Caitlin Wade
Mrs. Joyner
Honors English IV
December 16, 2015
A Love for Ophelia
Throughout the novel Hamlet, love is given and taken away. Hamlet loved Ophelia, but he was engaged in avenging the death of his father as well; Hamlet was overcome with depression and anger of his father’s death. This is why some may question if Hamlet genuinely had any true feelings of affection for Ophelia.
In the epic story of Hamlet, a subtle hint was given about a possible love affair between Hamlet and Ophelia. Ophelia exclaims to Laertes, her brother,”He hath, my lord, of late made many tenders of his affection to me” (Shakespeare 24). Ophelia loves Laertes, but also loves Hamlet. She would never lie to Laertes being that he is the only person she speaks
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This obedience has brung upon an anger in Hamlet, but this situation is not the only things that’s caused his madness. Hamlet has been angered by his uncle’s actions of the murder of his father. Hamlet has taken his anger and actions out on Ophelia as well. Hamlet begins by explaining to Ophelia, to stay innocent.He continues by telling her to never marry, she must only be committed to God. He then explains marriage is unnatural and is a very sinful matter. Hamlet states, “Get thee to a nunnery”. Ophelia could never marry nothing less than a coward in Hamlet’s eyes. While being married to a coward she will be considerably known for a cheater (AD Get). Throughout this part of the novel, many have claimed this was when Hamlet stopped loving Ophelia. Some say Hamlet was only angered of his father’s death and did not have time to be in love with Ophelia, nor was he concerned at that time to be in an affair with her.
Hamlet has been declared mad. Claudius his now stepfather has sent him off to England where he wants him to be killed. Hamlet being sent away brings Ophelia down more, being that her father has been killed as well. The question is if her depression or madness is become of Hamlet fleeing away? The queen has believed she is dismayed by both Hamlet leaving and the tragedy of her father(Camden
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The queen states, “There is a willow grass askant the brook That shows his hoar leaves in the glassy stream. Therewith fantastic garlands did she make of Crowflowers, nettles, daisies, and long purples, That liberal shepherds give a grosser name, But our cold maids do “dead men’s fingers” call them. there on the pendant boughs her coronet weeds clambering to hang, an envious sliver broke, When down her weedy trophies and herself Fell in the weeping brook. Her clothes spread wide, And mermaid-like awhile they bore her up, Which time she chanted snatches of old lauds, As one incapable of her own distress Or like a creature native and endued Unto That element. But long it could not be Till that her garments, heavy with their drink, Pulled the poor wretch from her melodious lay To muddy death (Shakespeare 126). Ophelia wa seen by the brook picking flowers to make the crowns of flowers, when she fell. It is said she just let the brook take her along the stream, meaning she let herself drown. This death devastated the kingdom, but more so to Laertes and
Shakespeare’s play “Hamlet” is full of intrigue. Is there really a ghost? Does Hamlet truly go mad? And where in the world did the pirates come from? Yet, even with all these questions, the most compelling is whether Hamlet truly loves Ophelia. One of the most iconic romantic relationship ever to be penned, and the love is still questionable. Does he really love her? Before the argument can be continued, the definition of romantic love which is used throughout must first be defined. It is a simple beauty— Love is caring for someone more than yourself. If held to this standard, Hamlet does not truly love Ophelia by the end of the play, though he may have loved her a some point. By the end of the play, where once existed some form of love for
Living in an environment of deception and hostility, the reader can easily identify with Hamlet's anger. Most all compassionate audiences will be sympathetic to his plight. However, the origins of Hamlet's vehement actions toward his once beloved Ophelia can be debated from several different points of view. Whatever his reasoning may be, it is probably correct to assume that he regrets deeply every harsh world spoken toward Ophelia. He only realizes again what a beautiful and kind person she was- after her death.
