Thesis Statement In "When the Emperor Was Divine," the identity crisis faced by Japanese-American characters illustrates Du Bois's concept of double consciousness, revealing the internal conflict between their American identity and the imposed identity of the "enemy" during WWII. Introduction to W.E.B. Du Bois's concept of double consciousness describes the internal conflict experienced by marginalized groups in America as they navigate dual identities imposed by society. In the novel "When the Emperor Was Divine" by Julie Otsuka, Japanese-American characters face a profound identity crisis during their internment in WWII. This paper examines two incidents from the novel that highlight this crisis, analyzing how the characters react and the long-term effects on their sense of self. By incorporating …show more content…
The poem "Guidelines" by Lisa Suhair Majaj reflects similar themes of identity and double consciousness. Majaj advises Arab-Americans on how to navigate their identity in a society that often views them with suspicion. The poem highlights the internal conflict of maintaining one's cultural identity while trying to fit into American society, mirroring the experiences of Japanese-Americans in "When the Emperor Was Divine." Majaj's poem captures the essence of double consciousness, as Arab-Americans are advised to remember their heritage while also proving their American identity. This parallels the struggle faced by the characters in Otsuka's novel, who must navigate their dual identity in the face of societal prejudice. Essay by Joseph Geha Joseph Geha's essay "Where I’m From—Originally" also deals with themes of identity and belonging. Geha describes his experience as an Arab-American, constantly questioned about his origins and struggling to blend into American society. This mirrors the experiences of Japanese-Americans in the novel, who are seen as perpetual outsiders despite their loyalty to
But for some of the Japanese Americans, it was even harder after they were discharged from the internment camp. The evacuation and the internment had changed the lives of all Japanese Americans. The evacuation and internment affected the Wakatsuki family in three ways: the destruction of Papa’s self-esteem, the separation of the Wakatsuki family, and the change in their social status. The destruction of Papa’s self-esteem is one effect of the evacuation and internment. Before the evacuation and internment, Papa was proud; he had a self-important attitude, yet he was dignified.
In When the Emperor Was Divine by Julie Otsuka, each of the characters – the mother, the daughter, the son, and the father - change because of their time spent in the Japanese-American internment camps. These characters change in not only physical ways, but they also undergo psychic and emotional changes as a result of staying in the camps. These changes weaken their resolve for living and cause the quality of their lives to decline; some of these changes will affect their lives forever. Their reclassification into the internment camps stays with the family long after they are released from the camps.
Okihiro, Gary Y. Whispered Silences: Japanese Americans and World War II. Seattle: University of Washington Press, 1996.
'Even with all the mental anguish and struggle, an elemental instinct bound us to this soil. Here we were born; here we wanted to live. We had tasted of its freedom and learned of its brave hopes for democracy. It was too late, much too late for us to turn back.' (Sone 124). This statement is key to understanding much of the novel, Nisei Daughter, written by Monica Sone. From one perspective, this novel is an autobiographical account of a Japanese American girl and the ways in which she constructed her own self-identity. On the other hand, the novel depicts the distinct differences and tension that formed between the Issei and Nisei generations. Moreover, it can be seen as an attempt to describe the confusion experienced by Japanese Americans torn between two cultures.
The novel, When The Emperor Was Divine, tells the story of a Japanese family who was told to go to camp to be in surveillance during World War II, where Japan was an enemy of the United States. The story begins with signs being put up in communities to inform people of the internment of Japanese Americans, and one of the main characters, the mother “read the sign from top to bottom… wrote down a few words… then turned around and went home to pack” (Otsuka 3). The mother is told to follow the orders of the government and she complies due to her beliefs about the government, that they have positive intentions. The Japanese family left their home and were marginalized out of their community and were ordered to go to an internment camp. The reason for their evacuation and of other Japanese Americans is that since Japan was an enemy of the United States during World War II, many Americans in the United States believed that Japanese Americans were spies and were on the opposing side of the war. Americans did not trust Japanese Americans anymore and the Japanese were soon discriminated and marginalized in the community, just like the Japanese family in the novel, because the American communities felt threatened by their
The obstacles Ichiro faced in searching for his lost identity reveal a discrepancy of American values, such as freedom and equality, which are deeply rooted in a segregated society. Through the negativity of many of the Japanese-American veterans and the differences among Ichiro’s entire family, he has literally gone from having a duel-heritage to no identity at all. Since he has no desire to be Japanese and feels unworthy to be American, he sees himself as nothing. His hatred of himself not only hinders the possibilities before him, but it also paints a whole new picture of America. Instead of a nation that is united and fights for freedom and equality, America is divided by racism and strips away the freedom of those they find inferior.
