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Violence in literature
Violence in literature
Violence in literature
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The Love Suicides at Amijima recounts the tale of two disastrous sweethearts, Jihei, a wedded unsuccessful vendor of business Osaka, and Koharu, a wonderful mistress for whom he has gotten a lethally exceptional affection fascination, and from whom his adoration is responded, however an affection which can never be satisfied because of his marriage and family and her obligated status as a paid courtesan. He tries to control his overwhelming energetic affection for Koharu; in fact some portion of him wishes simply to satisfy what society expects of him as a husband and father. Torn between the two restricting universes of obligation (giri) and enthusiastic private craving (ninjo), Jihei is constrained again and again to reject his home and family. Like some other human …show more content…
instinct, Jihei's inclination is incautious and variable. He asks Gozaemon, Osans father who debilitates him with separation and bankruptcy over the issue, to give him a chance to stay with his wife Osan. Osan then made relinquishes so that Jihei was cheerful regardless of the expense.
Osan realizes that her spouse, Jihei, has been seeing a special lady, Koharu. Osan trusts that Koharu will confer suicide since she would preferably bite the dust than not be with Jihei and proceed in her profession. The best way to spare her eventual is to pay the payoff to free her. Osan then mentions, “I’ll tell you later where this money came from. I’ve scraped it together to pay the bill for Iwakuni paper that falls due the day after tomorrow. We’ll have to ask Magoemon to help us keep the business from betraying its insolvency. But Koharu comes first. The packet contains 400 momme. That leaves 350 momme to raise…It doesn’t matter if the children and I have nothing to wear. My husband’s reputation concerns me more. Ransom Koharu. Save her. Assert your honor before Tahei” (Monzaemon, 62-63). Osan needed to pawn each and every piece of her articles of clothing and her children's pieces of clothing and give the money to Jihei to save Koharu. She understood that if Koharu submitted suicide then Jihei would also. To extra him she did all that she could to help her life partner and present to him his
satisfaction. At last, Jihei and Koharu leave themselves to their destiny and to each other, setting off in the night to confer suicide together, supported in their sad affection and desire that they will be as one in future lives and resurrections regardless of the possibility that their adoration is outlandish in this life and world. Koharu stresses what Osan will think about her. She stresses that Osan will feel that she double-crossed her guarantee she made concerning the letter Osan kept in touch with her and baited Jihei into an affection suicide with her. Jihei replies by saying, “What foolish worries! Osan has been taken back by my father-in-law. I’ve divorced her. She and I are strangers now. Why should you feel obliged to a divorced woman? You were saying on the way that you and I will be husband and wife through each successive would until the end of time. Who can criticize us, who can be jealous if we die side by side?” (Monzaemon, 71).
Ukiyo is a culture that strives to live a strictly pleasure-seeking routine. The largest flaw in this way of life, as Saikaku points out, is that its superficial nature forces people to live lives as meaningless and fluffy as its name, the “Floating World,” suggests. It is shallow in the physical sense, in that it focuses primarily on “beautiful” external appearances, and in the metaphorical sense, whereby individuals never really make deep-seated connections to anyone because of their addiction to finding these so-called pleasures. One particular character that Saikaku satirizes to embody this superficial nature of Ukiyo is the old, rotting woman found on the verandah in the episode of “A Monk’s Wife in a Worldly Temple.” He cleverly employs situational irony with this character to prove his point, as it is expected for the archetypal old woman to pass moral lessons to the younger generation. By the character’s own, sorrowful admission she claims that she “can’t forget about sex” and is going to “bite right into” (Saikaku 614) the protagonist; completely the opposite of what the audience expects her to say. This satire highlights the extent to which the Ukiyo lifestyle socially conditions individuals; the old woman is so far gone down that path that she no l...
Love is a powerful force of nature. It is a feeling of passionate and deep affection. It is patient, kind, and honest. It has the ability to consume someone’s thoughts, feelings, and emotions. It serves as the foundation for numerous songs, poems, shows, and novels. However, the attributes of love in The Brief Wondrous Life of Oscar Wao are depicted as a curse preying on the insecurities of relationships and a blessing embodying its beauty. Fukú, a curse, strikes the Dominican Republic and its inhabitants through violent acts of revenge, rage, and jealousy. The source of fukú’s power, nonetheless, is derived from the infamous dictator of the Dominican Republic, Trujillo. The dictator not only presided over all political, economic, and social
In every fairy tale, movie, story, and play there is always a ‘happily ever after’ but in not in this case. The star struck lovers, Romeo and Juliet, both from families who loathe each other, end up taking their lives because they rather die than live without one another. The play “Romeo and Juliet” written by, William Shakespeare, mainly focuses on how selfishness can lead to tragedy. The selfish personalities of the characters caused conflict, betrayal, and death.
