Love is a temporary form of insanity
In the novel The Kite Runner and the play Antigone Love can be a destructive force such as betrayal, which occurs when one betrays a loved one. An example in Antigone would be when Antigone broke Creon’s law to go bury her beloved brother this questions us to think will people do wrong to help and be with their loved ones and is love a destructive force. In the Dictionary Love is a strong feeling of affection. The readers should be pretty sure that love is a strong feeling of affection the readers has felt it. Readers feel it everyday with family, friends and girls. Readers know that love can sometimes be a destructive force such as divorce, which rips a family apart; having a fight with your best friend
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But did this loyalty and love make him get into a wrong situation and yes it did after the kite tournament Hassan was determined to run and get Amir the winning kite but along the way he got caught by bullies which then got him into a scary rape scene. Now the only person that could help Hassan was Amir. “I stopped watching, turned away from the alley. Something warm was running down my wrist. I blinked; saw I was still biting down on my fist, hard enough to draw blood from the knuckles. I realized something else. I was weeping. From just around the corner, I could hear Asset’s quick, rhythmic grunts. I had one last chance to make a decision. One final opportunity to decide who I was going to be. I could step into that alley, stand up for Hassan – the way he'd stood up for me all those times in the past – and accept whatever would happen to me. Or I could run. In the end, I ran.”(Hosseini 139). Love let Hassan to run for the winning kite but in end did Hassan get the loved he deserved in return. No he did not get the love therefore love is a destructive force if only one side or one person loves but not the other thing or …show more content…
Creon the king of Thebes had put out a law that no one will bury Antigone’s Brother. But she loved him and she wanted to bury him with honor and pride. But then she had to break society’s law for love. Her brothers “who fought as bravely and died as miserably,” one of theme need a proper burial and she we will provide them one. Antigone knew that this would put her life in danger, this is for her and her family and family was really important to her. Hence this quote “This death of mine/Is of no importance; but if I had left my brother/Lying in death unburied, I should have suffered” (Sophocles 208). Similarly in TKR Amir had spent his entire childhood to get his father's attention and go past what he really loved Hassan. He was so desperate for the love he broke his brothers heart. He went past love and did
Within these lines, Antigone reveals that she holds herself sanctimonious over her king by admitting his punishment is “nothing” compared to the “agony” she will face if she leaves her brother unburied. She also conveys a nonchalant attitude towards the repercussions of her action when she mocks Creon accusing him of being a “fool.” Although Antigone is aware that others such as her sister, Ismene and her fiancée, Haemon—the son of Creon, may suffer because of her act of civil disobedience, she is unwilling to abandon her protest to negotiate in a peaceful manner. This conduct implies that she does not completely comprehend the seriousness of her action or understand the weight of her crime rendering her approach inconsistent with King’s theory.
When an emotion is believed to embody all that brings bliss, serenity, effervescence, and even benevolence, although one may believe its encompassing nature to allow for generalizations and existence virtually everywhere, surprisingly, directly outside the area love covers lies the very antithesis of love: hate, which in all its forms, has the potential to bring pain and destruction. Is it not for this very reason, this confusion, that suicide bombings and other acts of violence and devastation are committed in the name of love? In Toni Morrison's Song of Solomon, the reader experiences this tenuity that is the line separating love and hate in many different forms and on many different levelsto the extent that the line between the two begins to blur and become indistinguishable. Seen through Ruth's incestuous love, Milkman and Hagar's relationship, and Guitar's love for African-Americans, if love causes destruction, that emotion is not true love; in essence, such destructive qualities of "love" only transpire when the illusion of love is discovered and reality characterizes the emotion to be a parasite of love, such as obsession or infatuation, something that resembles love but merely inflicts pain on the lover.
King, being calm and using negotiation and logic, and Antigone being demanding and defiant. Antigone has some flaws about her, but she also has some good traits about her. One is being willing to do anything for her family. She represents a strong woman in a male dominant society as King represented a determined man in a society full of racists. She was willing to risk her life to give her brother a proper burial because that is what she believed in. In the same, King was willing to go to jail to stand up for what he believed in. However, if Antigone had followed King's steps of civil disobedience, there might not have been so much
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Antigone’s opinions are distinctive as she clearly states her beliefs to Creon after being caught for performing her brother’s burial rituals. Antigone strongly believes that law has no validity when laid by a human as she questions Creon saying, “What laws? I never heard it was Zeus who made that announcement” (Antigone 450). This quote shows her reliance on the Gods for moral direction instead of the kings who reign over her. Although she disregards the law, she also accepts punishment; Antigone is able to follow her opinions and independently rule herself, yet also recognize the societal expectations of law and accept punishment. When being taken by Creon with her sister Antigone takes the responsibility of the crime all herself and recognizes what she did despite not being ashamed of it. One of the main views of Antigone that causes her disobedience is the belief that rulers should not keep loved ones from each other. Antigone clearly states, “He has no right to keep me from my own” this shows how she believes the connection between family overpowers that of a law passed by a vengeful king (Antigone 48). Antigone’s opinions contrast to those of Creon who is a gender biased ruler who sees women as lesser as he states “I will not be ruled by a woman” (Antigone 24). This shows his belief in who is credible within law. Not only does he have opinions on who
Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow.