experience, because ‘she had the face of America’s enemy and would always have such a face’[5]. However, the Japanese are not merely victims and out of a sense of superiority, they choose to maintain. their detachment from American society. Hatsue’s influential mentor Mrs Shigemura has contempt for American culture and warns Hatsue to stay away from the ‘hakujin’[6].... ... middle of paper ...
Kite Runner depicts the story of Amir, a boy living in Afghanistan, and his journey throughout life. He experiences periods of happiness, sorrow, and confusion as he matures. Amir is shocked by atrocities and blessed by beneficial relationships both in his homeland and the United States. Reviewers have chosen sides and waged a war of words against one another over the notoriety of the book. Many critics of Kite Runner, by Khaled Hosseini, argue that the novel would not have reached a lofty level of success if the U.S. had not had recent dealings with the Middle East, yet other critics accurately relate the novel’s success to its internal aspects.
Joyce, James. “Araby”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 427 - 431.
Joyce, James. “Araby.” The Norton Introduction to Literature, Shorter Eighth Edition. Eds. Jerome Beaty, Alison Booth, J. Paul Hunter, and Kelly J. Mays. New York: W.W.Norton.
John Dower's War Without Mercy describes the ugly racial dimensions of the conflict in the Asian theater of World War II and their consequences on both military and reconstruction policy in the Pacific. "In the United States and Britain," Dower reminds us, "the Japanese were more hated than the Germans before as well as after Pearl Harbor. On this, there was no dispute among contemporary observers. They were perceived as a race apart, even a species apart -- and an overpoweringly monolithic one at that. There was no Japanese counterpart to the 'good German' in the popular consciousness of the Western Allies." (8) Conservative readers, don't fret - Dower isn't making this argument to exonerate the Japanese for their own racism or war crimes -- after all, "atrocious behavior occurred on all sides in the Pacific War." (12-13) Rather, Dower is exploring the propaganda of the US-Japanese conflict to delineate the "patterns of a race war," the cultural mechanisms of "othering," and the portability of racial/racist stereotypes. For "as the war years themselves changed over into into an era of peace between Japan and the Allied powers, the shrill racial rhetoric of the early 1940s revealed itself to be surprisingly adaptable. Idioms that formerly had denoted the unbridgeable gap between oneself and the enemy proved capable of serving the goals of accommodation as well." (13)
Japanese immigration created the same apprehension and intolerance in the mind of the Americans as was in the case of Chinese migration to the U.S at the turn of the 19th century. They developed a fear of being overwhelmed by a people having distinct ethnicity, skin color and language that made them “inassimilable.” Hence they wanted the government to restrict Asian migration. Japan’s military victories over Russia and China reinforced this feeling that the Western world was facing what came to be known as “yellow peril”. This was reflected in the media, movies and in literature and journalism.4 Anti-Oriental public opinion gave way to several declarations and laws to restrict Japanese prosperity on American land. Despite the prejudice and ineligibility to obtain citizenship the ...
Accessed August/September, 2013. https://www.mtholyoke.edu/acad/intrel/chinex.htm. Dundes, Renteln, Alison. " A Psychohistorical Analysis of the Japanese American Internment.
Joyce, James. "Araby." 1914. Literature and Ourselves. Henderson, Gloria, ed. Boston, Longman Press. 2009. 984-988.
In essence, he was shunned” (Hongo 4) by the white people who could not believe that he would attack their superior American ways. According to writers such as Frank Chin and the rest of the “Aiiieeeee!” group, the Americans have dictated Asian culture and created a perception as “nice and quiet” (Chin 1972, 18), “mama’s boys and crybabies” without “a man in all [the] males.” (Chin 1972, 24). This has become the belief of the preceding generations of Asian Americans and therefore manifested these stereotypes. Those authors who contest these “American made” stereotypes are said to betray the American culture and white power around them, and to be “rocking the boat” in a seemingly decent living situation.