Ophelia was driven mad by the death of her father Polonius and how Hamlet betrayed her love with his own wave of madness which was just an act. In her madness, Ophelia talks about her father and his death and about the “Tricks in the world” (terrible things that happen to people). Ophelia’s madness was also the extent of her being used by her father so he could spy on Hamlet to see if he was truly crazy and then by Hamlet when he claimed he no longer loved her and that he didn’t send her any letters (remembrances). Ophelia’s speech and her fragments of songs are unsensible. Her song was about her father’s death “He is gone, He is gone” (4.5.220), and a maiden who is tricked into losing her virginity with a false promise of love and the possibility of marriage. “To be your valentine, then up he rose and donned his clothes and duped the chamber door” (4.5.56-58)
Throughout Shakespeare 's play it is clear that Ophelia and Hamlet were lovers but it is not entire certainty whether Hamlet loved Ophelia at the present time. His declaration of love in the written play could have been seen as an indication of his madness. In the film version Hamlet is seen hiding in the bushes while Ophelia 's funeral begins and once he discovers it is her he is overcome with grief to the point where Horatio has to hold him back (Hamlet). The pain on Hamlet 's face is apparent as well as his sanity. Another example of their relationship is in act 3 scene 1 after Hamlet finished his soliloquy he says the line “the fair Ophelia” (Shakespeare 4.1.97) while reading the play I assumed he said this line when he addressed her, and that he was pleasant to her until his madness took over and he became rude. In Doran’s adaptation however Hamlet spoke the line “the fair Ophelia” before she even saw him, he was speaking to himself with a tone of love and affection. Additionally, Hamlet remained pleasant to her until he turned and noticed the security camera (Hamlet). It was only then that Hamlet began to act mad and unpleasant towards Ophelia. This version gave a new depth to Hamlet’s madness and strengthens the idea that he was simply
Ophelia in the fourth act of Hamlet is demonstrably insane, but the direct cause of her slipped sanity is something that remains debatable, Shakespeare uses the character Ophelia to demonstrate how women during this time were unable to break away from social norms. While it is evident that Ophelia is grieving over the death of her father, Polonius, as Horatio says of her “She speaks much of her father, says she hears / There’s tricks in the world, and hems, and beats her heart” (4.5.4-5), as lines from one of her many “songs” points towards grieving over an aged relative, “His beard as white as snow / All flaxen was his poll” with flaxen indicating a white or grayed head of hair (4.5.190-191).
...She had lost her father and her lover while her brother was away for school, and she was no longer useful as a puppet in a greater scheme. Ophelia was displaced, an Elizabethan woman without the men on whom she had been taught to depend. Therein lies the problem - she lacked independence so much that she could not continue living without Polonius, Laertes, and Hamlet. Ophelia's aloneness led to her insanity and death. The form of her death was the only fitting end for her - she drowned in a nearby river, falling beneath the gentle waters. She finally found peace in her mad world. That is how Ophelia is so useful as a classic feminist study - she evokes imagery of the fragile beauty women are expected to become, but shows what happens to women when they submit as such.
Hamlet, Ophelia’s lover, accidentally kills her father and “confesses” he never loved her, Hamlet toys with Ophelia's emotions intentionally and unintentionally to solidify his madness. Even though she was the who initiated the “breakup”, her sorrows of the relationship are much more public than Hamlets. Hamlet’s madness scares Ophelia away which he used as a defense mechanism to not be hurt anymore. His madness looks as though he had been "loosed out of hell to speak of horrors" (2.1.83-84) and she "truly [did] fear it"(2.1. 86). His insanity and rudeness suffocated any love she had for him. She admits that their "their perfume [has been] lost" (3.1. 99). This helped Hamlet solidify his insanity by cutting ties with the ones he loves, and having them tell others he is mad. This comes with the cost of discontinuing his relationships: especially with Ophelia. Both have hinted around in the text of an intimate affair. This makes the emotions and breakup even more difficult for both of them. Their relationship was a love, not an innocent crush or courtship. Poor Ophelia initially thought she caused Hamlet's madness due to the abrupt ending of their affair. But because of her naivety, she lacks to see his other internal struggles. Ophelia’s trust in Hamlet left her heartbroken. Hamlet’s agenda of or getting justice for his father occupied his mind more than Ophelia did. Which left her feeling
The Love of Ophelia It is never easy to see into a person’s heart and find their true emotions, especially when their feelings are intentionally masked to give off a different impression. Hamlet, the prince of Denmark, attempts to mask specific emotions throughout the play. He tries to give off the impression that he is insane when he is near his murderous uncle and other characters because he doesn’t want them to suspect his plan of revenge. However, he silently expresses his love towards the sweet Ophelia, his girlfriend.
