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Love in the Renaissance period
Metaphors in shakespeare
Love in the Renaissance period
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Love is a Many-Splendored Thing (Webster, 1955) William Shakespeare writes about several different types of love in his play, “A Midsummer Night's Dream”. At first glance, one might assume that love is love. However, a person will learn as they experience the play that this assumption is inaccurate. In the play, Shakespeare successfully illustrates just how diverse this complex emotion is and just how many different forms love can assume.
Romantic Love
Shakespeare starts out the play with the romantic love displayed between two betrothed lovers, Theseus and Hippolyta. In Act I, Scene I Theseus joyfully announces, “Now, fair Hippolyta, our nuptial hour draws on apace; Four happy days bring in another moon,” (Shakespeare, 1610-11/2014).
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Exercising his will as her father and someone who knows what is best for her, Egeus pledges Hermia’s hand in marriage, “I beg the ancient privilege of Athens: as she is mine, I may dispose of her,” (Shakespeare, 1610-11/2014) much to Hermia’s chagrin. It is here Egeus relays to Theseus about Demetrius, “This man hath my consent to marry her,” (Shakespeare, 1610-11/2014). Hermia boldly responds, “But I beseech Your Grace that I may know the worst that may befall me in this case if I refuse to wed Demetrius,” (Shakespeare, 1610-11/2014). Hermia, is in fact, passionately in love with Lysander; which is yet another type of love displayed in the …show more content…
Her feelings of tender love were born of a solemn vow she made to the child’s mother upon her deathbed to, “…rear up her boy and for her sake, I shall not part with him,” (Shakespeare, 1610-11/2014). She protects the child from King Oberon, who wishes to make him his, “henchman,” (Shakespeare, 1610-11/2014). Using his magical powers, King Oberon acts upon his jealousy and takes measures to sever Titania’s guardianship over the child. Uttering his enchantment as he squeezed the juice of a flower onto her eyelids (Bevington, 2014), “What thou see’st when thou dost wake, do It for thy true love take. Love and languish for his sake. Be it ounce, or cat, or bear, pard, or boar with bristled hair, in thy eye that shall appear when thou wak’st, it is thy dear. Wake when some vile thing is near,” (Frank, 2015). The result of his meddling was disastrous. Queen Titania awakened from her sleep to singing by the weaver, Bottom. In a sterling example of conjured love, Queen Titania commanded, “I pray thee, gentle mortal, sing again. Mine ear is much enamored of thy note; so is mine eye enthralled to thy shape; and thy fair virtue’s force perforce doth move me on the first view to say, to swear, I love thee,” (Shakespeare,
In Act I Scene I, Egeus, father of Hermia, is clearly upset with his daughter’s choice in Lysander as a suitor. Egeus’ has so much love for Demetrius that he has chosen him to be Hermia’s husband in an arranged marriage. Egeus’ desire to have Hermia marry Demetrius is so strong that he would rather Hermia be dead than marry another. Egeus implores upon Theseus, “As she is mine, I may dispose of her, which shall be either to this
The love-in-idleness flower nectar plays a big part in demonstrating the unpredictability of love, since “[t]he juice of it on sleeping eyelids laid / Will make or man or woman madly dote” (II:i:155-156) This potion depicts the whole love-at-first-sight trope, and shows how volatile people are when it comes to love, especially when it’s merely superficial. Titania’s condition was caused by Oberon, who might have been slightly jealous of Theseus. Love caused Oberon to do things that Titania would probably have never predicted he would do, and Titania falling in love with a creature like Bottom could never have been planned. She clearly did not believe that such a thing could have happened, as she says, “Methought I was enamored of an ass” (IV:i:60) - and yet that is exactly what happened.
In act 1, Scene 1, we are introduced to the paternal love of Egeus and Hermia. Egeus, being Hermia’s father has all right over who she marries and so he chooses Demetrius as Hermia’s to-be husband however she doesn’t truly love Demetrius and has her heart set in Lysander. This led to troubled times for her as if she didn’t marry Demetrius she had two options: execution or becoming a nun.
For Example, Oberon states, “Having once this juice I’ll watch Titania when she is asleep and drop the liquor of it in her eyes. The next thing then she, waking, looks upon...she shall pursue it with the soul of love and ere I take this charm from off her sight… I’ll make her ender up her page to me.” (II, i, 77-87) analysis and restatement! I know that love in the book, A Midsummer Night’s Dream, and in the real world (in general) is hard. We argue, fight and hate but in the end we learn to forgive and love. For example, Oberon states, “sound music. Come, my queen, take hands with me, and rock the ground whereon these sleepers be…(Titania says) “come, my lord, and in our flight tell me how it came this night that I sleeping here was found with these mortals on the ground.” (IV, i, 83-99) analysis and
“The course of true love never did run smooth” ~William Shakespeare. In the play A Midsummer Night’s Dream, Theseus and Hippolyta plan their wedding, which includes a play by the craftsman. While the other characters are trying to figure out their love for one another, the fairies interfere. Throughout the play the characters alternate lovers often. Although they bicker at one another, everyone finds their way to their true soul mate. The characters in William Shakespeare’s A Midsummer Night’s Dream are successful, after many trials and tribulations, in acquiring their desired relationships.
Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is associated with a higher power. Examples like: Thesius arranging a marriage between himself and Hippolyta, Egeus choosing who Hermia should marry and the fairies who have the ability to control love in the Enchanted Forest.
From the beginning, Hermia defiantly denies her father’s attempts at an arranged marriage, in favor of her whirlwind romance with and marriage to Lysander. In her defense, she uses words of chastity and moral purity to claim her fidelity and love towards Lysander and inability to wed Demetrius “I know not by what power I am made bold / nor how it may concern my modesty” (pp). The concern, or befitting, of Hermia’s modesty, by not wedding Demetrius, is protecting the very essence of her womanhood from someone whom she feels isn’t worth of the ultimate consummation of love – marriage (and the subsequent sex). This is continued in her next dialogue, where Hermia states that she would rather die “quote” (pp) or become a nun than give up her virgin “privilege” “quote” (pp). Hermia’s claims of “privilege” and “sovereignty” validate her chastity and moral purity as something that should only be shared with Lysander, not Demetrius. However, the sovereignty of Hermia’s claims also fits in with Demetrius’ arguments regarding his rights to Hermia’s hand in marriage: “quote” (pp). Demetrius’ use of “sovereignty” and “right” turns the supposed “love” of Hermia and Demetrius’ arranged marriage into a legal contract, where Hermia is property and social placeholder instead of a loving companion.
Love is a powerful emotion, capable of turning reasonable people into fools. Out of love, ridiculous emotions arise, like jealousy and desperation. Love can shield us from the truth, narrowing a perspective to solely what the lover wants to see. Though beautiful and inspiring when requited, a love unreturned can be devastating and maddening. In his play, A Midsummer Night’s Dream, William Shakespeare comically explores the flaws and suffering of lovers. Four young Athenians: Demetrius, Lysander, Hermia, and Helena, are confronted by love’s challenge, one that becomes increasingly difficult with the interference of the fairy world. Through specific word choice and word order, a struggle between lovers is revealed throughout the play. In A Midsummer Night’s Dream, Shakespeare uses descriptive diction to emphasize the impact love has on reality and one’s own rationality, and how society’s desperate pursuit to find love can turn even strong individuals into fools.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
To her, my lord, was I betroth'd ere I saw Hermia: but, like in sickness, did I loathe this food; but, as in health, come to my natural taste, now I do wish it, love it, long for it, and will for evermore be true to It". Theseus decides to override Egeus's plans for Hermia to marry Demetrius and now will have all three of the weddings in Athens that day. They eventually all depart for Athens Theseus says, "Fair lovers, you are fortunately met: of this discourse we more will hear anon. Egeus, I will overbear your will; for in the temple by and by with us these couples shall eternally be knit: and, for the morning now is something worn, our purposed hunting shall be set aside.
This duality of love is established early within the play with Orsino’s commentary on love. In Orsino’s lines, he describes the “spirit of love” as being “quick and fresh” (1.1.9), and he continues to explain how love “…falls into abatement and low pride even in a minute” (1.1.13-14). With these lines, Shakespeare expresses how quickly love can alternate from an entity of joy to one of extreme depression. By employing these lines so early in the play, the vision of love as a force of exceeding strength is firmly planted within the reader’s subconscious, and Shakespeare has prepared the reader to fully grasp the central theme of the play.
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
Forced love was displayed was also another type of love displayed in the play as well. Theseus forced Hippolyta to marry him after he captured her. Hippolyta was the queen of the Amazons. Theseus quoted “I woo’ed thee with my sword/ and won thy love doing thee injuries” (Act 1. Scene 1) Theseus obviously felt that because he conquered Hippolyta, she was obligated to marry him. Another example of forced love was when Egeus was trying to force his daughter, Hermia to marry a man that she didn’t want to.
To emphasize, in Act III, the reader is presented with the play’s most extraordinary contrast, the relationship between Titania and Bottom. “What wakes me from my flow’ry bed?” (III.i.131). Titania is awoken by the so-called melodic singing of Bottom. In the present scene, both characters are under some particular sort of spell. Titania’s eyes were anointed with the nectar of the love flower, thus causing her to fall in love with the next living thing she encounters. In the meantime, Puck pulled a prank on Bottom, turning his head into that of an ass. Both characters of the play are interpreted as complete opposites. Titania, characterized as the beautiful, graceful fairy queen; Bottom is portrayed as overdramatic, self centered, and as of now, not keen on the eyes. However, the love nectar never fails and seems to bring the two into a state of lust. The contrast between the two is overwhelming. An important scene in the pl...