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Interpretation in literature
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Literary Analysis Collection 1 Stories placed in a hostile environment commonly fallow the same path containing a similar plot line but can differ in the message or characters’ personalities. Admirable examples of this layout would include, “The Most Dangerous Game,” With Rainsford, “Harrison Bergeron,” containing Harrison, and “Liberty” Using a young female narrator. These stories compare in the use of literary elements that all stories must use such as conflict, character, setting, and most of all theme. All characters must overcome different obstacles but in these stories the characters’ traits, and origin are very opposing. In these three examples the characters are faced against humans and society, Rainsford faces an army general, Harrison the future U.S. government enforcing equality, and the narrator who flees the country for freedom. The main characters also differ as they are of different traits and origins such as, Rainsford who is a calm hunter from an English-speaking country, Harrison, a tall and strong teen from Many years in the future in America, and the narrator who is a young girl who lives in a Hispanic country. …show more content…
society/ man. In both the stories, “Harrison Bergeron,” and, “Liberty” the main character denied the government as Harrison overcame his handicaps and claimed equality was wrong and the narrator in, “Liberty” her family fled from the tyranny the leader held that threatened the family’s safety. When on the other hand, Rainsford’s battle was between him and Zaroff as they attempted to kill each other in the
In the novel, The Wednesday Wars, by Gary D. Schmidt, Holling finds out that his new teacher, Mrs. Baker, wants him to spend every Wednesday afternoon with her, catching up on schoolwork and learning new things, such as reading Shakespeare books and taking tests on them. At first, Holling thinks that it is because Mrs. Baker “hates his guts,” but after a while, he establishes a good relationship with her and she helps him in many areas, even outside of the classroom. The three literary elements addressed in this stunning book are conflict, characterization, and tone.
In Richard Connell’s “The Most Dangerous Game”, he uses several literary devices to keep the reader interested. During Rainsfords journey to and through the island of General Zaroff he partakes in an adventurous journey filled with mystery, suspense, and dilemma. These devices are used to keep the reader interested throughout the story.
Harrison Bergeron is a short story that creates many images and feelings while using symbols and themes to critique aspects of our lives. In the story, the future US government implements a mandatory handicap for any citizens who is over their standards of normal. The goal of the program is to make everyone equal in physical capabilities, mental aptitude and even outward appearance. The story is focused around a husband and wife whose son, Harrison, was taken by the government because he is very strong and smart, and therefore too above normal not to be locked up. But, Harrison’s will is too great. He ends up breaking out of prison, and into a TV studio where he appears on TV. There, he removes the government’s equipment off of himself, and a dancer, before beginning to dance beautifully until they are both killed by the authorities. The author uses this story to satire
of how John Steinbeck uses extraordinary circumstances to create appeal and realism to the reader.
Through this essay I plan to analyse 3 short stories from Tim Winton’s book ‘The Turning’. The 3 short stories I have chosen are long, clear view, Immunity and damaged goods, through these short stories I will be focusing on the themes for each of them and seeing if these stories in some way link together through theme or story.
Conflict is an important part of any short story. The short story, “On the Sidewalk Bleeding,” contains three major conflicts: man vs. man, man vs. nature, and man vs. himself. In this essay, I intend to explain, prove, and analyze these three struggles.
Vonnegut, Kurt. “Harrison Bergeron.” Short Stories Characters In Conflict. Ed. John E. Warner. Harcourt Brace Jovanovich, 1981. 344-353
The captivity narrative genre is not often a favorite type of literature among most students. Perhaps because of the time in which they were written, students have trouble relating to characters whom lived in a setting more than two and three hundred years ago. Although the genre receives attention in many early level American literature college courses, high school English teachers rarely—if at all—teach captivity narratives. When it is used, students perceive the captivity narrative as a historical document rather than a literary text. In other words, students do not recognize captivity narratives as literature. However, the captivity narrative deserves a place in the high school English classroom because as a genre, captivity narratives provide the foundation for many of the rhetorical arguments found in US literature. In this way, captivity narratives have influenced other literary genres and arguably became the first type of literature to incorporate the American frontier hero, while also subverting traditional gender and racial norms. To encourage an increased use of this subject at the high school level, we need to teach the captivity narrative under the same light its original readers interpreted it. Treating the captivity narrative as a form of popular fiction, and using Mary Rowlandson’s narrative as a specific example, students will discover the literary merit and entertainment value of the captivity narrative genre. Thus, having a class project where students compare captivity narratives to literature with which they are familiar and that they enjoy reading would immediately make the captivity narrative relevant and therefore worth learning.
The setting is an important piece of any story. The setting can help paint a clear picture in order to establish what the characters are feeling as well as setting the tone of story. In the following stories, “The Destructors” and “The Most Dangerous Game,” Graham Greene and Richard Connell demonstrate the tone of the story by using Old Misery’s house and General Zaroff’s Chateau as the main focal point. While the two stories present differences in the tone of the setting, they both make a connection of the beauty that these two places possess. Greene uses Old Misery’s house to formulate the story that prepares the reader of how a post-war building and surroundings can have an effect on people’s behavior and feelings while Connell uses General Zaroff’s Chateau in a way to deceive the reader from what is really happening in the jungle of Ship Trap Island.
Ellison, Ralph. "Battle Royal." Literature: an introduction to fiction, poetry, and drama. 9th ed and Interactive ed. Eds. X.J. Kennedy and Dana Gioia. New York: Pearson Longman, 2005. 555-566.
"Both “the most dangerous game” by Richard Connell and “The Lottery” by Shirley Jackson are both examples of how a seemingly nice story can be turned into an adventure if written properly. Both Connell and Jackson have different ways of achieving this goal. In “The Lottery” a seemingly nice community will go to great lengths to keep the status quo even kill a friend. In “the most dangerous game” a hunter sets out for what should be a normal exciting hunt but ends up fighting for his own life instead. Both Connell and Jackson express their message in astounding ways that entice the reader from the very title of the story.
I'm choosing to write about the short story called “The Most Dangerous Game.” This story begins with two sailors, coasting down an eerie stream with nothing but the moonlight to illuminate the soft waters. The two sailors began to talk about the mysterious island, not to far away from their current position. As Sanger Rainsford's fellow sailor leaves to catch some shut eye, Rainsford finds himself carelessly near the boat's edge. As if fate was not on his side, Rainsford falls in. “The Most Dangerous Game” clearly catches the readers attention, since just before Rainsford fell, his partner was telling him the chilling story about the island not to far off. Rainsford's cries for help go unheard by the sleeping ears of his fellow sailor, and
The setting of “The Most Dangerous Game” by Richard Connell is so essential to make the plot credible because without it, the situation would not be as challenging for the main characters. For example, Ship-Trap Island is a very isolated island. The isolation of the island contributes to the plot as it creates a slim chance of rescue and of escape. The sharp rocks around the island assure that people cannot swim away from the island, and that many ships dread the shore. Many thoughts are zooming through Rainsford’s head when he realizes that “He was in a picture with a frame of water, and his operations must take place within that frame”(11). Here,
Anderson makes effective use of fantasy to teach a moral lesson. He builds up the story in such a way that the reader does not care for the validity of the incidents. The moral lesson is that the proud and the disobedient must suffer.
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.