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Literature theory for beowulf
Role of women in Beowulf
Christianity in beowulf role
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Beowulf can easily be considered the magnum opus of Anglo-Saxon literature. Often times considered the “mother poem” of England, Beowulf is on par with Greece’s Iliad and Odyssey. Within its pages, the titular character embarks on captivating quests and adventures, leaving the reader with a quick snapshot of Anglo-Saxon life and culture. Set in the dreary land of sixth-century Scandinavia, the poem displays important Anglo-Saxon ideals such as male dominance and revenge. Written by an unidentified seventh-century Christian monk, the epic story of Beowulf is brilliantly infused with both Christian and pagan mythoi. By some accounts, Beowulf, himself, represents Jesus Christ while the three antagonists represent separate entities of Satan. Regardless, …show more content…
The first main example comes in passage four as our hero boasts of his accomplishments. He says “I drove five giants into chains, chased all of that race from the earth. I swam in the blackness of night, hunting monsters and killing them one by one.” Then, in lines 554 - 559, a deer is described as being hunted by packs of hounds. As the dogs chase the stag to the banks of Grendel’s lake, he refuses to enter the water, not out of the desire to die, but out of the fear of pure evil. In passage fourteen, the author utilizes imagery yet again. Beowulf battles the dragon as “flames beat his iron shield” and his sword “breaks into the [dragon’s] scaly hide.” Lastly, in the final passage, Beowulf’s followers circle around his tower. They cry out and proclaim his …show more content…
Stocking the poem with alliterations is one key in keeping with this style. In line 227 - 228, the letter “c” repeats as the author writes “The keeper of the mead came carrying out the carved flasks.” Another commonly used literary component in Beowulf is the caesura. In fact, it is used in nearly every line. Caesuras divide the four beat lines in half, and make the poem flow unobstructed. Furthermore, kennings, a trait specific only to Anglo-Saxon writing, are highly utilized. Kennings, such as “Higlac’s follower” and “the strongest of the Geats” in lines 109 - 110, describe Beowulf, a character in the poem. Others describe objects not as important to to the story, like the mead described in line 229’s kenning “bright sweetness.” Lastly, the author uses a powerful litote at the beginning of passage seven. Beowulf describes how he treated sea monsters to “a feast.” However, since a litote takes something grotesque and presents it as something enjoyable, it takes on an entirely different meaning. He kills them, leaving their bodies for
The theology which appears in the Christian allusions in Beowulf is very vague and indefinete: there is no mention of Christ, the saints, miracles, Mary His Mother, specific doctrines of the church, martyrs of the church, the New Tes...
In Tolkien’s lecture, “Beowulf: The monsters and the Critics,” he argues that Beowulf has been over analyzed for its historical content, and it is not being studied as a piece of art as it should be. He discusses what he perceives the poet of Beowulf intended to do, and why he wrote the poem the way he did. Tolkien’s main proposition, “it was plainly only in the consideration of Beowulf as a poem, with an inherent poetic significance, that any view or conviction can be reached or steadily held” (Tolkien). He evaluates why the author centers the monsters throughout the entire poem, why the poem has a non-harmonic structure, why and how the author fusses together Christianity and Paganism, and how the author uses time to make his fictional poem seem real. He also discusses the overall theme of Beowulf and other assumptions of the text. To support his viewpoints, Tolkien uses quotations and examples from the poem, quotations from other critics, and compares Beowulf to other works of art. Tolkien discusses several statements in interpreting Beowulf as a poem.
Clark, Gorge. “The Hero and the Theme.” In A Beowulf Handbook, edited by Robert Bjork and John D. Niles. Lincoln, Nebraska: Uiversity of Nebraska Press, 1997.
Beowulf is a poem about strength and courage. This is illustrated in the eighth section of the story called “Beowulf and the Dragon.” A slave, a hero and a dragon play a big role in this section. The characters are well developed, as is the setup for the conclusion of the poem.
