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Gender and sexuality in literature
Gender in science fiction
Sexuality in literature
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Literary Review
My argument is that SF literature offers a utopian hope for the future where individual differences are no longer criticized. To conduct this literature review I used multiple information sources to examine issues of gender and sexuality within science fiction literature. None of these sources claim to have produced a conclusive work on the interpretation of gender and sexuality in SF. Some of what I have read seems to be a general overview while some is more focused, but everything clearly references other theorists, studies and texts to back up the arguments made.
The Cambridge Companion to Science Fiction- Edward James
This book combines essays by academics and writers of SF, which examine the genre from diverse perspectives. It inspects the beginnings of SF from Thomas More to the present day, and presents significant critical approaches such as Marxism, feminism and queer theory. There is an overlap of themes throughout which provides a chance to read about interrelated subjects from different angles written by numerous authors, which makes the work stronger.
In ‘Gender in science fiction’ Helen Merrick explores the depictions of masculinity and femininity. She illustrates how SF is proficient in examining gender issues, noting texts that have assisted in going against standard sociocultural norms. This chapter is only a brief discussion of the pioneering work of feminist SF writers (particularly the emergence of female SF writers), however, Veronica Hollinger deliberates the topic further in ‘Feminist theory in science fiction’. In Merrick’s chapter her overall point is that the SF genre is a means for investigating gender and humanity and ridding the mind from the austerity of standard norms. What thi...
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...iscuss both similar and dissimilar topics, some of which overlap or go deeper in the discussion. It is clear that in applying the theories and arguments made above, that there certainly is an opportunity to use SF literature as a means for understanding gender, sexuality and utopia in a way that is relevant to actuality.
References
Attebery, B (2002). Decoding Gender in Science Fiction. New York: Routledge.
Gordon, J, Hollinger, V & Pearson, W, (2008). Queer Universes Sexualities in Science Fiction. Liverpool: Liverpool University Press.
Hollinger, V. Merrick, H. Pearson, W. (2003). The Cambridge Companion to Science Fiction. London: Cambridge University Press.
Jameson, F (2007). Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions. London: Verso.
Larbalestier, J (2002). Battle of the Sexes. Middletown: Wesleyan University Press.
Wood, Karen and Charles. “The Vonnegut Effect: Science Fiction and Beyond.” The Vonnegut Statement. Vol. 5. 1937. 133-57. The GaleGroup. Web. 10 March. 2014.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
The Hounds of Tindalos is a short science fiction story containing many and varied elements that have been long associated with the genre of science fiction. This essay will identify these elements, examining their placement within this short text and also the interchange of these elements with the characteristics of other genres, more specifically, horror. Belknap Long, the author, was clearly intent of incorporating the elements of horror within the genre of science fiction and this amalgamation of these two genres was a popular combination employed by future horror and SF writers. Perhaps the inclusion of horror within the SF genre is a comment in itself about perceptions of SF held by writers, the elements of horror being a cautionary warning to those in the science world.
The Best Science Fiction of the Twentieth Century. Ed. Orson Scott Card. New York: The Berkley Publishing Group, 2001. 212-217.
context out of which a work of literature emerges molds the interpretation of gender in that work.
Kornbluth, C. M. "The Failure of the Science Fiction Novel As Social Criticism." The Science Fiction Novel: Imagination and Social Criticism. (1969): 64-101.
De Beauvoir Simone. “The second sex” Ch.1. 2009. Science Fiction Stories and Contexts. Ed. Stephen A. Scipione and Marisa Feinstein. Boston: Bedford/ St. Martin's, n.d. 119-34. Print.
There is no doubt that the literary written by men and women is different. One source of difference is the sex. A woman is born a woman in the same sense as a man is born a man. Certainly one source of difference is biological, by virtue of which we are male and female. “A woman´s writing is always femenine” says Virginia Woolf
Their sexual objects are members of both sexes. Like homosexuality, bisexuality triggers negative social reactions; thus bisexuals are outcasts and socially isolated. Both homosexual and heterosexual communities are inimical to them, so bisexuals have to cope with ‘double marginality’ (Weinberg, Williams and Pryor 190). And it seems no great stretch to consider the androgyny and homoeroticism (or pan-eroticism) present in much recent vampire literature as evidence of Rice`s profound influence. (Leonard 1999). Emphasize on the homosexual theme, suppressed women not just in literature, but also in the current American standard of beauty. The most beautiful runway models (and vampires) have a combination of masculine and feminine characteristics.
In Judith Halberstam’s piece “Female Masculinity,” she offers the audience a few potential definitions of the term ‘masculinity’ and how the term applies to “feminine masculinity.” She states that “although we seem to have a difficult time defining masculinity, as a society, we have little trouble recognizing it” (935). Halberstam suggests that female masculinity is often blatantly ignored in culture and studies due to the indifferent feeling often associated with the topic. Halberstam uses her essay to explain a variety of aspects associated with female femininity like tomboys, queer methodologies, and the bathroom problem. Halberstam’s description of the term ‘Tomboys’ is reminiscent of the character Emily Fields from the Pretty Little Liars book series by Sara Shepard. Progressing through middle school with a group of ‘girly’ friends, Emily is easily labeled with the term ‘tomboy’ due to her sporty exterior. Her overly conservative Christian family and classmates see no ‘threat’ or meaning behind Emily’s tomboy appearance because they believe it is just a stage in her life. As soon as Emily enter tenth grade and starts hanging out with a homosexual female, her family and classmates grow concerned about Emily’s masculine looks and behaviors. In the book titled Prettty Little Liars, one of the liars, Emily’s evident masculine ways raises concern to her thesis-go back and fix it .
The feminist perspective of looking at a work of literature includes examining how both sexes are portrayed
When it comes to post-colonial literature, most initially think about the colonization of other countries and how it has affected the natives. Though it is the most well known form of post-colonial literature, it is not the most wide-spread. By slightly altering the framing in which one looks at it, the idea that feminist literature by women from a patriarchal society is post-colonial literature begins to make sense.
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Gender and sexuality can be comprehended through social science. Social science is “the study of human society and of individual relationships in and to society” (Free Dictionary, 2009). The study of social science deals with different aspects of society such as politics, economics, and the social aspects of society. Gender identity is closely interlinked with social science as it is based on the identity of an individual in the society. Sexuality is “the condition of being characterized and distinguished by sex” (Free Dictionary, 2009).
Some of the most controversial issues in society have historically revolved around matters relating to gender and sexuality. As gender plays an integral part in how we function in society, we quickly learn what is expected of us through our gender roles at a young age and our sexual scripts as we get older. We are expected to conform to our respective gender roles of femininity or masculinity depending on the sex we were assigned at birth. We learn that certain characteristics and expressions are attributed to each gender but are never taught that gender is fluid but instead it is binary. We also become subjected to assumptions of our sexual desires and attraction based on our sex and our gender and are expected not to deviate from it. We become