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Personal experiences
Personal experiences
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Writing About Writing
A person packing his suitcase; a woman yelling at a man; a baby crying. It was “that day the weather turned and the snow was melting into dirty water.” The bare facts used in the short story “Little Things” by Raymond Carver in his opening paragraphs with dull imagery, emotional diction and dramatized ideas provide evidence that this piece is an example of excellent writing.
The opening of this story fulfills Trimble’s checklist of writing well. It used certain ways to accomplish that goal. The first one was to have the directness of approach as Trimble mentions “an essay, like a house, can be entered by the front door or the back door.” This piece of writing used a front door approach where the writer’s ideas were
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However, the way he dramatizes his ideas is spectacular. The dark imagery was used throughout his story to create foreboding tone. Furthermore, he kept track of his sentence lengths. He tried to use shorter words so that the story looks appealing and easy to read without having a dictionary nearby. He used long sentences instead of short sentences, and also he did not follow the traditional scheme of writing one opening paragraph with three body and one closing paragraphs. Instead, he broke up his story into many small ones or two line paragraphs and segmented his story correctly. And to put an icing on the cake, his essay used dramatic plotting strategy in which he sprinkled his ideas in such a way where the reader can experience what is going on in the story rather than just reading it from a third perspective. He stated a problem where everything is gloomy and dark and then develop his story by using dramatic tension and then resolves the situation. In his conclusion, he did not enforce his idea rather he let it open ended for the readers to imagine and draw their conclusions because after all readers are ones in the first place who are not just reading but experiencing the
The author uses a lot of description when setting the scene, or writing how someone looks. He also uses a lot of color imagery within the chapters and writes in 3rd person narrative.
“ The horizon was the color of milk. Cold and fresh. Poured out among the bodies” (Zusak 175). The device is used in the evidence of the quote by using descriptives words that create a mental image. The text gives the reader that opportunity to use their senses when reading the story. “Somehow, between the sadness and loss, Max Vandenburg, who was now a teenager with hard hands, blackened eyes, and a sore tooth, was also a little disappointed” (Zusak 188). This quote demonstrates how the author uses descriptive words to create a mental image which gives the text more of an appeal to the reader's sense such as vision. “She could see his face now, in the tired light. His mouth was open and his skin was the color of eggshells. Whisker coated his jaw and chin, and his ears were hard and flat. He had a small but misshapen nose” (Zusak 201). The quotes allows the reader to visualize what the characters facial features looked like through the use of descriptive words. Imagery helps bring the story to life and to make the text more exciting. The reader's senses can be used to determine the observations that the author is making about its characters. The literary device changes the text by letting the reader interact with the text by using their observation skills. The author is using imagery by creating images that engages the reader to know exactly what's going on in the story which allows them to
Using words and details in a story can provide the main impression by telling rather instead of showing an author’s feelings and thoughts in the childhood memory. In the showing and telling technique and author may use verbs like “felt” or a noun such as “thought” to create the dominant impression.
The effective use of color and imagery by an author, combined with poetic language can give the reader a detailed image in their mind. Edith Wharton uses this technique in her writing in the novella Ethan Frome. Using imagery, the author paints a vivid picture with words using color to set moods, develop characters, and foreshadow coming events allowing the reader to fully experience the world of Ethan Frome.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
In traditional writing styles, the main element to give the story meaning is the narrative itself. However, with more modern and distinct styles such as the short stories written where the narrative is no longer the primary stylistic device, but the use of metaphors and distinctive different narrators applies meaning to the stories. Though it is easy to judge what is different from tradition as inferior, this change is no different than the rise of cubism in the art world. Even though initially many would comment on the art not being “real,” or in this case, the stories being poorly written, this style has even more of an effect. After
Stories frequently use both figurative language and tone to shape their meaning(s). In his short story, “The Tell Tale Heart,” Edgar Allan Poe uses Imagery to enhance his tone of foreshadowing to illustrate the franticness at the end of the story.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
Through his choice of style and structure, he is able to reflect the meaning of the short essay as a whole and get the point
... words, and they had better be the right ones, with the punctuation in the right places.” n each of these stories, Carver makes those words take reader to the same scene twice and end up in a new place each time. He is a master wordsmith and the uniqueness that is 'The Bath' and 'A Small Good Thing' is a masterpiece.
On page 37 it says, “Salt water poured in my open mouth as I screamed at the darkness swallowing me.” This is a good example when the author does well describing different parts of the story. In contrast, the author wrote a story that was unrealistic in parts. On page 53 in the text it says, “Why was I talking to Max? He couldn’t hear me.
An author’s style of words, sentence structure, and use of figurative language gives an author their own unique style of writing. Although, how an author writes can cause confusion due to connotative use of words and sentence. The author’s style-words, sentence structure, and figurative language can give a reader a description that forms imagery. Also it affects the tone, mood, and theme of the story.
When writing, Carver’s specific choices such as his minimalist style, symbolism, and diction greatly impact both the meaning and the development of the piece. Carver’s minimalist style is immensely important to the development and understanding of the story’s plot. He successfully establishes this technique through extreme spareness and simplicity. This style in Carver’s writing is intended to make the reader think. An example of this is when the man is speaking to his daughter about her mother.
The short story, "A Small, Good Thing" by Raymond Carver tells of two American parents dealing with their son's hospitalization and death as the result of a hit-and-run car accident. The insensitive actions of their local baker add to their anger and confusion, yet by the end of the story, leave them with a sense of optimism and strength. With such content, Carver runs the risk of coming across as sentimental; however, this is not the case, and the anguish of the parents and their shock at the situation is expressed with dignity and understatement. It is a story with a broad appeal: the simple prose makes it accessible to a wide audience, while the complex themes and issues make it appealing to the educated reader. Written in Carver's characteristically minimalist style, the story poignantly evokes not only the trauma of the death of a child, but also the breakdown of communication and empathy in society. The plain and direct narrative style suits the content, conveying the lack of communication that is central to the narrative - between the parents, between the hospital staff, and with the baker. Critically, it is generally considered one of Carver's strongest short stories. It is a tale of isolation and of grief, but also of hope, and, with its fluid, pared-down style, clearly demonstrates why Carver is widely regarded as one of the greatest writers of the late 20th century.
Some of the characteristics of Modernism are: a desire to break conventions and established traditions, reject history, experiment, remove relativity, remove any literal meaning, and create an identity that is fluid. The rejection of history sought to provide a narrative that could be completely up for interpretation. Any literal meaning no longer existed nor was it easily given; essence became synonymous. Narrative was transformed. Epic stories, like “Hills Like White Elephants”, could occur in the sequence of a day. Stories became pushed by a flow of thoughts. The narrative became skeptical of linear plots, preferring to function in fragments. These fragments often led to open unresolved inconclusive endings. This echoes in the short story’s format. The short story functions in fragmented dialogue. Focusing on subjectivity rather than objectivity. Creating characters with unfixed, mixed views to challenge readers.