse.
After Macbeth discovers the Witches’ prophecy, he tells his wife, Lady Macbeth, about it. She reacts differently than one would expect a woman to do. She begins to mock Macbeth and ridicule his masculinity. By the conveyance of her speech, Lady Macbeth emphasizes that she is in charge and that Macbeth needs to follow her in order to achieve anything, as she states, “Yet do I fear thy nature;/ It is too full o’ th’ milk of human kindness/To catch nearest way” (1.5.16-18). Shakespeare employs the rhetorical device of a metaphor to describe Lady Macbeth’s view on Macbeth’s personality.
After receiving prophecies from the witches about his future to come, he is forced into an ambition-fuelled madness. As previously mentioned, Macbeth was persuaded to kill King Duncan by his wife due to his debatable manliness. This presented Macbeth’s need to prove to his wife he was manly by being valiant and strong and partaking in violent acts. He responds to his wife’s forceful directives by telling her, “Please stop! I dare do all that may become a man;/ Who dares do more is none” (1.7.46-47). This quote indicates how Macbeth believes a “real” man would not murder, and only due to Lady Macbeth explicitly attempting to manipulate him into action, does he succumb to do so. Macbeth endeavours the heinous crime of murdering the King, all owing to Lady Macbeth’s commands. On more than one occasion Macbeth is seen becoming mad, being overtaken by guilt and concern, highlighting that his manhood does not in fact give him any power, but only draws attention to his lack thereof. The inferiority he has within his relationship, also makes evident that Lady Macbeth’s pressure causes the transpiration of Macbeth’s powerful future. It is clear that Macbeth’s power was affected by his gender, as seen through his desperate need to prove his masculinity. Without the questioning of his manhood, Macbeth would have still been the
When his wife told him that in order for him to become king, he must kill the current king, King Duncan. King Duncan is a friend of Macbeth who he is very loyal to. Macbeth had to decide whether his loyalty to the king or loyalty to his wife was more important. "Art thou afeard to be the same in thine own act and valor as thou desire? Wouldst thou have that which thou esteem'st the ornament of life, and live a coward in thine own esteem..." (Macbeth 60) In this quote, Lady Macbeth is questioning Macbeth's manhood. She is stating that he is not a man because he won't show the boldness or the bravery to do this
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
...hout the play, he continually worries about his own portrayal of masculinity, something that Lady Macbeth is quick to jump upon to make him do what she wants. When Macbeth says is challenged by lady Macbeth he says that he will do anything to be a man. ’when you durst do it, then you were a man’. Lady Macbeth is tormenting Macbeth by getting inside his head. This symbolises how he is being controlled by evil and corruption. Lady Macbeth and her desires on one side and the witches on the other. This shows how the two control is entangled and entwined. The word ’man’ is used to great effect here, it shows the true desires of the heart. Macbeth wants the recognition of his achievements. Lady Macbeth’s attitude explains how this is not enough. She wants Macbeth to be king, maybe more than he does. She is pushing him forwards.
“When you first do it, then you were a man, And to be more than what you were, you would, be so much more the man” (I. VII, 54-56). After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others.
In Shakespeare’s play, Macbeth‚ the theme of masculinity is explored. As Macbeth matures‚ there are times when his masculinity is put to the test, mostly after the murder of Duncan. There are four main themes in which masculinity is presented in the play.
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
In this play, the manhood is symbolized as the weakness. The weakness and lack of braveness Macbeth has to stand up for himself when he is constantly back-stabbed by Lady Macbeth.
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...