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Essay classical music
Essay classical music
Classical music essays
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Lili Boulanger was born on August 21, 1983 to Raissa Mysheskaya, Russian princess, and Ernest Boulanger, French conservatoire teacher. She came from a musical background from her parents and grandparents. Lili’s mother was a professional singer, her father was a composer, grandfather was a musician, played the cello, and also her grandmother was professional singer. Her musical abilities were seen at age two and were encouraged to continue her musical education by her parents. Boulanger’s family was very involved with music once her father died when her was seventy-seven years old. Lili’s and her sister first lessons were from her mother then went on to study with eminent musicians. Lili could play many instruments including the harp, violin, cello, and piano. Around age sixteen, she started to study musical composition. Lili entered a child composition competition, but fell ill during the competition and had to withdraw. She entered again the following year and become the first woman to win the coveted prize, she was a co-winner due to last previous year not having a winner. Her composition that won was Faust et …show more content…
This piece is made up of a chorus and Orchestra/Ensemble. The soloist part is a soprano. This work is dedicated to Madame Jane Engel Bathori. The piece is about the mermaids that are known to be sirens. Sirens, souls of the dead, are sea nymphs are daughters of the sea god, Phorcys. Some legends say that the appearance of the sirens are women heads on a birds but some are also mermaids that have amazing beauty. With their such sweets voices used it to lure men that were sailing on the sea and crash their boats into rocks and kill them. Some of the sirens would sing and when the men would get off their boats to see what the song was, mermaids would lure them down the water and make them drowned. Sirens would play flutes or sing based on the abilities and
The live theatrical production I chose to see was 9 to 5 The Musical. The production was performed by Fayetteville Technical Community College’s very own Fine Arts Department. The musical is based on the film released by Fox in 1980. Collin Higgins adapted the film from the book 9 to 5 written by Patricia Resnick. It wasn’t until 2008 that the film was adapted to a theatrical production. The production was originally brought to broadway by Robert Greenbait and Dolly Parton wrote the lyrics and the music for the Musical. The run on broadway was very short but the production later toured in other countries around the around the world.
Not only a great singer, she taught herself how to play the guitar and the harp, and
On Tuesday, October 17, 2017, I attended a musical concert. This was the first time I had ever been to a concert and did not play. The concert was not what I expected. I assumed I was going to a symphony that featured a soloist clarinet; however, upon arrival I quickly realized that my previous assumptions were false. My experience was sort of a rollercoaster. One minute I was down and almost asleep; next I was laughing; then I was up and intrigued.
This ethnography, written and told from Campbell’s point of view, shares her experiences as she sets out on her goal to study the musical culture among children in hopes to provide insight into how music plays a role in the lives of children of all different ages. This ethnography is split into three different sections, the first detailing Campbell’s different periods of observation. During her studies on the subject, Campbell spent time in different settings (such as a school bus, a cafeteria, a music class, and at a playground) in the hopes to observe their behavior and create detailed field notes in order to provide details into their interactions and their usage of music. In the second section, Campbell shares her conversations with several different children. Through these conversations, we get a taste of how music can be integrated within many different aspects of children’s lives. The third section focuses on what music means to children as well as how it can play a role or be integrated into diff...
Opening the poem, the siren introduces her song as “the one everyone would like to learn: the song that is irresistible” (Charters 914). Many people, leaders or middle-class, would love to use the song to control over others and defeat their enemies. Grazing the surface of the poem, the siren appears to have a tone that is mocking, sarcastic, and condescending towards her victim as she sings her song. The men know that death awaits them if they fall for the song, “they see the beached skulls, but they still “leap overboard” (Charters 914). The Siren entices her victim by promising to tell them the secret of the song in return for helping her escape from her “bird suit”. There are two version of the siren, one with a mermaid tail and the other with harpy wings (Charters 914). Women are very often associated with birds and their songs. These women, just like pets, are sometimes locked up in a cage made of different stereotypes of what a woman could or should be. It was thought that is women were allowed to do wha...
