People in the world today have problems staying faithful to their loved ones. In the story, Gomov, who was married, cheated on his wife with many women. He also felt that men were an superior to woman: “He had begun to betray her with other women long ago, betrayed her frequently, and probably for that reason nearly always spoke ill of woman, and when they were discussed in his presence he would maintain that they were an inferior race”(81). He felt bitter towards women, and he would always talk bad about them by calling them names around his wife and others: “It seemed to him that his experience was bitter enough to give him the right to call them any name he liked”(81).
One day his feeling towards women changed. Meeting a beautiful woman, he soon started taking a liking to this woman by the name of Anna Sergueyevna. Anna was also married but was very bored of her relationship with her husband, like Gomov who was also bored with his wife. Gomov started to change and came to view women with more respect and wanted to change his ways. Gomov started falling love with Anna but wasn’t quite aware of it.
He didn’t know whom he really felt towards Anna until they had to depart from each other and went back to their homes, “And now at last when his hair was gray he had fallen in love-real love-for the first time in his life”(94) . After being home for a short while he couldn’t take it anymore he had to see Anna so he went to her town where she was from and found her and told her how he felt. Anna scared that her husband might find out she hurried away. But she also felt the same way and after that she started making trips to Moscow to see Gomov. After seeing each other for a while Gomov knew that Anna was the woman he had always longed for and that he wanted to be with her forever and with her feeling the same way, “Anna Sergueyevna and he loved one another, like dear kindred, like husband and wife, like devoted friends; it seemed to them that Fate had destined them for one another.
Our aim is to portrait the character of Dmitry Dmitrich Gurov, in the context of the story, extracting those elements that are characteristic of the period in which Chekhov wrote the story. True love is a reason for everything, even deleting the laws of life. People's mistakes and weaknesses are part of life and, without contradictions, the world would not have evolved.... ... middle of paper ...
Vladimir Nabokov suffered a neurological disorder called Synthesia. In this disorder, some senses appear the form of other senses. For his specific case, it allowed him to see letters in color. The literary form of this disorder is writing when one sense describes another. Nabokov’s synthesia allowed for him to compose its’ literary form in a superior manner. Additionally, in its literary implication, synthesia generates juxtapositions of the senses. With and in juxtaposition, he uses the comparison of senses to describe one sense through another sense. Nabokov uses his Synthesia to enhance juxtapositions in order to capture essence of life through words. In his short story First Love, he illustrates importance of using the senses in descriptions
In the "Widower's Tango", the relationship between Pablo Neruda and Josie fell apart due to jealousy, distrust, anger, mental abuse, the threat of death, Neruda's infatuation. Pablo Neruda was deeply in love with a woman named Josie, who reciprocated his affection, and they became lovers. Despite their feelings for one another, the bond between them was broken. Josie was too in love with Neruda. She was clingy and worried that Neruda would leave her; however, her fears would be founded, for Neruda only saw her as a passing fancy.
In the Geoffrey Chaucer’s Canterbury Tales, Chaucer illustrates the different perspective between men and women on the concept of marriage and love. In The Wife of Bath’s tale, it is shown the woman appreciating marriage and wanting to be able to love a man unconditionally as where in The Miller’s Tale, love isn’t anything, but sex with the man in the story. In accordance with Chaucer, the complication with marriage is that men are consumed by sexual desire and are easily abused by women like The Wife of Bath. As noticed, The Miller’s Tale is all about adultery. “Just like men, the wives have secrets, as does God”, says the Miller. Both have information that the other do not know about that are sacred and better left unsaid.
Anna transcribes her memories in a way that transitions from being able to love freely to being forced to love Alexander Karmyshev out of obligation; this was an arranged marriage by her mother. Anna sees the role of a noblewomen as being completely submissive towards their husbands even under unbearable conditions. The lessons learned from her mother helped shape and control her life. Labzina’s mother instilled the lessons of submission and survival in her mind before departing. Her mother’s motivation for teaching her these things was so that elite people would intercede on her behalf through respect for her. Her mother’s teachings were to:
...treats her well, she disobeyed her father’s order and ran away with Lysander. At the part where the love potion got mixed up and both man loved Helena, Hermia was very jealous but at the end she found her true lover.
