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The theme of love in Shakespeare plays
Gender in literature
Analysis of Twelfth Night by William Shakespeare
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Recommended: The theme of love in Shakespeare plays
Love, quite an indescribable word, has such an impact upon people as to cause deceit and overall confusion in every relationship. In Will Shakespeare’s play Twelfth Night or What You Will, Shakespeare attempts to have a great balance of both cruelty and joy while also containing comical qualities to this romantic play. Throughout Twelfth Night or What You Will, Shakespeare uses puns with characters such as Viola to cross-dress and change their identity. "She attires herself in the disguise of a page, as the best protection against uncivil comments, till she can gain some tidings of her brother" (O'Connor) while Viola is disguising herself as a boy, she falls in love with her employer, Duke Orsino. Viola cannot express her feelings for Orsino because Orsino thinks that Viola is a man. “She is engaged in the service of the Duke, whom she finds "fancy-sick" for the love of Olivia" (O'Connor). Shakespeare demonstrates that love is capable of causing misery by creating a love triangle in which Olivia falls in love with Viola/Cesario who is constantly bothered by Sir Andrew Aguecheek and Malvolio, who both love Olivia.
During the seventeenth century when Shakespeare was writing this play, homosexuality was looked down upon by society. However, this does not mean that Shakespeare could not shed any humor into the subject of homoerotism in Twelfth Night or What You Will. It is evident that Shakespeare means to make fun of gender with his characters such as Orsino and Olivia falling in love with Cesario, not knowing that Cesario is actually a female. "As Orsino's proxy, Viola is sent to Olivia with love letters. Viola refuses to budge until she is let in to see Olivia" (Pressley). Earlier in the play, Viola while dressed as Cesario, ha...
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Shakespeare, William. Twelfth Night Or What You Will. N.p.: Isaac Jaggard and Edward Blount, 1623. Print.
“Twelfth Night; Or, What You Will” [“Twelfth Night; Or, What You Will”]. bardweb.net. J.M.Pressley, n.d. Web. 22 Feb. 2014. .
Williams, Porter, Jr. “Mistakes in Twelfth Night and Their Resolution: A Study in Some Relationships of Plot and Theme” [“Mistakes in Twelfth Night and Their Resolution: A Study in Some Relationships of Plot and Theme”]. Modern Language Association [New York City] June 1961, Volume 76: 193-99. www.jstor.com. Web. 5 Feb. 2014. .
Woodbridge, Linda. “Gender Ambiguity and Desire in Twelfth Night” [“Gender Ambiguity and Desire in Twelfth Night”]. Women and the English Renaissance: Literature and the Nature of Womankind: n. pag. Print.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
During the weeks leading up to matrimony, Olivia fell madly in love with Cesario, who though looks and sounds just like Sebastian, is truly Viola dressed as a man. Sebastian does not realize this as he meets Olivia for the first time. He is amazed that a woman of her statue and beauty would feel so strong for him and he wastes no time.... ... middle of paper ...
Shakespeare’s Twelfth Night is a comedy that has been interpreted in different ways, enabling one to receive multiple experiences of the same story. Due to the content and themes of the play, it can be creatively challenging to producers and their casting strategies. Instead of being a hindrance, I find the ability for one to experiment exciting as people try to discover strategies that best represent entertainment for the audience, as well as the best ways to interpret Shakespeare’s work.
William, Shakespeare Twelfth Night. The Norton Anthology of English Literature, Volume B. Ed. Stephen Greenblatt. New York: W. W. Norton & Co., 2006. 1079-1139.
In Twelfth Night, by William Shakespeare, gender identity and alternative sexualities are highlighted through the depiction of different characters and personalities. In the play, Viola disguises herself as a man thereby raising a merry-go-around of relationships that are actually based on a lie rather than actual fact. Viola attracts the attention of Olivia since she thinks that Viola is a man but even more fascinating is the fact that Orsino is attracted to Viola although he thinks that she is a man. In another twist Viola is attracted to Orsino and has fell in love with him although their love cannot exist since Orsino thinks that Viola is a man.
Feste, the fool character in Twelfth Night, in many ways represents a playwright figure, and embodies the reach and tools of the theater. He criticizes, manipulates and entertains the other characters while causing them to reflect on their life situations, which is similar to the way a playwright such as Shakespeare interacts with his audience. Furthermore, more so than the other characters in the play he accomplishes this in a highly performative way, involving song and clever wordplay that must be decoded, and is thus particularly reflective of the mechanisms at the command of the playwright. Feste is a representation of the medieval fool figure, who is empowered by his low status and able to speak the truth of the kingdom. A playwright speaks the truth by using actors and fictional characters, who are in a parallel low status in comparison to the audience, as they lack the dimensionality of real people. Thus, the role Feste plays in the lives of the characters in the play resembles the role the play itself plays in the lives of the audience watching the performance. This essay will explore this comparison first by analyzing similarities between the way in which Feste interacts with other characters and the way the playwright interact with the audience, and then focus on the similarities between the aims and content of these interactions.
Unlike the other characters in Shakespeare's "Twelfth Night", Viola's feelings of love are genuine. She is not mistaken about Orsino's true nature and loves him for who he really is, while the other characters in the play seem to be in love with an illusion. Viola's love for Orsino does not alter during the play, nor is it transferred to another person.
