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Economic and social hardships in a raisin in the sun
Symbolism in raisin in the sun
Economic and social hardships in a raisin in the sun
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A Raisin in the Sun by Lorraine Hansberry explores the life of a black family during the Civil rights Era in the United States. They faced rough discrimination and poverty but receive an extensive amount of money from an insurance claim that had the potential change their lives. That is the shallow view of the play, in the light of analysis, however, the characters and objects represent much larger ideas. Mama’s plant is an important object that symbolizes not only the state of the family, but the condition of the people during the Civil Rights Movement itself. From the very beginning of Act One it is evident that the family is tense around each other. Travis is “outraged” after Ruth refuses to give him the fifty cents for school, and Ruth …show more content…
After Walter had lost the sixty-five hundred dollars Mama had trusted to him it appeared the Youngers were no longer going to make the move to Clybourne Park. Mama then ‘goes to her plant, which has remained on the table, looks at it, picks it up and takes it to the windowsill” symbolizing defeat(Hansberry, 139). The plant which -- symbolizes the state of the family -- is returned to its original lightless spot. The family is going to stay in their rayless apartment on the southside. The money was their sunlight; their hope and it was stolen. That changes, however, at the very end of the play. Walter realizes that they have to move into the house for their pride, for their father, for their happiness. On their way out “The door opens and she [Mama] comes back in, grabs her plant, then goes out for the last time” (Hansberry, 151). Just like the family the plant is leaving to soak up the summer’s blaze. The play never mentions what happens to the Youngers after this moment, but we can assume it’s good because they are finally going somewhere. The plant parallels the people of The civil Rights movement here, they are making progress and going places men and women never thought possible. They are receiving equality, opportunity, and sunlight. They have hope for a better future for themselves and their
Her care for her plant is similar to her care for her children, both unconditional and unending despite the less-than-perfect “garden” that it is in (their house). A theme at the beginning of the play is the value and importance of dreams. Each person in that house has a goal that they want to reach but is delayed in the process of achieving it: from Mama’s big house and lawn in the suburbs, to Beneatha’s dream of medicine, to Walter’s liquor store, which in fact he never stops thinking about (no matter how hard Mama’s disapproves).... ... middle of paper ...
Mama talks to Walter about her fears of the family falling apart. This is the reason she bought the house and she wants him to understand. Walter doesn't understand and gets angry. "What you need me to say you done right for? You the head of this family. You run our lives like you want to. It was your money and you did what you wanted with it. So what you need for me to say it was all right for? So you butchered up a dream of mine - you - who always talking 'bout your children's dreams..." Walter is so obsessive over money that he yells at his mom for not giving him all of it. He doesn't know that what his mom is doing is for the family. He thinks that having money will make the family happy, when in reality the family doesn't need anymore than what they have to be happy.
The play is set around the late 1940s and throughout the 50s on the south side of Chicago In the opening Significance of ending/closing scene Symbols Mama’s plant symbolizes how she loves her family and how she wants their dreams to come true. She takes care of the plants like she takes care of her family and dreams of a house with a garden. Benethas hair is another symbol.
Ruth was being prevented from having a baby because of money problems, Walter was bringing him self down by trying to make the liquor store idea work. Once Mama decided to buy the house with the money she had received, Walter figured that he should further go on with the liquor store idea. Then, when Walter lost the money, he lost his dignity and tried to get some money from the “welcome party” of Cylborne Park. Mama forced him to realize how far he went by making him show himself to his son how low he would go. But he showed that he wasn’t susceptible to the ways the racism created.
Mama’s plant represents her dream of buying a house when she describes that the plant does not receive enough sunlight. Early on a Friday morning, Mama wakes up to Walter, her son, slamming a door after fighting with his sister, Beneatha, over what their fathers life insurance money should be used for. When Mama enters the room, she exclaims, “ ‘Lord, if this little old plant don’t get more sun than it’s ...
