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Does Shakespeare depict true love in Much Ado About Nothing
Much ado about deception and lies
HOw does benedick feel about beatrice in much ado about nothing
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Just like many other times before, I have never read this play or actually even heard of it. Overall, I thought the story was a little difficult to understand but the storyline was actually entertaining. With this reader response, I would like to discuss my favorite scene with Beatrice telling Benedick how much she hates him; how I wonder whether or not Beatrice knows she is talking to Benedick; and finally, Balthasar’s song and how I believe that it could be a possible theme to the play.
To begin, if I were to pick out my favorite scene in the play, it would have to be Act 2, Scene 1. I love how Beatrice starts to belittle Benedick without her realizing she is speaking to Benedick. One reason I love this scene is because situations like this happen even today. I could not tell you the number of times I started to talk about someone and either that person was around me or else I was talking to his or her family member or close friend. I really enjoy Shakespeare’s works when I can make a connection with them. Anyways, another reason I love the scene is because it is funny. If reading word-by-word without an in-depth analysis and we assume Beatrice does not know she is talking to Benedick, which I will discuss in my next paragraph, this scene is funny because of the awkwardness. Imagine being told by someone how much he or she dislikes you and he or she does not realize he or she is speaking to you. Would that not be awkward? Benedick has to stand there and listen to all of this criticism and he responds with “If I ever meet him, I’ll tell him what you said” (2.1.124-125)
Also, after reading and analyzing, I pondered whether or not Beatrice actually knew she was speaking with Benedick during Act 2, Scene 1. Even though there is no...
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...nough textual evidence to make a solid theory. Also, I thought that Balthasar’s version of “Sigh No More” could actually be taken as a theme to the story; I think that the song is telling us a few things like how we should realize life and love is not everlasting and that people are deceitful. In today’s world, we often forget and think that things will last forever; also, we tend to pretend we are somebody that we are not.
Works Cited
Greenblatt, Stephen. "Much Ado About Nothing." Introduction. The Norton Shakespeare: Based of the Oxford Edition. Ed. Stephen Greenblatt et al. 2nd ed. Vol. 1. New York: W.W. Norton, 2008. 1412. Print. Early Plays and Poems.
Shakespeare, William. Much Ado About Nothing. The Norton Shakespeare: Based of the Oxford Edition. Ed. Stephen Greenblatt et al. 2nd ed. Vol. 1. New York: Norton, 2008. 1416-1470. Print. Early Plays and Poems.
...e down by weeping. Shakespeare shows us that Beatrice is the only character despite some of these positive attributes of Beatrice’s character, she is very rude about men. She says ‘but manhood is melted into curtsies’ showing Benedick her lack of respect towards men. However it is possibly her refreshing honesty that leads her to be a positive role model.
“And when I lived, I was your other wife, And when you loved, you were my other husband(Shakespeare 60).” In the beginning of the play it was overwhelming, steeped in love at first sight between Hero and Claudio, until Don John’s evil-manner took a role in ruining the love between them. And because of this a conflict developed between them, but was resolved when their vigorous love for one another overcame the conflict. In Much Ado About Nothing by William Shakespeare, Hero serves as the foil character of Claudio because of Hero’s dignified, well-mannered, eminent reputation is illuminated through Claudio’s insecure, accusing, and doubtful weakness; thereby, interminably influencing the conflict in the plot.
The characters, Beatrice and Benedick have a very complicated relationship. They are always exchanging words and calling each other names. They call each other names from the very beginning of the play to the very end. In act 1, Benedick says “ If Signior Leonato be her father, she would not have his head on her shoulders for all of Messina, as like him as she is ” (1.1.111-113). Beatrice follows by saying, “ I wonder that you will be talking, Signior Benedick, nobody marks you ” (1.1.114-115). These quotes show that they have always had a complicated relationship because they insult each other without them expecting it.
William Shakespeare is known for his use of dramatic irony and complicated story lines. In Much Ado About Nothing, he also adds in the element of disguise to what the characters know, or what they think they know. There are multiple characters trying to ensnare others in different facades, whether it be for better or for worse. The deception and illusion in the play can either assist the characters or completely shatter the situation, but in both cases, Shakespeare advises us to infer about what we hear or see before we jump to conclusions.
Throughout Act one and two, Benedick repeatedly says that he will never love a woman or get married. At some stage in the duration of the play his mindset changes. In the end he is head over heels in love for Beatrice whom he once quarreled with habitually. The turnabout in his behavior was brought about by the deceiving Claudio and Pedro who indirectly told Benedick that Beatrice loved him.
William Shakespeare's Much Ado About Nothing is a play involving by deception, disloyalty, trickery, eavesdropping, and hearsay. The play contains numerous examples of schemes that are used to manipulate the thoughts of other characters; it is the major theme that resonates throughout the play. Ironically, it is one of these themes that bring serenity to the chaos that encompasses most of the play.
"Much Ado About Nothing: Entire Play." Much Ado About Nothing: Entire Play. N.p., n.d. Web. 29 Mar. 2014. .
Much Ado About Nothing. The Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398.
In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play.
With its entangled double plots and eloquent use of words, Much Ado About Nothing is a story that has the ability to entertain the masses both young and old. Shakespeare’s use of figurative language along with situation creates such vivid imagery for which carries the drama from beginning to end. For example, when we look at Act 1 Scene 1 of the play ...
In this play I will be mainly focusing on act 4 scene one, looking at "How Friar Laurence is presented" whether it be through; language, plot, relationships or his character. I will also be making comparisons between Zefferelli and Lurnman film versions looking at their interpretations of shakepeare's "Romeo and Juliet"
Shakespeare uses quite a lot of literary devices and techniques to present the characters of Hero and Beatrice in a way that lets the audience easily compare and contrast them. For example, in the characterisation of Hero and Beatrice, the dialogue used – what they say, how they say it, what other characters say about them and Hero’s silence are all very important in revealing their characters; in a similar way, their actions – what the characters do, and their inaction contrasts and creates significant difference between them, bringing each one’s personality. In addition, Shakespeare’s constant use of dramatic irony, exaggeration and contrasting plots, themes and structure all combine in his presentation of the two.
Shakespeare, William, Stephen Jay. Greenblatt, Walter Cohen, Jean E. Howard, Katharine Eisaman Maus, and Andrew Gurr. The Norton Shakespeare: Based on the Oxford Edition. 2nd ed. New York: W.W. Norton, 1997. Print.
Much Ado About Nothing. The Riverside Shakespeare, 2nd ed. Boston: Houghton Mifflin Co., 1997. 366-398.
Furthermore, the importance of forgiveness is also presented by the addition of the very first scene of Whedon’s adaptation. The film begins with the morning of an affair between Beatrice and Benedick, a scene that is not present in the original play. This scene, also without any dialogue, shows Benedick, after much deliberation, leaving the bedroom while Beatrice pretends to be asleep. This scene provides an integral background to Benedick and