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The role of power and ambition in macbeth
The role of power and ambition in macbeth
Macbeth critical interpretation
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Many authors compose their works with the assistance of literary devices or figurative language. As one is able to tell from Shakespeare's play Macbeth, it is easy to see that Shakespeare's style and portrayal of the story were not only made possible by literary devices but were also enhanced by Shakespeare's use of those same devices. The most evident literary device that Shakespeare used in Macbeth was his use of dialogue and stage directions. Dialogue is a very simple concept that is just simply the conversation between two characters. The conversing between that characters is essential to this play because if there was no dialogue, it would be a very difficult challenge to try to decipher what the characters were trying to convey without the flowing prose of Shakespeare. Another literary device that Shakespeare used in order to better his piece of literary genius is an aside. “An aside is a remark spoken in an undertone by a character, either to the audience or to another character.” (Applebee, 2002) Macbeth makes many asides that reveal his true character to the audience that the characters in the play do not realize until it is too late. The first aside happens in Act I right after the three witches revealed Macbeth's future. After Macbeth hears the witches' prophesies, he utters an aside in which he contemplates the idea of murdering King Duncan. At the utterance of those words, the audience is presented with the true nature of Macbeth in which he thrives off of power. Without asides, Shakespeare would not have had a true depiction of the characters' personalities until they were actually revealed through other characters' observations. Shakespeare's use of foil is perhaps the most complex literary device found in ... ... middle of paper ... ...at was used in Macbeth is the use of situational humor. “Situational humor is derived from the plot of a work. Usually involves exaggerated events or situational irony, which occurs when something happens that is different from what was expected.” (Applebee, 2002) Situational Humor is found in the scene directly after the scene in which Duncan was murders. The audience is shown the drunken gate keeper that is being loud and boisterous while trying to unlock the gate. That scene serves to give the audience a small amount of humor after the intense and suspenseful murder scene. Works Cited Shakespeare, William. Macbeth. The Language of Literature. By Arthur N. Applebee. Evanston, IL: McDougal Littell, 2002. 326-460. Print. Crowther, John, ed. “No Fear Macbeth.” SparkNotes.com. SparkNotes LLC. 2005. Web. 7 April. 2011. < http://nfs.sparknotes.com/macbeth/citing.html>
The characters in the story do not openly speak to the readers instead the reader is left to decipher the though and motives behind the actions each character, this is where Shakespeare use of foreshadowing helps the audience. Another helpful mechanism that can be found in his style of writing are his use of soliloquies and asides, they let the audience get feel of Macbeth’s though when the characters are speaking “alone” in the novel. One example of a soliloquy in the scene which Macbeth says to himself “To be this is nothing, but be safely thus…” which illustrates his disappointment at the feeling he thought he was going to be having while being king. Now being the king as he aspired, instead of being happy he fears for his life. Mostly, because of the own actions that he has committed in order to get where he is at
Introduction During the charismatic play Macbeth, Shakespeare uses a diverse number of techniques to develop numerous themes including ambition, greed and power. Shakespeare does this through the careful manipulation of foreshadowing, character development and irony.
Shakespeare, William. The Tragedy of Macbeth. Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 300-382. Print.
Foakes, Francis. "A New Perspective of Macbeth." Readings on Macbeth. Ed. Clarice Swisher. San Diego: Greenhaven Press, Inc., 1999. 58-64.
William Shakespeare’s play Macbeth is truly a masterpiece of writing, and a great example of this is Shakespeare’s use of the writing technique Elision to create a feeling of suspense, as well as provoking imagery and emotion throughout the play. This writing technique is used by making key events take place of stage. These such events were the killing of king Duncan, the death of Lady Macbeth and the beheading of Macbeth.
Shakespeare, William. The Tragedy of Macbeth. Ed. Barbara A. Mowat and Paul Werstine. New York: Washington Square, 1992. Print. The New Folger Library Shakespeare.
Within the pages of the play Macbeth, one can find the five distinct literary devices of symbolism, allusion, alliteration, personification, and repetition used throughout. These three devices aid the story along and help develop the plot and characters each in a different way.
Literary Devices used in Macbeth Imagine how dull a Shakespearean play would be without the ingenious literary devices and techniques that contribute so much to the fulfillment of its reader or viewer. Macbeth, by William Shakespeare, is a tragedy that combines fact and legend to tell the story of an eleventh century king. Shakespeare uses numerous types of literary techniques to make this tragic play more appealing. Three literary devices that Shakespeare uses to make Macbeth more interesting and effective are irony, symbolism, and imagery. One technique that Shakespeare uses is ironic.
This theme is further verified by King Duncan's statement "There's no art/ To find the mind's construction in the face..." (Act 1, Scene 4, Lines 11-12) Although Macbeth has the semblance of the amicable and dutiful host, ("fair") he is secretly plotting Duncan's death ("foul"). Furthermore, Lady Macbeth's orchestration of the murder exemplifies the twisted atmosphere in Inverness. Both a woman and a host, she should be the model of grace and femininity. She is described, however, as a "fiendlike queen" (Act 5, Scene 6, Line 69) and exhibits a cold, calculating mentality. In addition, the very porter of Inverness likens the place to the dwelling of the devil Beelzebub. This implies that despite its "pleasant seat," (Act 1, Scene 6, Line 1) Inverness is a sinister and evil place. It is also interesting to note that Macbeth is unable to say a prayer to bless himself after murdering Duncan. It is strange and "foul" that he should think of religion after committing such an unholy act. The very sanction of sleep and repose is also attacked in Macbeth. What is normally considered a refreshing and necessary human activity is "murdered" by Macbeth after he commits his heinous crime. Neither Macbeth nor his wife is able to sleep after killing Duncan. Macbeth's lack of sleep makes him a brutal killer; Lady Macbeth begins to sleepwalk and inadvertently reveals the source of her distress through her nightly babble.
William Shakespeare had a unique way of moving his story along. Instead of making what happens next in a story blatant and obvious, he would incorporate different symbols and new characters to send messages to both the reader and the characters in the story. In one of his most famous plays, “Macbeth” the main character whom the story is named after is visited by three examples of these symbols, foreshadowing the rest of the play, as well as providing somewhat of a flashback to what has been read to enable the reader to see a previous event in a new light as the story progresses.
113 Macbeth. Oxford: Oxford University Press. 1990. The. Coursen, H. R. Macbeth: A Guide to the Play. London: Greenwood Press, 1997.
Works Cited:.. Shakespeare, William. The. Macbeth. Literature: An Introduction to Fiction, Poetry, and Drama.
Shakespeare uses many forms of imagery in his plays. Imagery, the art of making images, the products of imagination. In the play Macbeth Shakespeare applies the imagery of clothing, darkness and blood. Each detail in his imagery contains an important symbol of the play. These symbols need to be understood in order to interpret the entire play.
In Macbeth, Shakespeare confronts audiences with universal and powerful themes of ambition and evil along with its consequences. Shakespeare explores the powerful theme of the human mind’s decent into madness, audiences find this theme most confronting because of its universal relevance. His use of dramatic devices includes soliloquies, animal imagery, clear characterisation and dramatic language. Themes of ambition and mental instability are evident in Lady Macbeth’s reaction to Macbeth’s letter detailing the prophecies, Macbeth’s hallucinations of Banquo’s ghost and finally in the scene where Lady Macbeth is found sleep walking, tortured by her involvement.
Shakespeare, William. “Macbeth.” The Complete Works of Shakespeare. Ed. David Bevington. New York: Longman, 1997