Psappo’s poetry was the model from which ancient cultures defined love. Her views on love have influenced many works of literature, including The Aeneid of Virgil. Love is an uncontrollable force that strikes an individual from the outside and can occur suddenly as well as unexpectedly. Love is often depicted as a positive emotion that causes people to feel blissful, but this can easily turn into furor; furor is the aspect of love associated with violence and insanity. Dido’s love for Aeneas exemplifies the internal turmoil that afflicts individuals when they are deprived of the love that they crave so ardently. Virgil accomplishes this through the incorporation of the symbol of fire and through the platonic metaphor of the war between reason and appetite in his work.
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
Antigone expresses her use of free will when she decides to disobey Creon and let her pride control her while the Monster is fated to receive rejection by both his creator and the societal world. While these two characters both had the opportunity to choose correctly and make life a positive place, neither of them ended up doing so. However, the reasons behind the endings are different. Antigone and her goals led her to make the decision to disobey and die, as many others died around her as results of her decisions. The Monster, on the other hand, did not have much of an option on how people would react to his presence and appearance. Both Antigone and the Monster had good intentions, but these intentions did not always play out. Antigone says, “I was born to join in love, not hate - that is my nature” (Rudall 28).
Nearly everyone experiences the feeling of love. Whether it’s for another person or for food, almost everyone feels love during their lifetime. In the play Antigone, the writer, Sophocles, illustrates a very important fact regarding love: love is our most important and most dangerous motivation for doing anything, and without moderation, love can be deadly.
Could there be a link between love and destruction that might relate them to each other? The Great Gatsby, wrote by F. Scott Fitzgerald, significantly shows this direct link. Incapable of forgetting Daisy’s love, Jay Gatsby looms over events of the past and attempts to revive the vanished love of this now married woman. Although Gatsby acquires wealth, status, and all the things Daisy wishes to possess, she is now married, which ultimately leads to Gatsby’s lonely, discontented, and unfortunate fate. Love and destruction are powerful things that, in detrimental cases, are unquestionably related with one another.
Nearly everyone searches for love during at least some part of their life, but what happens when that love destroys them? The Great Gatsby is written by F. Scott Fitzgerald, an author who has had his own complications with love. The Great Gatsby is a novel about a man who is desperately pleading to get the woman of his dreams to notice him; consequently, spending thousands of dollars throwing parties so this girl – who is already married – may wander in and he can win her over. When Nick Carraway comes into his life he starts to show just how obsessed he is with obtaining his idol, Daisy. The man, Jay Gatsby, uses Nick to get to Daisy, but that proves to be a fatal mistake after they run over a woman and the woman’s husband – now infuriated and delusional – shoots Gatsby for vengeance. Destructive love is the driving force that defeats all of these characters in The Great Gatsby.
Love is a force that can overtake large adversities and can stumble over small challenges. Love is an intense feeling of deep affection. Love is eternal, but can be deflected. Different forms of love are expressed by Othello, Desdemona, and Iago in Shakespeare’s play Othello. As a result of romantic love, Desdemona splits from her family, and Othello slays his wife. Next, familial love, not as dominant as romantic love, is evidenced in Desdemona's choice to marry Othello against her family's requests. Lastly, Self-love is the basis for characters such as Iago and Othello to abandon moral reason. Love comes in different forms.
..., this sense of arrogance angers Creon to a point beyond belief. Antigone’s refusal to cooperate causes Creon to go mad with irritation and frustration. Wanting to show his sense of power, he refuses to back down in fear of losing his position. His stubbornness grows stronger as Antigone continues to disobey his commands. Antigone’s strong and steady foundation helps her show defiance. She is able to overcome the opinions of the people and commit to helping her brother regardless of the after effects. She ignores what everyone says and does only as she wants. She is powerful, both physically and mentally, and is successful in her tasks. Antigone matures into a commendable and respectable character in which she depicts her rebelliousness and bravery, pride and tolerance, and sense of moral righteousness to demonstrate fundamental character development in the play.
For hundreds and hundreds of years, we, as humans have yearned for companionship; sharing our life’s with one another in an intimate, and special way. For some, this is extremely difficult, the feeling of being loved and loving somebody doesn’t happen as easily, quickly, or frequently as they would like, struggling their entire life to find that person who they are meant to be with. These are the people who are desperate for even the slightest bit of affection, the people who will do and give up about anything to feel wanted in this world. For others, this comes rather naturally, adopting the characteristics and behaviors of their parents, people or the environment around them. These people, who are experts at the art of being vulnerable and loving others, are presented with their own problem of being susceptible to get taken advantage of and heartbroken by others. To love is to be vulnerable, although that may seem like an obvious statement; the trick is the perfect amount of vulnerability. Love is a great, outstanding creation, but if somebody is too vulnerable or not vulnerable enough, it can come to a screeching halt where people get hurt or worse. Throughout history other pieces of work by various authors portray love to be a questionable thing that is untrustworthy and that vulnerability is a concept with hidden evils.