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
This can be proven by the change in Ophelia’s actions and behavior. Ophelia starts to sing strange songs in front of Gertrude about her father’s death and Hamlet’s madness. Ophelia sings to Gertrude and sings, “He is dead and gone, lady, he is dead and gone, at his head a grass-green turf, at his heels a stone” (4.5.26-29).This tells us that Ophelia is a very soft and is a very weak character and can easily get heart broken. She cares about her family and the death of her father has shattered her into pieces, it may cause problems for her to
Ophelia’s madness is because of what she encounters throughout the play by everyone around her. Her character is often looked past, people really don’t give her a second thought, and her emotions and wellbeing are almost entirely forgotten about. When her father and brother are telling her to stay away from Hamlet, she tries to speak up and tell them that she knows that Hamlet truly loves her. She tells them her feelings, but they say no, she is not to speak to Hamlet again and must obey. They didn’t take a second to try and look things over from her perspective. After Polonius and Claudius plan for Ophelia and Hamlet to meet and talk while they hid to listened, Ophelia is verbally abused by Hamlet and her father is too caught up with Hamlet’s
Ophelia is a perfect example of how the poison of revenge of the kingdom of Elsinore does not only affect the person committing these acts, and as the victim, but the innocent bystanders as well. Originally Ophelia had nothing to do with King Hamlet’s unjust death, but her relationship and involvement with Hamlet, her father, and Claudius and Gertrude is enough to make her a lunatic and at last her deplorable death. Shakespeare shows Ophelia’s heartbreaking downfall in her speeches after her father’s passing “There’s/ rue for you, and here’s some for me.../Oh, you must wear your rue with a difference.—There’s a daisy. I would/ give you some violets, but they withered all when/ my father died. They say he made a good end”
At first, Hamlet is successful, and society is convinced Ophelia is the reason for his madness, thus granting Hamlet more time to plot Claudius’s murder. This is achieved in Hamlet’s “to be or not to be speech” [3,1,57] when Claudius and Polonius spy on the conversation between Hamlet and Ophelia. During the Act, Ophelia displays traits of dishonesty and Hamlet uses this to his benefit and appears to go insane to convince Ophelia, Claudius and Polonius that Ophelia is responsible for his madness. Hamlet insists his madness is an “antic disposition” [1,5,179] and that “Thou this be madness, yet there is method in it”. [2,2,204] In the play, Hamlet uses his “antic disposition” [1,5,179] to refuse Ophelia’s affections, which is powerfully portrayed when he exclaims to her “get thee to a nunnery.” [3,1,138] By denying Ophelia’s love, Hamlet’s power in the relationship is effectively demonstrated, and it is shown he is in control of their relationship. In addition, this is reflected in Ophelia’s self-destruction, as she has no purpose to live a life without Hamlet or a man. Overall, Hamlet is successful in using his power over Ophelia for the sake of his
Two of Ophelia’s difficulties arise from her father and brother. They believe that Hamlet is using her to take her virginity and throw it away because Ophelia will never be his wife. Her heart believes that Hamlet loves her although he promises he never has (“Hamlet” 1). Hamlet: “Ay, truly, for the power of beauty will sooner transform honesty from what it is to a bawd than the force of honesty can translate beauty into his likeness. This was sometime a paradox, but not the time gives it proof. I did love you once.” Ophelia: “Indeed, my lord, you made me believe so.” Hamlet: “You should not have believed me, for virtue cannot so inoculate our old stock ...
Another significant female character is Ophelia, Hamlet's love. Hamlet's quest for revenge interferes with his relationship with Ophelia. There is much evidence to show that Hamlet loved her a great deal, but his pretense of madness drove her to her death. Ophelia drowned not knowing what was happening to her. This can be deduced by the fact that she flowed down the river singing and happy when in truth she was heartbroken. Ophelia was very much afraid when she saw Hamlet "with his doublet all unbraced; No hat upon his head; his stockings foul'd, Ungarter'd, and down-gyved to his ancle" (Act #. Scene #. Line #). She described him as being "loosed out of hell" (Act #. Scene #. Line #). In addition to that he scared her when he left the room with his eyes still fixed on her. She is especially hurt when Hamlet tells her that he no longer loves her and that he is opposed to marriage. He advises her to go to a nunnery and avoid marriage if she can.