In every story, there is a protagonist and an antagonist, good and evil, love and hatred, one the antithesis of the other. To preserve children’s innocence, literature usually emphasizes on the notion that love is insurmountable and that it is the most beautiful and powerful force the world knows of, yet Gen’s and Carmen’s love, ever glorious, never prevails. They each have dreams of a future together, “he takes Carmen’s hand and leads her out the gate at the end of the front walkway… together they… simply walk out into the capital city of the host country. Nobody knows to stop them. They are not famous and nobody cares. They go to an airport and find a flight back to Japan and they live there, together, happily and forever” in which their love is the only matter that holds significance (261). The china
Love is a wonderful curse that forces us to do unexplainable things. Romeo and Juliet is a famous play written by William Shakespeare, who does an exceptional job in showing the readers what hate, mercy, death, courage, and most importantly what love looks like. This play is about two star-crossed lovers who are both willing to sacrifice their lives just to be with one another. Unfortunately tragedy falls upon the unconditional love Romeo and Juliet have for each other, but along the way they experience immeasurable forgiveness and extraordinary braveness just to be with one another. Sadly enough, love is a cause of violence in the end. Even though the pair spends less time together, it is enough for them to fall in love. It is clearly true
What goes on with love that makes people do crazy things? This gives us an example in Shakespeare's “Romeo And Juliet”. In Sarah Jayne Blakemore ted talk she talks about brains. This is an example of Romeo And Juliet because Romeo wants to kill himself and Juliet is like Romeo this is the reason we sow this video because Romeo and juliet have something in there mind about suicide and they just think about killing them self for each other. Ms. Blakemore's thesis on adolescent development sheds light on some of the nonsensical decision making in Shakespeare’s Romeo and Juliet, as characters certainly face the self consciousness, emotions and impulse control she describes.
After reading the entire play, the reader can safely say that fate works in mysterious ways. To love and be loved in return is considered by many to be one of the greatest gifts a human being can receive. At the same time, it is thought of as unbearable to love someone you cannot be with. Especially when the reasoning behind limitations is cau...
The Lais of Marie de France is a compilation of short stories that delineate situations where love is just. Love is presented as a complex emotion and is portrayed as positive, while at other times, it is portrayed as negative. The author varies on whether or not love is favorable as is expressed by the outcomes of the characters in the story, such as lovers dying or being banished from the city. To demonstrate, the author weaves stories that exhibit binaries of love. Two distinct types of love are described: selfish and selfless. Love is selfish when a person leaves their current partner for another due to covetous reasons. Contrarily, selfless love occurs when a lover leaves to be in a superior relationship. The stark contrast between the types of love can be analyzed to derive a universal truth about love.
Reckless actions lead to untimely deaths. In Shakespeare’s tragedy “Romeo and Juliet”, both protagonists fight for their hopeless love. Bloodshed and chaos appear inevitable in fair Verona; Romeo and Juliet come from enemy households, the Montegues and the Capulets, who have sworn to defeat one another. The young and handsome Romeo weeps over his unrequited love for Rosaline, until he lays his eyes on Juliet. Strong and independent, Juliet seeks to escape her family’s will to marry her off to Paris, a kinsman of the Prince. Fate ties these adolescents’ lives together binding them to witness the ill-fortunes of Romeo and Juliet’s love. Romeo and Juliet prove themselves woefully impulsive through their words and actions, which ultimately lead them along a series of unfortunate mishaps.
This passage marks the first of several types of love, and gives us an intuitive
Love is a concept that has puzzled humanity for centuries. This attachment of one human being to another, not seen as intensely in other organisms, is something people just cannot wrap their heads around easily. So, in an effort to understand, people write their thoughts down. Stories of love, theories of love, memories of love; they all help us come closer to better knowing this emotional bond. One writer in particular, Sei Shōnagon, explains two types of lovers in her essay "A Lover’s Departure": the good and the bad.
Onnarashisa, or female-likeness, is a particular type of archetype for Shingaku women and is seen by many men of the time to be the embodiment of prime femininity. This ideal desire of female-likeness is something that a real woman would be unable to live up to due to the high standards set by the men of the time; let alone that this notion was created by and for men. Often onnarashisa are characterized by submissive, loyal, caring women who do not show much jealousy and stay true to their honor while forgoing their own emotions. They usually are not aggressive, opinioned, dominant, or independent in any way, as these are seen as a negative and if they do have these characteristics they are seen as villainous or unlikable. As such, one could
Historical inaccuracy abounds in this film to draw attention to the main theme of shūdō as a form of desire. Though the environment and official attitudes of Tokugawa leaders towards shūdō is accurately portrayed, the characters view the subject with a more modern attitude. Historically, relationships between wakashū (young boys) and nenja (older males) were accepted as a way for younger recruits to learn how to be a man through discipline and respect. Though romantic entanglements were also common, shūdō was still conceived of as a path to adulthood, not a sexual preference. Within Gohatto the characters refer to shūdō as “being that way” or “leaning that way,” in modern negative colloquialisms referring to homosexual sexual identity. The characters often deny that they are ‘that way’ or spend a lot of time trying to figure out if someone “leans that way.” In this light, the love-triangle between Kano Sozaburo, Tashiro Hyozo, and Yuzawa Tojiro is seen as a negative effect of their desire to be “that way.”
In Literature and Life, Love is a powerful force. Sans love; feelings, desires and relationships may seem empty. This force however, can also be destructive, even may end a marriage. Marital discord, arising in general, due to infatuation, lust or affection for a third person, may crop up primarily facilitated by adverse familial, economic or societal conditions that do frequently find their mention in the written word. Some of these concerns like family, marriage, sexuality, society and death, are notably illustrated by the authors, Gustave Flaubert in Madame Bovary and Laura Esquivel in Like Water for Chocolate.
The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation Kofi in disgrace shoots himself whiles Anowa too drowns herself.