The Younger family demonstrates that even with conflict there is still plenty of room to love and support each other. On the other hand, “A Streetcar named Desire can thus be read as an experiment probing how far one can go following one’s desire, something radically different from sex or love. If one goes the whole way, as Blanche eventually does, one destroys oneself” (Thomieres 390). While the Younger’s are stressing over what Lena is going to do with the money, Beneatha is faced with gender role conflict from George, which results in their break up. The Younger family faces conflict when desire pops its head up in the ten thousand dollar check. As for Stanley, Stella and Blanche, their desires in sexual matters causes Stella and Blanche’s relationship to quiver. These two plays show similar conflicts but end in an entirely different manner. There is nothing in the world that can restrain the Youngers from giving up on their American dream while Stella results in thinking Blanche is dishonest about Stanley and needs to be taking into a mental hospital. In the end, each family will do what is needed in order to save their relationships no matter the
In the play, Mama has her own American Dream that she chases after, which heavily affects the family’s state of being. Mama has to go through many struggles and much frustration while in pursuit of her American Dream (Bloom 17). Mama says, “Yes, death done come in this house here….Done come walking in my house. On the lips of my children. You what supposed to be my beginning again. You what supposed to be my harvest” (Hansberry 134). She begins to see the harsh effects of what her American dream has done to her children. Mama goes through trials and tribulations to provide a good lifestyle for her children, but neither of them seem satisfied, they both want to accomplish their dreams and aspirations so badly that it blinds them to the reality of what is really important in life.
In Act 1, Scene 1, Walter talks about his dreams and appears to have the best plan to support his family. ...
Walter and Beneatha’s relationship is very complex. The spiraling tension between the two siblings causes confrontation to form and creep into the Younger household. Walter needs his family to respect him as the man of the family, but his sister is constantly belittling him in front of his mother, wife, and son. This denigrating treatment taints Walter’s view of himself as a man, which carries into his decisions and actions. Beneatha also subconsciously deals with the dysfunctional relationship with her brother. She desires to have her brother’s support for her dream of becoming a doctor, yet Walter tends to taunt her aspiration and condemns her for having such a selfish dream. Mama as the head of the family is heartbroken by the juvenile hostility of her adult children, so in hopes to keep her family together she makes the brave move of purchasing a house. Mama’s reasoning for the bold purchase was,“ I—I just seen my family falling apart….just falling to pieces in front of my eyes…We couldn’t have gone on like we was today. We was going backwards ‘stead of forw...
The chasing of a mirage is a futile quest where an individual chases an imaginary image that he or she wants to capture. The goal of this impossible quest is in sight, but it is unattainable. Even with the knowledge that failure is inevitable, people still dream of catching a mirage. There is a fine line that separates those who are oblivious to this fact, and to those who are aware and accept this knowledge. The people who are oblivious represent those who are ignorant of the fact that their dream will be deferred. This denial is the core of the concept used in A Raisin in the Sun by Lorraine Hansberry. The perception of the American Dream is one that is highly subjective, but every individual dream ends in its own deferment.
Mama, the matriarch of the Younger family, she is highly religious and completely selfless. To Mama life is freedom. She is the fifth generation from slavery in her family, so she is much more involved with the issue of slavery and is very aware of slavery and having no freedom. She is from a different generation to Walter and so her meaning of life is therefore different. Mama feels that Walter does not appreciate the struggles his family has battled and endured in order to be where they are today. Mama and Walter’s generation have different views on life becau...
Ruth, whose dreams are the same as Mama’s, get deferred when the family are forced into there small apartment and there lack of money. Since she has no money she can not help her family as much as she would like to.
The. She thinks that money is not something that makes a family happy. & nbsp; Besides dreams Walter also has a husbands responsibilities which are universally thought of as being able to support his family and raise his children so they are morally in line with what he believes in. Walter's problem, however, seems to be that he is building his supposedly well.
Walter, Beneatha, Ruth, and Mama all struggle to attain their version of the American Dream. Like Mama, their dreams, at one point in the play, are deferred, and through many trials and tribulations; the Younger's ultimately realize that buying and keeping the house is the most important dream. The house, a symbol for unity,helped the Youngers ignore their own personal dreams, and focus on one important dream; they notice that sometimes allowing your dreams to defer, isn't entirely bad, and could direct you to bigger and better dreams you weren't even aware you had.
In the opening scene of the play Mama goes to her plant and nurtures it. Mama tries to instill the value of family importance to her children as she struggles to keep them together and functioning (Kohorn). The plant symbolizes Mama's dreams of owning her own house. She uses part of the money to put a down payment on a house in a white neighborhood.