Naturally, one of the most reoccurring themes in Shakespeare is romantic love. It is perhaps not a coincidence that he put so much emphasis on this elusive and enigmatic emotion. In the Elizabethan age when he was writing, the arts were being explored more fervently, and thus raw human emotions began to surface in the mainstream culture. In Twelfth Night, love is a confusing and fickle thing, as demonstrated in the relationships between Duke Orsino and Olivia; Olivia and Viola/Curio; Malvolio and Olivia (she certainly has an effect on men doesn't she?); Duke Orsino and Viola/Curio. However, the characters seem to have a love-hate relationship with Cupid. Within the first line of the play, it is glorified: "If music be the food of love, play on..." (Duke Orsino, I:I). And while Olivia is annoyed with Orsino's affection, she craves Curio's.
Shakespeare, William. Twelfth Night, Or, What You Will. Ed. Barbara A. Mowat and Paul Werstine. New York: Simon & Schuster Paperbacks, 2009. Print.
One of the most intriguing aspects of As You Like It by William Shakespeare concerns the issue of gender. This issue generates a lot of interest and discussions due to its complexity. The main reason for such a concern in the play is the cross-dressing and role-playing. The central love interest between Rosalind and Orlando calls into question the conservative wisdom about men and women and their gender roles. It also challenges our presumptions about these roles in courtship, love, and relationships.
Shakespeare, William. Twelfth Night Or, What You Will. New York, New York: New American Library, 1998. Print.
Delahoyde, Micheal. "Twelfth Night or What You Will." Twelfth Night. Dr. Micheal Delahoyde, n.d. Web. 23 Feb. 2014.
Twelfth Night consists of a large number of love triangles, however many characters are too indulged in love that they are blind to the untrue, and the weakness of their relationship, they are deceived by themselves and many people around them ( ex. Malvolio is tricked by Sir Andrew, Feste ,Sir Toby and Maria),but there are certain incidents where the love is true and two characters feel very strongly about one another. In the play, Viola and Orsino have the most significant relationship. The way they interact with each other causes the complexity on which the play is all about, their relationship turns from strangers to friends then lovers .In the First Act Viola is not honest with Orsino because she disguises herself as a male servant named Cesario in order to get closer to the duke. Orsino. Orsino quickly trusts Cesario and sends him to Olivia to declare Orsinos Love for her, the girl he most dearly loves. This quick bond is the fast example of their relationship. At the beginning of the play, Viola thinks her brother (Sebastian) is dead (after they’re deadly boat crash, where they get separated) when actually he is alive and thinks she is dead, Viola always seems to have a part missing from her which shows her bond with Sebastian is strong, and a part of her but in a brotherly/sisterly way rather than a proper relationship like viola and orsino, At the end of the play they meet and both fall in love , Viola with Orsino and Sebastian with Olivia.
Twelfth Night or What You Will is one of Shakespeare’s most famous comedies. It has been performed hundreds of times and adapted into a number of modern films. The main plot of the play follows Viola, a girl who is rescued from a shipwreck and enters into the service of the Duke Orsino disguised as a man. Rising quickly in his estimation, Viola begins delivering messages of love on his behalf to Olivia, a noble woman who has no interest in Orsino’s advances. Over the course of the play Olivia falls in love with the disguised Viola, Viola falls in love with Orsino, and Viola’s twin brother Sebastian, who supposedly died in the shipwreck, returns. Following Sebastian’s return the twins are mistaken for each other, leading to both misunderstanding and marriage in the final scenes of the play. Alongside the main plot of Twelfth Night is an almost equally prominent subplot involving Malvolio, a servant of Olivia, who falls in love with her and who falls prey to a prank planned by the other members of the household who despise his abhorrence of fun. In the article “The Design of Twelfth Night” by L.G. Salingar, Salingar examines the plot and structure of the play and addresses the significance of the subplot. The purpose of this essay is to examine both evidence from the play and articles from other authors, with a focus on Salingar, who have written on the subject in order to determine the purpose of the subplot. In his article, Salingar comes to the conclusion that the purpose of the subplot is to provide a comic mirror of the main plot while amplifying the main themes of delusion, misrule and festivity. Salingar presents a solid argument, however he has neglected another lesser but significant element of the sub-plot which illustrate...
Throughout Twelfth Night, disguise and mistaken identity works as a catalyst for confusion and disorder which consistently contributes towards the dramatic comic genre of the play. Many characters in Twelfth Night assume disguises, beginning with Viola, who disguises herself as a man in order to serve Orsino, the Duke. By dressing his protagonist in male garments, Shakespeare creates ongoing sexual confusion with characters, which include Olivia, Viola and Orsino, who create a ‘love triangle’ between them. Implicitly, there is homoerotic subtext here: Olivia is in love with a woman, despite believing her to be a man, and Orsino often comments on Cesario’s beauty, which implies that he is attracted to Viola even before her male disguise is removed. However, even subsequent to the revealing of Viola’s true identity, Orsino’s declares his love to Viola implying that he enjoys lengthening the pretence of Vio...