Examine the ways in which Alejandro Iñarritu utilises literary techniques to explore the central ideas of Birdman
Alejandro G. Iñarritu exploits a range of literary techniques to present the dominant themes of power, greatness, and reality/madness in his successful film Birdman (or The Unexpected Virtue of Ignorance.)
Throughout the film Birdman the dominant theme of power is examined through the use of camera shots, irony, perspective, and mise en scene. Iñarritu imposes the idea of predatory behavior of animals in Mike and Riggan’s power struggle by circling the camera around the conflict, emphasising the dichotomy of the two protagonists. This also places the audience in a position of power, as characters are placed under a microscope and are under examination by the observing audience. Similarly empowering the audience is the
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Iñarritu explores dramatic irony here by dis-empowering Lesley whilst empowering the audience, generating pathos for the victim of the awkward situation. Contrastingly, the audience viewing the film experiences discomfort at the end of the performance in the St. James theatre, during Riggan’s suicide scene. Tabitha Dickenson, the New York critic, does not rise to applaud the performance whilst everyone else does, Iñarritu employs a blue colour scheme to create a juxtaposition with the harsh stage lighting. This contrast emphasises the power Dickenson has compared to the passive audience: To be able to walk out of an applauding theatre without turning back only accentuates the power her opinion obtains. In addition to Riggan’s suicide, the audience is further disempowered through a lack of control; Iñarritu forces the audience to take the perspective of Riggan just after he makes the decision to take a real gun on stage. This scene
This film captures this class distinction without subduing the atmosphere through the use of a variety of cinematic devices. “A good film is not a bag of cinematic devices but the embodiment, through devices, of a vision, an underlying theme” (Barnett, 274). The audience can see this theme of the realities of the oppression, poverty and despair of this time period through the use of the things mentioned, but also through the character development that is driven by the character’s hopelessness. Each of the characters associated with the lower class is motivated by the conditions, which are viewed through the cinematic devices mentioned above: color, spherical lenses, long shots, and high angle shots. Sources Cited:.
The novel Bird by Bird by Anne Lamott is a book that was written in order to provide “Some instructions on writing and life.” Lamott published the book in 1994 in hopes to share the secrets of what it is truly like to be a writer, as both a warning and as encouragement. Bird by Bird shares with the reader the ironic truth of being a struggling writer through personal experience and humorous stories. Lamott uses memories from her past to help illustrate her points and to help the reader get to know who she is, not only as a writer, but as a person. The author focuses on the true struggles and benefits of being a writer while using metaphors and analogies to express her points, she also wraps her life stories around almost every writing tip.
Francois Truffaut, when referring to Hitchcock said that “he exercises such complete control over all the elements of his films and imprints his personal concepts at each step of the way, Hitchcock has a distinctive style of his own. He is undoubtedly one of the few film-makers on the horizon today whose screen signature can be identified as soon as the picture begins.” Many people have used Hitchcock as the ultimate example of an auteur as there are many common themes and techniques found amongst his films. Even between the two films “Shadow of a Doubt” and “Vertigo,” many commonalities occur.
In 1962, when One Flew Over the Cuckoo's Nest (the Nest), was published, America was at the start of decade that would be characterized by turmoil. Involvement in Vietnam was increasing, civil rights marches were taking place in the south and a new era of sexual promiscuity and drug use was about to come into full swing. Young Americans formed a subgroup in American society that historians termed the “counterculture”. The Nest is a product of time when it was written. It is anti-authoritarian and tells the tale of a man's rebelling against the establishment. Kesey used metaphor to make a social commentary on the America of the sixties. In this paper I will deal with three issues that seem to strike out from the novel. First; is the choice that Kesey made in his decision to write the novel using first person narration. The second part of this paper will be an analysis of some of the metaphors and Kesey uses to describe America in the sixties. Finally I will speak about the some of the religious images that Kesey has put in the novel.
Abstract: According to A Handbook to Literature, motif refers to a "recurrent repetition of some word, phrase, situation, or idea, such as tends to unify a work through its power to recall earlier occurrences" (264). One such type of motif which has seemed to receive less critical attention is Ellison's treatment of birds. Hence, my aim in this essay is to examine the references to birds in Invisible Man, attempting to show how Ellison uses the image of the bird to symbolize various forms of entrapment.
In this song, Eminem is rapping about having the courage to take a stand regardless of what others think. Atticus displayed courage in the same way by fighting for Tom Robinson although his family, friends, and neighbors constantly harassed him and his family for it. In addition, he broke out of the cage of racism that required him to favor the white person in the case by attempting to get Tom an innocent sentence while other white southern lawyers would have immediately entered a plea.
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
them as unattractive and menacing and everything about this scene is threatening and ugly and makes the audience feel uncomfortable impact. in the audience of the. The music is like funeral music, loud and sad. The... ... middle of paper ... ...bloodshed and murder that follow.
It is a concurrent agreement in the film industry that Alfred Hitchcock is nothing less than a legend when it comes to the suspense and thriller genres of film. That being said, many filmmakers unsurprisingly aspire to adopt his style in more recent films. Movie critique Andrew O’Hehir suspects that this is the case with Mark Pellington’s production, Arlington Road, which follows the story of a man taken with the idea that his neighbors are terrorists. Although Pellington’s production possesses distinctively Hitchcock-styled qualities in its editing, storyline, and themes, O’Hehir argues that it is “…ultimately just another maddeningly ill-conceived tribute placed at [Hitchcock’s] feet.” However, it cannot be determined if Pellington meant for Arlington Road to be a tribute at all. The film may have a multitude of resemblances to Hitchcock film, but its finale fundamentally distinguishes itself unique to O’Hehir’s assumption.
Baruch Spinoza once said “Experience teaches us no less clearly than reason, that men believe themselves free, simply because they are conscious of their actions and unconscious of the causes whereby those actions are determined.” He compared free-will with destiny and ended up that what we live and what we think are all results of our destiny; and the concept of the free-will as humanity know is just the awareness of the situation. Similarly, Kurt Vonnegut’s Slaughterhouse-Five explores this struggle between free-will and destiny, and illustrates the idea of time in order to demonstrate that there is no free-will in war; it is just destiny. Vonnegut conveys this through irony, symbolism and satire.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
In the film, Kubrick makes better use of symbolism and the archetypical characters in the story than King did. Stanley Kubrick has taken advantage of the words written by King and turned them into a genius image. The film is loaded with copies and cycles, individuals existing in two time periods with clashing personas, which are constantly battling each other throughout the movie.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
Studies of the Auteur Theory in film have often looked toward Alfred Hitchcock as an ideal auteur: an artist with a signature style who leaves his own mark on every work he creates. According to the theory, it does not matter whether or not the director writes his own films, because the film will reflect the vision and the mind of the director through the choices he makes in his film. In the case of Hitchcock’s earliest films when he was still under the control of his producers, there is still a distinct stamp upon these images. Hitchcock has said that he was influenced by the German Expressionists, and admired their ability “to express ideas in purely visual terms”. It is this expression of thought and psychology that Hitchcock achieves throughout his films, even early on. Even the psychology that is in the films can be particularly a signature of Hitchcock - critics have found throughout his films a fascination with wrongful accusation and imprisonment. They are present in even his earliest films. A particular sequence of Hitchcock’s 1935 film The 39 Steps bears the mark of Hitchcock through the visual expression of the fear of wrongful accusation and confinement.
...n (Director) mistakenly seems to believe can carry the whole film. On the strength "based on a true story", he has rejected attention-grabbing characters, an imaginative plot, and unforgettable villains.