It seems as though Pyotr and Alexeich both represent different aspects of Chekhov’s father, and Chekhov himself is Anna. Chekov’s father was aloof from his family and came from a lower class background; like Modest Alexeich, Chekhov’s father also fawned at the feet of his social superiors. Chekhov, in contrast, was an unconventional boy. He eventually broke from his family’s lower class position and became a doctor; however, throughout his school and career he performed additional odd jobs to earn money he could send to his father. Also like Anna, Chekhov loved to be with people (Payne xiii, xvii-xxi). Comparing the two, then, it would seem as if Chekhov identifies with Anna as she struggles to find her social identity and wrestles with her desires and the needs of those she loves. This tone gives the story a melancholy mood and leads to a bittersweet conclusion. The ending seems happy for Anna, yet the reader is left to wonder what the ending represents. Did her father and husband receive the dues for their behavior? Are Anna’s actions a normal product of the transformation from youth to adulthood, or did she come to completely discard respect and
Chekhov reminds the readers that Anna is young compared to Gurov. Chekhov’s novel states, “As he went to bed he reminded himself that only a short time ago she had been a schoolgirl, like his own daughter” (3). The images of Anna being a schoolgirl not too long ago, when Gurov has a daughter of similar age, brings the sense of abnormality between the relationship of Gurov and Anna. It’s hard to imagine such a huge difference in lovers especially in the strict culture of Russia in the late 19th century where these occasions were unthought-of. The uncomforting thought of the difference in age goes back to differ the meanings of love and romance in the novel because against all odds and differences, Anna and Gurov hide away from these obvious facts. The thought of love in this culture is between a man and woman of similar age. According to Chekhov’s novel, “He was sick of his children, sick of the bank, felt not the slightest desire to go anywhere or talk about anything” (9). Chekhov’s description of sickness reveals that Gurov has a huge moment of denial, denial of family and denial of age. This denial of age, helps Gurov cope with the oddities of their relationship, the oddities of the love they had with the characteristics of a romance. Gurov was trying to change the definition of their relationship on his own mental terms. While Gurov was trying to bring out a spontaneous, younger
...es confused when he realizes that he has feelings for Princess Marya, and rather than being conflicted on who to choose, he merely wonders how he will explain to Sonya the situation without overly hurting her. This is an example of a more powerful love, one that his ‘soul mate’ Marya inspires in him. Nikolai is almost easily able to cast off his lifelong ‘love’ for his cousin in favor of this strange and “frightening” woman, with whom his future is unimaginable simply because he does not know her character or quirks, but her soul. When the two meet for the first time in proper circumstances, each knows exactly what to say, and Nikolai felt that he didn’t need to say that which he had prepared, but what “instantly and always appropriately came to his mind.” It is with this comfort with Marya that Nikolai is able to successfully run his estate later on in the novel.
End of the late 80s. Russia is at the turning point of it’s history. Everything around transforms into something new: the political structure, the lifestyle, and the way of thinking. At these new times people get opportunity to read books, which had been only passed under the cloud of a night before. One of those books is Bulgakov’s Heart of a Dog. Almost immediately after the book’s publication, director Vladimir Bortko makes a screen version of Heart of a Dog. It is considered one of the best adaptations of Bulgakov’s works, and is widely praised in public. Popularity of this adaptation is not accidental. The movie Heart of a Dog is showed through the eyes of a person from 80s. The person who is fed up with proletarian oppression and who craves for the future, which is free from communism. Bortko supports public moods and creates basically anti-communism movie. In pursuit of the approval of a crowd, the director produces distorted adaptation of Bulgakov’s story. It is can be explained with consideration on how political situation and the spirit of a society influences screen adaptation of the book.
In Anton Chekov's "About Love" Alekhin also known as Pavel Konstantinovich shares a story within a story about his one true love Anna Alekeevna with Burkin, the high school teacher and Ivan Inanovich, the veterinary surgeon. The story shares how he and Anna grew to share an unconditional love for each other. The two sacrificed their love for each other for the happiness of others since Anna was already married and had two children. Later on in his life, Alekhin realizes that he had missed his one chance of true love, when he had the chance they should have sacrificed everything and attempted to live a happy life together. Although Alehin's tone while telling his story seems to doubt the possibility of true happiness, it is not until after he is finished that he seems to understand that by not sacrificing and taking chances in life, you hinder your chance of ever-attaining true contentment.
In order to understand the nature of Gurov and Anna’s “love”, the question of “Who seduced who?” needs to be answered. When looked at the story step by step, the answer would be Gurov, since he w...
Anna Karenina by Leo Tolstoy is a novel about love and marriage among the Russian aristocracy in the 1870s. Anna is young, beautiful woman married to a powerful government minister, Karenin. She falls in love with the elegant Count Vronsky and after becoming pregnant by him, leaves her husband Karenin and her son Seryozha to live with her lover. Despite the intervention of friends such as her brother Oblonsky, an adulterer himself, she is unable to obtain a divorce, and lives isolated from the society that once glorified her. As a man, Vronsky enjoys relative social freedom, which causes Anna to have increasingly intense fits of jealousy. Because of her constant suspicion, she thinks that Vronsky’s love for her is dwindling. Their story is ended by an exciting finale that moves the reader.
John Donne’s “The Flea” details the attempts of a lover to convince his partner of the insignificance of physical love through conceit. The desperate lover hopes to woo ahesitant woman to have sex with him because physical love means nothing. Donne utilizes biblical allusions through symbolism and slant rhyme as the speaker builds and rebuilds his crooked case for the unimportance of sex. When the action of the poem shifts, the speaker’s argument shifts accordingly. The flea transforms into a symbol of the conscience that is the main obstacle to the physical love that the speaker seeks. Through the speaker and overstatement, Donne satirically asserts that physical love is not important, mocking a theme of contemporary carpe diem poems.
"The Bear," which is a classic one-act play written 1900, is one of the great works of Anton Chekhov, which is very much about a widowed woman. The Bear can be regarded as a comedy since it is to give the audience entertainment and amusement. This comedy reveals the fine line between anger and passion. The theme is about a strange beginning of love between Mrs. Popov and Smirnov. It demonstrated that love changes all things it touches. Dialogue of the characters, the action of the characters, and the characters themselves shape the theme. Unbelievable actions and change in mood on the part of the characters show that love can sometimes come from an odd turn of events.