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The prophecies and fate in macbeth
The prophecies and fate in macbeth
PROPHECIES IN tragedy of macbeth
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Macbeth
Appearance versus reality
Niccolo Machiavelli is famous for saying: “For the great majority of mankind are satisfied with appearances, as though they were realities, and are more often influenced by the things that ’seem’ than by those that ‘are.’Appearance vs. reality in Shakespeare is a jaded theme in Macbeth. As King Duncan himself says “there’s no art to find the mind’s construction in the face,” the play is full of characters with duplicity as things aren’t always what they ‘seem’ (1/4/20).
The witches and their prophecies, throughout the play are not what they ‘seem.’ When Macbeth is returning with Banquo and they see the witches in their path, Banquo is confused as to whether they are real. He asks them, ‘are you fantastical or that indeed which outwardly ye show?’ (1/4/69). They look so ‘wither’d and so wild in their attire(1/4/55)’ that the puzzled Banquo mistakes them for no ‘inhabitants of the earth’ and when they disappear, he asks Macbeth if they had ‘taken the insane root that takes the reason prisoner?’ (1/4/57). When the three witches’ prophesize yet again, they let Macbeth know that he needs to ‘beware Macduff’ (4/1/80) and confirm his suspicions. They also let him know that ‘none of woman born shall harm Macbeth’ (4/1/88) which makes Macbeth extremely confident he is indestructible. The third prophecy, as the witches say states that ‘Macbeth shall never vanquish’d be until Great Birnam woods to high Dunsinane hill shall come against him.’(4/1/102) By the end of prophesying, Macbeth is extremely certain and sits comfortably, knowing that nothing could harm him. Macbeth interprets the prophecy in his own way and doesn’t realize that it could mean something else than what it ‘appeared’ to mean. ...
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...ng. He can not go back to Scotland where Macbeth is planning his murder and neither can he bring Malcolm to Scotland since he himself said, he would make a horrible king. Satisfied, Malcolm finally tells him that he was just testing Macduff’s loyalty and he was content with it. Although, a doubt remains in Macduff’s mind and he says ‘such welcome and unwelcome things at once ‘Tis hard to reconcile.’ (4/3/153)Macduff is confused as to what is real yet again. He can not decide whether to trust Malcolm’s ‘appearance’ or not.
In the end, the rightful heir to the throne, Malcolm becomes the King of Scotland and everything returns to normal. What ‘appears’ real is real and there are no false ‘appearances’ from people anymore.
Work Cited
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. The Tragedy of Macbeth. Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 300-382. Print.
Shakespeare, William. The Tragedy of Macbeth. Elements of Literature. Sixth ed. Austin: Holt, Rinehart and Winston, 1997.
In Shakespeare’s Macbeth, a selfish Scottish thane becomes over-ambitious and commits several murders in order to gain and stay in power. After the murders, Macbeth evades suspicion by hiding his guilt and intentions, therefore deceiving others into thinking that he is innocent. Other characters including Lady Macbeth, the witches and the Scottish thanes also use their appearances to hide the truth and deceive others. With these examples, Shakespeare shows that appearances can be deceiving.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
These prophecies didn’t seem to be realistic at first. But when he was made Thane of Cawdor, because the other thane was a traitor, he began to become a little power hungry. He thought that if one of the prophecies came true, so would the other. He couldn’t wait, he told Lady Macbeth, who then made a plan to make it happen faster. Her plan was to invite the king over, kill him, and make it look like his guards committed the murder. The witches are nonrealistic as shown they made some things up and caused a lot of trouble by doing so. Also, at the banquet for the new king, Macbeth, Macbeth thought that he saw a ghost, although he was the only one who could see it. It was the ghost of Banquo, who should have become king rather Macbeth. He was sitting in the chair where he would have been sitting had he become king. This is how it was meant to be, with Banquo being king.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
These ambiguities are iteratively explained, corresponding with the changes in characterization; for example, when the second vision granted to Macbeth by the Weïrd sisters advises him to, “Be bloody, bold, and resolute. Laugh to scorn / The power of man, for none of woman born / Shall harm Macbeth” (4.1.90-92). Upon hearing this, Macbeth appears to simply disregard the earlier prophecy that it will be Banquo’s children, not his own, that will take the throne after him and believes himself to be effectively invincible, which coincides with another shift in Macbeth’s nature, more specifically his growing arrogance that eventually leads to his defeat at the hands of
Shakespeare, William. Tragedy of Macbeth . Ed. Barbara Mowat and Paul Warstine. New York: Washington Press, 1992.
Shakespeare, William. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X.J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999.
1 Roman Polanski changes the ending in his film, when he has Donalbain visit the witches to determine his own fate as the brother of the new King Malcolm.
Shakespeare, William. The Tragedy of Macbeth. Elements of Literature. Sixth ed. Austin: Holt, Rinehart and Winston, 1997.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997
...im. At this moment Macbeth realises his fate, and fights to his death with Macduff. Malcom then becomes king, and Macbeth’s head it placed on a steak.