Loss Of Identity In Brave New World By Aldous Huxley

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Loss of identity is the catalyst to change. Whether positive or negative, it begets a new lifestyle. This nonexistent disposition leaves a gaping deprivation of uniqueness and originality. The critical need for an identity spawns the discovery of new ideals and morals. Finding a new personality entails conforming to an entirely new state of mind. Within the novel, Brave New World, Aldous Huxley brings to light many controversial topics, including the loss of identity. The technologically advanced world, created by Huxley, allows for little opportunity to be anything but a Utopia. The mass production of similar personalities within the World State can be held accountable for the loss and creation of identities. Conforming to this society …show more content…

A worm, a grub, a cockroach- all are bugs detested by most. On the other hand, a maggot elicits, even in the most hardened of citizens, an image of a feeding frenzy within the flesh of decomposing meat- the dead body covered with crawling critters. His first distinct image of a maggot compared to a synthetically derived twin represents this personality conflict the society compels. The maggots in this case depict Johns dehumanization of the World State citizens. His mental image of the twins depicts them dismantling his own grief at Lindas death. This is evident in chapter 15 when John speaks of them. “Like maggots they had swarmed defilingly over the mystery of Linda's death. Maggots again, but larger, full grown, they now crawled across his grief and his repentance.” The image Huxley portrays in this quote not only dehumanizes the twins but also creates a psychological fear in which Huxley questions the forced conformity versus the individuality he …show more content…

The thematic comparison of human power versus technology can be viewed as a foreshadowing event foretelling of a dismal future. To allege this metaphorical prophecy, the conceptualization of wheels turning through the physical help of humans is generated by Mustapha Mond, the book’s main antagonist; the metaphor distinctly portrays the suggestive dependency on individuals in the society, yet the dependency is without individuality as the simple task of turning a wheel-rather archaic-requires little, if none, of the unique qualities possessed by individuals. The following analogy proves this. “Wheels must turn steadily, but cannot turn untended. There must be men to tend to them, men as steady as the wheels upon their axles, sane men, obedient men, stable in contentment.” Though the metaphorical wheel runs steadily, it must be operated by a human, hence it keeps the individual captive with the need for an overseer. Technology annihilates an opportunity for individuality. This easy- access allegorical commodity dispensed by the World State, allows its citizens to be content without providing their own work input. The resulting non-existent emotions afford stability in the workplace. If one is unstable, it could lead to destruction, seen in this metaphorical verse. “Impulse spills over, and the flood is feeling, the flood is passion, the flood is even madness: It depends on the fore of the

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