In order to fully encapsulate Leonardo’s conquest of the almighty heavens it would only be fitting to have the text set to a full orchestra accompanied by a SATB choir. This is the only combination of instrumentation and vocals that will fully capture the piece’s dramatic story (save a Wagnarian music drama). A full orchestra is a glorious medium that can be used to accommodate the full range of emotions embodied in the poem because of the breadth of orchestral timbre. In parallel with the orchestra, a four-person choir is ideal for the lyrical expression of the poem due to the wide range of notes that can be sung by the soprano, the bass and everyone in between. The parts of the poem sung by the full choir would be done in an imitative polyphony texture utilizing malismas on the repeated line “Leonardo, Leonardo, viene á volare” to accentuate the fact that this line is a “siren-song” sung by “the very air itself.” However, the majority of the text would be sung by the tenor to give the piece a story telling quality, with the rest of the choir chiming in for the Italian parts. This will serve to emphasize the contrast between English and Italian that Sylvestri creates in his poem. It seems appropriate to have the orchestra and choir perform a through-composed setting with a change in music for each st...
In Homer's Odyssey and Margaret Atwood's "Sirens Song" the Sirens are portrayed as dangerous and devious creatures through the use of tone and point of view.
The brilliant composer Clara Schumann was born as Clara Josephine Wieck on 13 September 1819. Even before her birth, her destiny was to become a famous musician. Her father, Friedrich Wieck, was a piano teacher and music dealer, while her mother, Marianne Wieck, was a soprano and a concert pianist and her family was very musically gifted. Her father, Friedrich, wanted to prove to the world that his teaching methods could produce a famous pianist, so he decided, before Clara’s birth, that she would become that pianist. Clara’s father’s wish came true, as his daughter ended up becoming a child prodigy and one of the most famous female composers of her time.
Tori Amos, Goddess of Rock and Roll, and the piano. The girl who has been through so
Being the son of a professional violinist enabled Vivaldi to meet and learn from outstanding musicians and composers. As a result, alo...
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
What if there is something so irresistible that all resolve is lost? The Sirens are a group of women who sing a song so captivating that ships are constantly lured to their island. They are often rendered as birds with the head of a woman. In Homer’s Odyssey, Odysseus and his men must pass the island of the Sirens in order to return to Ithaca, their homeland. In order to prevent his men from jumping overboard towards the enchanting song, Odysseus plugs his men’s ears with wax, and then he is tied down and listens to the song. The song compels Odysseus head towards the island, but his obedient men ignore his hysterical cries. Another portrayal of the Sirens is in a poem by Margaret Atwood entitled “Siren Song.” The poem lures the reader in by making them feel pity for the speaker, who turns out to be a Siren. These two pieces of literature can be compared using poetic devices like tone, point of view, and imagery.
The Metropolitan Opera’s new production of Dvorak’s “Rusalka” took a new approach to “The Little Mermaid” fairy tale that turns into a shocking the shooting drama. The director Mary Zimmerman brought the fairytale to life with a twist of rejection, desolation and a dark romance that kept the audience on the edge of their seat right up to the end. The lovely soprano Kristine Opolais performs as Rusalka, the beautiful water nymph who falls in love with the dashing Prince, played by Brandon Jovanovich. The opera tells the story of young Rusalka going to great lengths to transform herself with magic to be with the Prince, who has no knowledge of her love. Jezibaba, a witch helps her but warns her that she will lose her voice and if she doesn’t find love, she will be damned.
In view of these intentions, it is surprising that not greater attention was paid to the young Archduchess's education, especially since Maria Antonia exhibited little ability or inclination to concentrate, nor any great desire to apply herself to her studies. Music alone was capable of arousing moderate interest in the young princess. She showed some talent here and even played duets with the young Mozart in the Palace of Schönbrunn.
The song, Anna's Theme, begins with a haunting solo female voice, singing a melody that never resolves, moving only in circular motion with the last note of a phrase beginning the next. Slowly, the violin blends itself into th...