In the book, “Fear and Loathing in Las Vegas”, Hunter Thompson begins the book with an epigraph from Dr. Johnson stating, “He who makes a beast of himself gets rid of the pain of being a man.” With this quote it starts the book off with setting the book’s mood and explains through the book what a person’s willing to go to escape reality and the consequences from the burdens and their expectations. This essay will discuss how Raoul Duke and Doctor Gonzo express the epigraph through the consumption of numerous forms of drug use and absurd behavior, as well as several forms of Duke and Gonzo’s actions being an uprising against life and a solution to discarding the pain and other events happening due to the 1960’s countercultural movement. The …show more content…
The third thing to note is Duke and Gonzo’s excessive lifestyle that consists of avoiding the pain of being a man and living in a world where there are no rules. According to Thompson (1971), “My attorney leaned over to whisper that he was leaving. I will be down at the casino, he said. I know a hell of a lot better ways to waste my time than listening to this. He stood up, knocking his ashtray off the arm of his chair, and plunged down the aisle toward the door” (144). To illustrate, this action is condemned towards the characters Gonzo and Duke, because while they are in Las Vegas and they are on a mission to find the American Dream, there are rules implied for society to follow. As they go across Vegas to find the Dream, they have had numerous close encounters with the law and have been almost put in situations that would lead to them being put behind bars. Whether that is from impersonating another person, damage to property, fraud, or the possession of pharmaceuticals. As Thompson (1971) said, “Hell, just a minute ago you were asking me to kill you! And now you want to kill me! What I should do, goddamnit, is call the police!” …show more content…
Another example of how these three can be compared is that they symbolize a generations journey for freedom and peace which is expressed through respective mediums, music for Dylan and literature for Duke and Gonzo. Their work reflects the disenchantment with society and the pursuit of a more peaceful world. In conclusion, this exposition will talk about how Raoul Duke and Specialist Gonzo express the epigraph through the utilization of various shapes of medicate utilize and foolish behavior, as well as a few shapes of Duke and Gonzo’s activities being a rebellion against life and a arrangement to dispose of the torment and other occasions happening due to the 1960’s countercultural development. Raoul Duke and Doctor Gonzo's journey to the American Dream has become a trip to numb and avoid the pain of being a man while embracing their lifestyle that consists of no rules, attempting to escape the reality of life and getting the freedom that Vegas represents, and challenging society's social normalities and legal
Richard N. Albert is one critic who explores and analyzes the world of “Sonny’s Blues”. His analysis, “The Jazz-Blues Motif in James Baldwin’s “Sonny’s Blues”” is an example of how one can discover the plot, characterization and jazz motif that builds this theme of suffering. Most good stories start with a fundamental list of ingredients that make up the plot: the initial situation, conflict, complications, climax, suspense, denouement, and conclusion. Great writers sometimes shake up the recipe and add some spice. At the beginning of the story, the narrator reads in the newspaper about Sonny’s arrest for using and selling heroin.
James Baldwin’s short story “Sonny’s Blues” illustrates the inner struggle of breaking the hold of lifestyles unfamiliar to those normally accepted by society. Through the use of common fictitious tools such as plot, characters, conflict, and symbolic irony, Baldwin is able to explore the complex difficulties that challenge one in the acceptance of differences in one another. This essay will attempt to understand these thematic concepts through the use of such devises essential in fiction, as well as to come to an understanding of how the particular elements of fiction assist the author in exploring the conflict.
In James Baldwin’s ‘Sonny’s Blues,” an unnamed narrator attempts to understand his brother’s way of life. The two men experience the suffering that goes along with living in the projects of Harlem, New York. After a conversation with his mother, the narrator promises he will take care of his brother, Sonny. The story in and of itself is a constant struggle between the narrator trying to keep the promise to his mother and trying to understand Sonny’s life choices. When Sonny is arrested for using a dealing heroin, one of his friends gave the narrator full disclosure when he tells him Sonny’s life has and always will be difficult. The narrator writes to Sonny on jail after he experiences grief. Sonny writes back, trying to describe how his choices have led him to this point in life. At the end of the story, the two brothers watch a street revival. Sonny relates the revivalist’s voice to how heroin feels and explains his drug addiction and suffering. Following that, Sonny invites the narrator to watch him play. The narrator hears Sonny’s struggles within the music and understands why music is life or death for Sonny. The ability to cope with suffering is explored. The short story Baldwin’s
...actors, or from of drugs. Baldwin show’s that the struggle is universal, and by so doing hopes to open everyone’s eyes to the problem. He also brings great attention to the problem of drugs in America with characters such as Sonny, whose life came to ruins after struggling with heroin. This is exemplified when Sonny gives voice to how heroin makes one feel “It makes you feel in control. Sometimes you’ve got to have that feeling” (Baldwin 847). This passage shows how how the people of harlem and all around the world’s cities struggle to grasp freedom in their repressed lives. This very fact causes many to fall to drugs as a coping mechanism.
“Sonny’s Blues” is a short story in which the author presents a view on the realities of suffering in Harlem, New York in the 1950’s and how the presence of drugs can greatly impact not only the users, but the ones who care about the users as well. This can be shown through the literary use of setting, character, and theme. Throughout the story, the narrator struggles with trying to reason with the life his brother has chosen and the choices he has made. Sonny struggles to find an identity for himself having to live under the shadow of his brother his entire life. Sonny however finds solace in music which seems to become an escape for him and help him find meaning within himself. The narrator realizes at the end of the story why Sonny had chosen this life for himself.
