Light and Darkness in The Scarlet Letter
Nathaniel Hawthorne's The Scarlet Letter is one of the most
analyzed and most discussed literary works in American literature and for
good reason. Hawthorne's ambiguity and his intense use of symbols have
made this work incredibly complex and incredibly bothersome. In The
Scarlet Letter, Nathaniel Hawthorne uses many symbols to give insight into
characters and promote his views on society. The scaffold scenes in The
Scarlet Letter tell the reader exactly what is to come, and the presence of
light in those scenes gives the reader insight into the characters.
The scaffold scenes establish a pattern of what is to come in the
novel through a common tie prevalent in the three different scaffold scenes.
The tie is that of creation and release. In the first scaffold scene,
Hester releases not only her guilt about her crime, but, she also releases
Pearl to the society and creates in Pearl the need for strength and
determination that she will need to overcome the legacy of her creation. In
this scene she also creates the need in Dimmesdale to absolve himself of
his guilt. The second scaffold scene is the opportunity for Dimmesdale to
attempt to release his guilt from the first scaffold. However, Pearl
creates a need in Dimmesdale to repent in front of the town. During the
third scaffold scene, Dimmesdale is able to release his guilt about his
crime and his lack of strength. He is also able to complete his obligation
to accept the hands of Pearl and Hester on the platform from the second
scaffold scene. Through his confession, he creates a sense of reality for
the entire town. It can be clearly seen that what is created in the first
scaffold is released in the second scaffold; while, the things created in
the second scaffold are finally released in the third and final scaffold.
There is another complexity to the scaffold scenes in the presence,
or lack there of, of lighting. The first scaffold scene is in the sunlight.
The sunlight in this novel is a symbol of disguise. In the sunlight of
the first scaffold, Hester is shown as strong and determined. She gives
the appearance that the letter does not bother her.
Light and Dark Light and dark is an everyday aspect of life, The Scarlet Letter really reveals how light and dark everyone can be. Though it was sometimes hard to read, the book made me think more about the good and evil in everyone. Throughout the novel, Hawthorne uses the symbols of light and dark to depict good and evil among the characters Hester Prynne, Arthur Dimmesdale, and Roger Chillingworth. Hester Prynne is considered a light and dark character in the book; many of the things that are noticeable about Hester in the book involve the sunshine. Hester explains this to Pearl in the book “Thou must gather thine own sunshine I have none to give thee” (Hawthorne 95).
Oscar Wilde, an Irish poet, novelist, and playwright, believed, “What seems to us as bitter trials are often blessings in disguise” (Think Exist). Wilde’s quotation conveys the idea of duality residing within every situation, person, and object. Nathaniel Hawthorne explores the idea further in his classic novel The Scarlet Letter. In the novel Hawthorne demonstrates duality within the character Pearl and the forest; he suggests an optimistic perspective of the world.
Nathaniel Hawthorne’s The Scarlet Letter is one of the most respected and admired novels of all time. Often criticized for lacking substance and using more elaborate camera work, freely adapted films usually do not follow the original plot line. Following this cliché, Roland Joffe’s version of The Scarlet Letter received an overwhelmingly negative reception. Unrealistic plots and actions are added to the films for added drama; for example, Hester is about to be killed up on the scaffold, when Algonquin members arrive and rescue her. After close analysis, it becomes evident of the amount of work that is put into each, but one must ask, why has the director adapted their own style of depicting the story? How has the story of Hester Prynne been modified? Regarding works, major differences and similarities between the characterization, visual imagery, symbolism, narration and plot, shows how free adaptation is the correct term used.
If Odysseus were to come home in books 1-4 they would find Telemachos to be completely different then the type of person he would be when he actually does return home. Telemachos and Odysseus return home roughly around the same time and they both stay at the Swineheards house. This shows a likness between them. Odysseus tests his son by offering his son a seat. Telemachos declines and odysseus is impressed by the maturity that he has. Telamachos’s ability to grow and mature through this whole book on his own is really a self-achievement. And he matures even more when he fights along side his father. I think this is the final stage of him becoming a man. This is because he is no longer timid, he can be supported by himself, and he no longer is in the shadow of his mother.
In the Odyssey, Telemachus, son of great hero Odysseus, who grows up in the world of greed and disrespect where the suitors take over his palace and court his mother, is one of the most significant character throughout the whole epic. His father, Odysseus, leaving the land Ithaca for 20 years, is the only warrior alive in Trojan war who hasn’t make his return home. During Telemachus’ expedition to search for the news of his father, he is under a process of maturation from the beginning in which he is mere a shadow of his father to the end in which he becomes more and more like him in terms of initiative, sensitivity and socialization.
