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Interpretation of faulkners light in august
Interpretation of faulkners light in august
William faulkner's central concern in light in august
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William Faulkner presents various voices of the Old South in his Yoknapatawpha novel, Light in August. This novel not only displays the literary dialogues of different characters, but it also underlies a multiplicity of voices: each in confrontation with another. This confrontation gives the reader an insight into the different opinions of characters; thus, we also hear the voice of the reader who gives his own opinion. This novel is also in dialogue with other texts. These voices are interwoven highlighting the complexity of Faulkner’s novel. Light in August is a masterpiece for combining these conflicting voices of the south. This conflict is not the conflict of this novel only but of the whole era. Dialogism is what gives this play its strength and unity and plays an important role in the stylistic dimension of the novel. This essay is to explore the dialogic features of Light in August in five distinctive perspectives: dialogism at the level of individual characters, the intertextual relationship between this novel and other texts, primarily the Bible, the dialogic relationship in the structure of the novel, and the dialogic relationship between the author and the reader.
Novels are dialogic according to Dostoevsky, as they are:
A plurality of independent and unmerged voices and consciousness, a genuine polyphony of fully valid voices, a multitude of characters and fates in a single authorial consciousness; rather a plurality of consciousness, with equal rights and each with its own works.
According to David Lodge, a dialogic novel is a “novel in which a variety of conflicting ideological positions are given a voice and set in play both between and within individual speaking subject, without being placed and judged by an auth...
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...nserted two different kinds of dialogism “great dialogue” and “microdialogue”. This plurality as claimed by some critics contributes to the looseness of the structure of the novel as characters seem divergent and events fragmented. However, this essay refutes this claim. Instead, dialogism seems to reinforce the unity and cohesion of the novel mainly through the symbolic dimension. Each character is in interaction with other characters even implicitly. That’s what gives this novel its strength. Dialogism is not only meant to convey the stylistic dimension of the novel, it also portrays the pluralistic dimension of the southern society at that era. The South, which frames the whole novel, is characterized by conflicting, juxtaposed, and multi voices. This reflects the crucial issues dealt with by Faulkner such as racism, gender issues, religious fanaticism,etc.
Many poets use different types of figurative language to express themselves and convey a message, theme, or idea. In the poem The Day Brushes Its Curtains Aside, by Jimmy Santiago Baca, he describes a man in prison by using figurative language. Reading this poem has helped me grasp a deeper understanding of different ways an author can incorporate figurative language to make the reader feel as if they are in the story right next to the character.
Abrams, M.H. A Glossary of Literary Terms, 6th Ed. Harcourt Brace College Publishers, Fort Worth, 1993.
Through the support of the narrator’s tone, these two diversely different characters are brought together because they go through the same strategies and expressions of pain, unhappiness, injustice and abuse. Faulkner’s brilliant writing style and tone through the voice of the narrator creates a dynamic story that discusses several critical points, such as the struggles of victims and their strategies. Through two characters the author was able to describe the different reactions of victims, as well as, allow the audience to form and label the antagonist and protagonist.
Mark Twain’s Adventures of Huckleberry Finn is considered the great American Novel with its unorthodox writing style and controversial topics. In the selected passage, Huck struggles with his self-sense of morality. This paper will analyze a passage from Adventures of huckleberry Finn and will touch on the basic function of the passage, the connection between the passage from the rest of the book, and the interaction between form and content.
Palumbo, Donald. "The Concept of God in Faulkner's "Light in August," "The Sound and the Fury," "As I Lay Dying" and "Absalom, Absalom!"" The South Central Bulletin 39.4 (1979): 142-46. JSTOR. Web. 23 Mar. 2014.
