Macbeth: His Own Enemy

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Morrissette’s attempt to create a worthy madman of a Macbeth, while fusing comedy into the whole situation, is overall a success. Justification comes by the film Scotland, PA following the exact plot of the play Macbeth. Not only that, but the film uses the same names as the play. Without any of above, the film would have felt nothing more than a lightheaded comedy suspense film, which it may come off as to some. Macbeth is clearly recognized as a tragic hero with obsessive and other mad qualities to himself. Slowly and surely he sacrifices things such as morals and even friendships to climb closer to success. Although Macbeth in the film Scotland, PA lacks the overwhelming madness portrayed in Macbeth, Morrissette’s film depicts Macbeth’s fall from grace near perfectly.
It’s clear that Macbeth is the cause of his own problems in the play. After being prophesized to by the witches, Macbeth’s ambitions grow large. He looks forward a little too much to seem humble. He even sends his wife a letter specifically stating that even she should look forward to the witches’ prophecy (1.5.1-12). Macbeth’s large ambitions cloud his better judgment. Macbeth seems shaken by the idea of killing off Duncan, yet he says, “We will speak further,” in regards to the plot to kill Duncan (1.5.69). This is all after Macbeth was awarded thane-ship. Macbeth could have simply disregarded the witches and lived a noble life under the king’s domain, which at the time was one of the best things options. Macbeth stops himself from achieving greatness through fairness, which even Lady Macbeth admits to be true. Lady Macbeth even says, “…I do fear thy nature; it is too full o’th’ milk of human kindess to catch the nearest way…,” in regards to Macbeth’s own human...

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... Duncan (3.2.13). The fear of Banquo taking power from him is the sole reason he decides to rid himself of a great friend. In the movie it is the very same fear, doubt.
Both Macbeth’s share the same quality of doubt, fear, and obsession. Eventually it twists their minds to think that all of it is okay, that it is justified. Eventually it proves to be the root of Macbeths’ self-antagonistic aspects, but that proves even more how on point Morrissette was with his film adaptation. He hit the key points like acknowledging how convicted of a person Macbeth was regardless of his moral standpoint. In essence, the Macbeth that Morrissette portrays is exactly like Shakespeare’s. Aside from the comedic aspects of the film, Morrissette had an accurate portrayal of both the antagonist of Shakespeare’s Macbeth and the protagonists. Macbeth is his own enemy.

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Macbeth

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