The opening books of The Odyssey present the reader with an unsettling situation. The setting is the city of Ithaka, ten years after the fall of Troy, and king Odysseus has not returned to his kingdom. This means that there have been twenty years in Ithaka with no definite leadership or law enforcement. In consequence, the other men of society attempt to seize power, spoiling Odysseus’ home and trying to seduce his wife. Meanwhile, Telemachus matures into a man, trying to fill the leadership role his father once had. However, Telemachus has had no authentic mentorship to help him handle the invasion of suitors. This lack of fatherly mentorship proves to be an enormous obstacle to his ability to lead the people as the next king of Ithaka. Thankfully,
Everyone is a traveler, carefully choosing which roads to follow on the map of life. There is never a straight path that leaves one with but a single direction in which to head. Robert Frost’s “The Road Not Taken'; can be interpreted in many different ways. The shade of light in which the reader sees the poem depends upon her past, present, and the attitude with which she looks toward her future. In any case however, this poem clearly demonstrates Frost’s belief that it is the road that one chooses that makes him the man he is.
The reader first finds the character of Telemachus sitting among the suitors in his father’s palace. This seemingly unimportant detail yields information regarding his temperament. The suitors, whom Homer portrays as malicious usurpers, continue to take advantage of Telemachus’ hospitality. Instead of defending his home, his mother, and his belongings from these men, Telemachus numbers among them. This lack of assertiveness displays his frailty and his helplessness given the overwhelming circumstances. At this point, Athena, disguised as Odysseus’ old friend Mentes, visits Telemachus in order to “inspire his heart with courage” (I.105). The two share a meal and engage in a lengthy conversation. The goddess discusses how Telemachus should handle the troublesome suitors and suggests a journey to try to ascertain the whereabouts of Odysseus. The conversation appears to immediately galvanize the young man’s resolve. In fact, immediately after her departure, he summons the courage to confront the suitors, demanding that they are to leave his house at once. The assertiveness that Telemachus displays in this instance is a dramatic departure from ...
the rich and poor, the owner and the worker. This is even demonstrated by the
The first chapter sets the scene for the novel: Boston, during the seventeenth century. During this period, religion is the foundation for both the laws and the society. We are introduced to the town's cemetery and nearby prison. Next to the prison grows a wild rosebush. We can think of the wild rosebush as representing the beauty of nature, and the prison as the symbol of societies need to tame nature.
Robert Frost’s controversial poem “The Road Not Taken” leaves us with a lot to think about, and in a state of mixed feelings. But what he has made undisputable is that in life there will be many crossroads and the choice to “take the road less traveled by” isn’t always the easiest one, and maybe it isn’t the best one either, but the most important thing is that you always, always do what you think is best and persevere through it, because after all, the choices made by others won’t matter. What counts is the decision you made and that at the end of the road when you think back you don’t regret it or wish you would’ve done it differently.
Present day churches can be filled with hypocrites. Some members and religious leaders go to church to look nice and appealing to someone else. They present themselves as holy and perfect and incapable of doing wrong, but they know they are far from that. As hard as they may try to look and act like the perfect being, the truth of their imperfect ways will be revealed for all to know. This is the case with the character or Arthur Dimmesdale from The Scarlet Letter. Dimmesdale appears incorruptible, revered and strong, but in reality he was corrupt, dishonest, and weak.
...very much different to “Brick Lane” because it is very subtly describing the cruel culture of America at that time but explicitly revealing the thoughts of black people. There is no description or explanation in the poem as opposed to Brick Lane but still contains representations of culture through short sentences or phrases and figurative language. We can see from just exploring two texts and slightly contrasting them, we get to learn the different ways culture can be portrayed. The culture of a society doesn’t necessarily need to be a non-fiction piece for us to know more about the culture but can be stories or poems, in these cases. We also do not need a vast number of information on the culture but like the poem can be short but still give away the true meaning. Just from this, we know how powerful culture is, and how many different ways it can be represented.
Robert Frost’s “The Road Not Taken” is a symbolic poem of the complications people must face in the course of their lives. Although it is not difficult to understand the meaning of the poem through it’s title, it is however hard to interpret what the author means when he describes the roads. Throughout the poem, the two roads appear similar at times and different at others. He uses free imagery to make his poem more complex for the audience.
the center. The handles and the frame is made of brass. As I continue around