William Faulkner’s The Sound and The Fury (1929), focuses on the stream of consciousness narrative technique that is used in his fictional novel. Faulkner uses motifs throughout his novel masterly through time, shadows, order and chaos that bring into focus the consciousness of his characters. These motifs are used continuously as structures, contrasts or literary devices that develop and inform the text’s themes. He focuses on the theme of the corruption of southern aristocratic values, the economy, Civil War, resurrection, renewal, failure of language and narrative (www.sparknotes.com). Analyzing a motif as a thematic construct used by Faulkner makes it possible to identify the purpose of the device. In his novel the mechanism is used to develop an explicit character and point of view. Consequently, the author effectively brings into existence an impetus by which the reader will be controlled exclusively due to a motif. The use of a motif as a literary convention creates depth to the significance of his novel. A thematic construct, a motif of time, is used by writer, William Faulkner to give connotation and shape to his novel, The Sound and The Fury. Analyzing time motif in Faulkner’s novel along with the examination of the critical theories of Jacques Derrida and Jean Paul Sartre reveals the function of time in the Quentin section.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Light in August - Point of View Most of Light in August's story is told by a third-person narrator. In some third-person novels the narrator is omniscient (all-knowing) and objective. In others he takes the point of view of the central character. In Light in August the narrator is often objective, as, for example, when reporting dialogue. But what is unusual about this novel is the way in which the narrator's point of view shifts frequently from one character to another.
Vol. 11 May, 1975. Hoffman, F. J. and Vickery, O. W. William Faulkner: Three Decades of Criticism. New York, Harbinger, 1960. Irwin, John T. "A Speculative Reading of Faulkner."
Light in August, a novel written by the well-known author, William Faulkner, can definitely be interpreted in many ways. However, one fairly obvious prospective is through a religious standpoint. It is difficult, nearly impossible, to construe Light in August without noting the Christian parallels. Faulkner gives us proof that a Christian symbolic interpretation is valid. Certain facts of these parallels are inescapable and there are many guideposts to this idea.
Faulkner, William. The Sound and The Fury: The Corrected Text with Faulkner's Appendix. Norton, 1994.
The women of William Faulkner’s Absalom, Absalom! embrace fundamental characteristics of the nature of the South and its relation to the women who inhabit the area. The women particularly challenge the reader to an examination of the time of the Civil War, the relation of the war to the South, and the relation of the people to their surroundings. There is a call for recognition of the intrinsic complexities of the South that stem from the mythological base of the gentlemen class and the qualities of hierarchy that so ensue. The women are very much caught in the web that is the South, the intricacies of their lives linked to the inherent social structures.
...However, this doesn’t deter Faulkner from writing very complex stories that reflect his literary prowess. Most of his characters can hardly speak correct English, and yet, his pieces are filled with words that even I have trouble discerning meaning from. In particular, Rider’s character is very blue collar. Faulkner communicates this to us in many ways, but has no trouble throwing in phrases like “the junctureless backloop of times trepan”. This occurs throughout all of these stories. It is like the characters are very natural, they know the environment, the have the skills to hunt, they work hard, and they love each other. But these ideas are contrasted by his writing style and complexity and really blend nicely to create very good pieces of literature. It was just one thing that caught my eye in reading these pieces and I am very envious of this skill he possesses.
Faulkner's style may give you trouble at first because of (1) his use of long, convoluted, and sometimes ungrammatical sentences, such as the one just quoted; (2) his repetitiveness (for example, the word "bleak" in the sentence just quoted); and (3) his use of oxymorons, that is, combinations of contradictory or incongruous words (for example, "frictionsmooth," "slow and ponderous gallop," "cheerful, testy voice"). People who dislike Faulkner see this style as careless. Yet Faulkner rewrote and revised Light in August many times to get the final book exactly the way he wanted it. His style is a product of thoughtful deliberation, not of haste. Editors sometimes misunderstood Faulkner's intentions and made what they thought were minor changes. Recently scholars have prepared an edition of Light in August that restores the author's original text as exactly as possible. This Book Note is based on that Library of America edition (1985), edited by Noel Polk and Joseph Blotner.
In fact it is many metaphors, almost infinitely many. It is a jumble of allusions,