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How does color affect us
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How does color affect us
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Life in Monochrome
The camera sits heavy, its comforting weight resting upon a palm. Fingers brush around smooth black lens casing, aperture adjusted for the too bright lights and dark shadows they don’t quite illuminate. All around, the world is white noise. Wait for the shot. Wait. Wait. Click. Photography is the game of waiting; waiting for that one perfect moment in time when you capture a story all in one frame. A moment, a memory, in which is forever captured from time’s grasp. Monochrome photography, often in black-and-white, can seem boring. Black and white, only two unique shades in the entire spectrum and universe of color. But in a world where everything shifts so suddenly and burns so bright, the monotone of monochrome is a quiet breath; a simple step back from it all. It highlights the shades of all that we see. The high, middle, and low tones – the shadows of depth – are all made clearer without the din of color to drown them out. We see and live in a world of color. But color, or polychrome, can sidetrack us. In photography, it can take away the focus from your subject, divert from the rich textures and the play of light and dark that make up its story. In life, it can distract us from the
< >. Every person sees the world in unique ways. (NEEDS REVISION, based off of changes in thoughts while writing)>
New Thesis Idea: Change how you see the world, but you need both.
Neither monochrome nor polychrome are greater than the other. They are different, yet each b...
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...aits alone. I am not just monochrome, not all black-and-white, or even just one color shaded about. I am tinged sepia, and gold, and red, and every color imaginable by the love and emotions of those around me. Everyone needs love to add the color to our worlds. We need color. Although, we may see things more clearly, more calmly, in monochrome we need the full spectrum of color. Color captures the essence of people; people full of life and color and movement and all those little things that make them beautiful, concentrated into their purest forms. When it comes to the ones we love, the feelings and memories we share should not be broken down into their basic forms. They should be kept and held tight. Those small touches of polychrome give me courage or ambition when I otherwise would have none. They give me the freedom to let go and enjoy life when it matters most.
The poem “Extended Development” by Sarah Kay explores the ways in which the art of photography has changed throughout time, yet still remains a highly important and influential hobby. More specifically, how photography is an important aspect in each member of the speaker’s family. By using allusions, characterization, and imagery, Kay explores how the art of photography has changed throughout time.
Dialogue and characterization are effectively employed by Ruta Sepetys to create a forced atmosphere where choices are limited. Told from the perspective of an adolescent girl, Lina, the excerpt portrays a character who combats between appearance and her own ‘reality’ through her artistic expression. Her drawings are “very realistic” because she draws them based on her view of the world (Sepetys). In the ‘real world’, however, they appear to be rather unflattering and therefore, although she “longs to draw” it as she sees, she is forced to conform (Sepetys). In Between Shades of Gray, Ruta Sepetys, through the utilization of dialogue, imagery and characterization, conveys the contrast between reality and appearance in the protagonists’ artistic interpretations in order to convey the contextual setting of the novel.
As the camera’s popularity grew, the use of it shifted from an art form into a social rite, a statement of authority and security. The act of taking photographs, and the photos produced, act as mementos or proof of the past. Photographs summarize an event all within itself, creating an immortal piece, allowing the people to grasp onto the ownership of area in which they feel insecure. On the other hand, Sontag states that the deed of taking photographs occupies the same need for “cosmopolitans […] as it does for lower-middle-class [citizens]”(177). With that being said, how can there be any power at all in photography, but a fake sensation we created from the act of photography to fill our insecurities. By tapping into the insecurities of the readers, Sontag forces them to connect with the words and consider their actions relating to photography more
It’s his compassion for his subjects and his commitment to them that surpasses the act of making a pretty picture. Spending days with his subjects in the slums of Harlem or the hardly developed mountains of West Virginia, he immerses himself into the frequently bitter life of his next award-winning photo. Often including word for word text of testimonials recorded by junkies and destitute farmers, Richards is able to provide an unbiased portrayal. All he has done is to select and make us look at the faces of the ignored, opinions and reactions left to be made by the viewer. Have you ever been at the beach safely shielded by a dark pair of sunglasses and just watched?
Landesman defends a view called color skepticism, that nothing has any color, neither bodies nor appearances. He came to the conclusion that colors do not exist. In making the case for his "color skepticism," Landesman discusses and rejects historically influential
The world is not always what you think it is. Things change or can appear to be
There is one sensational man who managed to create some of the most intelligent photographs known to the world using only shades of white and black. Ansel Easton Adams was an all American landscape photographer and conservationist. When he made his pictures, he didn’t let others opinions in; he simply took the shots he wanted, and captured them the way that he would like to see them if they were not his own. Throughout Adams’ life, he didn’t only construct work that taught others, but also inspired many along the way.
A picture is more than just a piece of time captured within a light-sensitive emulsion, it is an experience one has whose story is told through an enchanting image. I photograph the world in the ways I see it. Every curious angle, vibrant color, and abnormal subject makes me think, and want to spark someone else’s thought process. The photographs in this work were not chosen by me, but by the reactions each image received when looked at. If a photo was merely glanced at or given a casual compliment, then I didn’t feel it was strong enough a work, but if one was to stop somebody, and be studied in curiosity, or question, then the picture was right to be chosen.
Many people in the world get into an almost unbreakable routine, shielding themselves from the real world. We wake up, brush our teeth, go to school with the same people, go home, and do it all over again. Once there is a roadblock in the way, it forces us to step outside our shell and look at others views for a change. American mythologist, writer, and lecturer,Joseph Campbell once said,”We must let go of the life we have planned, so as to accept the one that is waiting for us.” It is the act of noticing others words and actions that will reshape our lives for the better. In “Secret Samantha” and “Sol Painting, Inc.” the authors suggest that observing someone else’s perspective and taking the time to understand others can be mankind's greatest
Color is an important resource in visual communication. Color has many functions. It can be used to classify people, places and things. The colors of a flag can designate a nation. Corporations and universities use color to distinguish identity. With maps, colors can distinguish water, land, etc. They can mark and identify separate elements. The colors become icons. Color can convey an interpersonal message without language. This can be expressed in the colors that we wear such as ‘the power tie’ or colors that indicate safety and warning. C...
We are all about the world. More often than not, we rarely take time to see the beauty of this creative tension emerging from differences and oppositions. Perhaps if we do, we will consciously work towards the full.
Most objects are not pure color, so that they reflect a mixture of different types of light. There are three basic colors that can be mixed in various proportions to make all other colors. When dealing with light, we mix the three primary colors, but the primary colors for light mixing of red, green and blue.
Many refer to France as one of the most romantic countries in the world; even the slur “French kiss” embodies the amour of French culture. Director Jean-Pierre Jeunet successfully captures this passion in the film Amélie, the story of a peculiar Parisian girl, played by Audrey Tautou, who positively changes the lives of those around her in the midst of pursuing love. The three main colors of the film are a combination of red, green, and blue, and this RGB color model is commonly known as the primary colors of the spectrum, which are used to create brand-new colors. Since colors play such a pivotal role in our visual experiences, a common motif that is seen throughout the film is the manipulation of colors through different hues and saturations
In this interesting topic of the psychology of colors, the most crucial pattern is the meaning of each color and his impact on the individual as it is represented as the following:
Photojournalism plays a critical role in the way we capture and understand the reality of a particular moment in time. As a way of documenting history, the ability to create meaning through images contributes to a transparent media through exacting the truth of a moment. By capturing the surreal world and presenting it in a narrative that is relatable to its audience, allows the image to create a fair and accurate representation of reality.