Though racial and sexual issues seem to continuously serve a main purpose in James Baldwin’s writings, oppression can be described as a useful theme in both “Sonny’s Blues and Going to Meet the Man”( Murphy 6). In “Sonny’s Blues” we meet the narrator, Sonny’s brother who runs into one of Sonny’s old friends who begins conversing with Sonny’s brother about Sonny’s recent arrest. Sonny’s old friend tells the narrator that he “can’t much help Sonny no more” which upsets him because it makes him realize how much he had given up on trying to help his brother. Sonny was suffering from drug abuse, and was in desperate need of a savior. After the
Etheridge Knight’s “Hard Rock Returns to Prison from the Hospital for the Criminal Insane” (1968) effectively illustrates the devastation a group of prisoners’ feel as the state of their hero, Hard Rock, is realized. Though he was once the most fearless of the inmates, he is no longer the man he once was due a lobotomy performed by the doctors. Hard Rock is no typical hero, however, he still represents the hope for a future that all the inmates admire. The loss of hope that comes with the destruction of the inmates’ hero is artfully communicated through Knight’s use of tonal shifts representing the shifts in the inmates’ reaction to this situation, the use of diction in the deification of Hard Rock, and the use of similes to avoid the acceptance
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
James Baldwin tells a story about an African American man named Sonny. The setting of the story takes place in the projects of Harlem New York during the nineteen fifties. The story is narrated by Sonny’s brother and in this story the narrator describes the hardships of growing up in the projects. Sonny was the family screw up for he fell into the life of crime and drug uses. Sonny fell into the life of crime for he grew up in Harlem where he “turned hard... the way kids can… in Harlem” (Baldwin 49). Sonny was especially into heroin or referred to as horse in this story. Because of his drug use he was always in and out of jail “He had been picked up, the evening before, in a raid on an apartment downtown, for peddling and using heroin” (49). Harlem and the society had and impact on the African Americans for they never had the same opportunities to succeed before the civil rights act. Even the narrator who was the good and smart kid who had a college education and who was sober could not afford to live outside of the projects. It seems as if nothing would work for every escape lead them back to the projects. Sonny tried every thing to escape poverty, but never could escape it. Sonny said “I don’t want to stay in Harlem no more, I really don’t… I want to join the army or the navy, I don’t care” (60). Sonny was so desperate to escape poverty that
It was a cool, crisp November evening, while five teenagers were hustling and bustling around my house excitedly getting ready for their very first showing of the live version of their all time favorite movie. They knew it would be the best night of their lives. The night of my 15th birthday party, my friends and I all piled into my parents car around 11:00 PM and headed off down the road to the Heights Theater. The movie we are about to see is an all time classic. The Rocky Horror Picture Show is the best cult film of all time. The movie has all the three basic elements it should have. It has funny audience participation, wonderful acting, and a great story line.
Frank Darabont (writer-director-producer) in 1999, returned to the director’s chair for the first time in five years. Darabont, who not only directed Shawshank Redemption, but adapted it from a Stephen King story, followed the exact same path with The Green Mile. The film was released by Warner Bros. Pictures, and Produced by Castle Rock Entertainment, Darkwoods Productions, and Warner Bros. David Valdes is the producer, David Tattersall, B.S.C. is the director of photography, Terence Marsh is the production designer, and Richard Francis-Bruce is the film editor.
Throughout the course of the twenty or so pages of “Sonny’s Blues”, the characters are revealed through dialogue to have traits, motives, and fears just like any other human being. For example, Sonny’s revelation to the narrator that he intends to become a jazz musician (Baldwin 1737) and subsequent descriptions of his piano practicing habits (Baldwin 1740) let the reader know that he is not to be thought of as merely a pathetic recovering drug addict. On the other hand, when Sonny says that heroin makes him feel “in control” (Baldwin 1744) and subtly protests the systemic prejudice that often makes black people feel helpless, one can determine that he did not likely take up the drug simply or on a whim or on account of mere peer pressure. Further, when the narrator seems to understand that Sonny is on the path to redemption (Baldwin 1749), the reader once gets the impression that Sonny is more than a druggie. The narrator, too, is a round character, and not just an older brother figure to Sonny.
“Raging Bull” (1980) is not a so much a film about boxing but more of a story about a psychotically jealous, sexually insecure borderline homosexual, caged animal of a man, who encourages pain and suffering in his life as almost a form of reparation. Martin Scorsese’s masterpiece of a film drags you down into the seedy filth stenched world of former middleweight boxing champion Jake “The Bronx Bull” LaMotta. Masterfully he paints the picture of a beast whose sole drive is not boxing but an insatiable obsessive jealously over his wife and his fear of his own underling sexuality. The movie broke new ground with its brutal unadulterated no-holds-bard look at the vicious sport of boxing by bringing the camera into the ring, giving the viewer the most realistic, primal, and brutal boxing scenes ever filmed. With blood and sweat spraying, flashbulbs’ bursting at every blow Scorsese gives the common man an invitation into the square circle where only the hardest trained gladiators dare to venture.
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.