The Old English epic poem Beowulf poses something for an enigma for scholars. The poet was surely a Christian, but the poem depicts a pagan society, so what sort of religion is being expressed. Most recent scholars have argued for a Christian reading, but others still hold out for a pagan one. Some have suggested Christian-pagan syncretism. Pagan beliefs involve sacrifices to the old stone Gods, making heathen vows, hoping for Hell’s support, the devil’s guidance in driving their affliction off. This was their way and the Heathen’s only hope.Some suggest Christian-pagan syncretism. Anglo-Saxon epic heroes are willing to put their own lives in danger for the greater good. Beowulf highlights the code’s points of tension by relating circumstances
Beowulf, an epic poem, written by unknown and translated by Seamus Heaney, is an artifact of the Anglo-Saxon era because it is a piece of literature that was documented once. During the time it was written, writing was not common. The poem reveals a lot of the Anglo-Saxon practices and beliefs, but it also is compared to Christianity because was written down by a christian monk.
Damrosch, David, and David L. Pike. “Beowulf.” The Longman Anthology of World Literature, Compact Edition. New York: Pearson, Longman, 2008. 929-970. Print.
In the the epic poem Beowulf, several contrasting symbols and pieces of imagery contribute to the overarching theme of the fight between good and evil. Whether comparing the characters in Beowulf, their respective environments, or their motives, it becomes very clear that an immense separation between the worlds of good and evil characterizes the story.
Beowulf is one of those stories that make the reader think. Although the unknown author of Beowulf develops the main protagonist to represent both paganism and Christianity, the ideals conflict and create a unique epic poem. Throughout the story, the reader sees a mix of Christian and pagan ideals telling a story of an epic hero. Because the reader cannot decipher whether he is pagan or Christian, it is only logical to assume he represents both. The author develops Beowulf to speak as if the two religions work together to create one. Although it is hard for the reader to understand, Beowulf seems to understand exactly what he believes in. The author clearly knew what he was doing when he wrote Beowulf into life. Beowulf's beliefs made him into the great epic hero that he is.
Beowulf contains multiple instances of the usage of symbolism to Christianity. Symbolism is portrayed through the characters and situations in the epic poem. According to the Danes in the epic, Beowulf is viewed as a savior. Staver states, “Jesus is the young warrior who comes to earth to fight with Satan” (Staver 155). This means that Beowulf is a symbol of Jesus for the way Beowulf leaves his home to embark on a journey to rescue Herot by defeating Grendel, and it shows the way the Anglo Saxons projected their faith in Christianity through Beowulf. Also, Grendel is used in Beowulf as a symbol of Christianity as a representation of Satan or a spawn of hell. In the modern English translation of Beowulf, Rafeel writes:
“Beowulf.” Trans. Suzanne Akbari. The Norton Anthology of World Literature. 3rd ed. Vol. B. New York: W.W. Norton, 2012. 112-82. Print.
One of the first literary work studied by our class was “Beowulf,” the longest and greatest surviving Anglo-Saxon poem. The poem is packed full of Christian and Pagan elements that are constantly fighting for the dominant position. In order to understand these thematic elements portrayed throughout “Beowulf,” we must first discover
The last battle in Beowulf was against the fierce dragon that could also be saw as the power of Satan. During this battle Beowulf chooses to use a weapon because of the dragon’s deadly venom, it would only be fair. It was a hard fight but Beowulf wasn’t capable of defeating the dragon. This battle could be compared to the will of Christ, in which Christ gave his life for the people, while Beowulf did the same. The dragon now represents the evil a man must fight in order to preserve the good in life. Although Beowulf was defeated, it was not shamelessly, just like Christ he saved the people. Beowulf had a good heart but was sometimes overturned by the bad influences in life. He represents the fact that everyone makes mistakes, you can’t be perfect all the time, everyone’s bound to lose.
As time has flown, many fictional men and women have resembled the Prince of the Christians in one way or another. But not many times other than once or twice has a character followed the life of Jesus so accordingly. As I write today, I plan to show from start to finish, just how closely Jesus and Beowulf are to one another. Maybe not in the same manner, but Beowulf lived, fought, and sacrificed himself for his people, just as Jesus had done for all mankind, making them, two sides of the same coin.
Works of literature allow readers to experience things they would never be able to in real life. It also allows them to learn things about people and places they never met or visited. This is true of the works Beowulf, and Sir Gawain And The Green Knight. These two pieces of literature allow readers to experience and learn about the English culture and their experiences with religion during the separate time periods in which they were written. Beowulf, written sometime between the 700’s and 900’s, was composed during a time when Christianity was first being introduced to a polytheistic or pagan worshiping world. So when Beowulf is compared to Sir Gawain and the Green Knight, which