Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character analysis of Alex Rider
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Character analysis of Alex Rider
The fifteen year old, fair-haired, brown eyed, quick-witted MI6 spy Alex Rider gets entangled with a criminal organisation called Scorpia. In Horowitz’s novel Scorpia Alex’s world gets flipped upside down when he figures out that the father he was never acquainted with may have been an assassin for Scorpia. Now Scorpia thirsts to have Alex on their side and are deadset to get him. The reader questions if Alex will stay with MI6, who he believes have betrayed him, or join Scorpia and get his revenge. The character Alex Rider experiences character growth through the form of willpower, dubiety and intelligence.
The character Alex Rider has matured through the embodiment of willpower and determination. Towards the commencement of the novel Scorpia,
…show more content…
Alex’s dogmatism leads him to foolishly begin a journey following Yassen’s last words: ”...Go to Venice. Find Scorpia. And you will find your destiny...” (28). Encouraged by these words, Alex Rider plannifies a trip to Venice, Italy; here, Alex breaks into Ca’ Vedova and Cosanto. Unbeknownst about his journey except for the fact that somehow his family name is tied into the matter, Alex meets the executive of the organization, Scorpia. The executive is known by the name of Julia Rothman. She devotes her time to convince Alex of joining. To prove himself worthy he is asked to hunt down someone close to him; Mrs. Jones the director of MI6. This attempt of murder is unsuccessful, which is shown through the quote, “...I was never in any danger. Quite apart from the glass, you couldn’t even bring yourself to aim at me, Alex. I knew you couldn’t...” (379) Although he was unsuccessful he missed on purpose: Alex knows the difference between right and wrong. Allowing his willpower to consume him, Alex Rider drowned in his guilt. His willpower served him well although it often urged him to be deceitful to himself and to others. Sullivan 2 There is an immense contrast between the abhorrent lies that Scorpia have told Alex and the frail truth which the MI6 have voiced. MI6, the secret service in Britain, has recruited Alex and used him for various missions. However, the MI6 have blackmailed him into participating in more operations than Alex has the time for. The MI6 have deceived Alex in many ways, such as lying about how the MI6 would no longer need him in their service. Furthermore, the MI6 has lied about Alex’s parents’ death. Moreover, the organization has blackmailed Alex into accepting his position to work there and multiple other times. On the other hand Scorpia’s lies have impacted Alex Rider in a severe function. Julia Rothman shows Alex a video of his father’s “death”. The company tells Alex that his father was killed by the MI6. In this way, “Alex felt hatred welling up inside of him. It was stronger than anything he has ever felt in his life.” (193) The reason they have made up this lie is because they need Alex’s help. Secretly, Scorpia is trying to kill Alex Rider.The dubiety and deceit in Alex’s life have made him a more intelligent person as he grew up. The lies and deceit came into play as Alex’s intelligence levels skyrocketed.
Alex’s intelligence levels skyrocketed once he learned about Scorpia’s sinister plan. In the COBRA meeting Scrorpia’s plan is revealed, a plan to kill every child in England. This scheme with be executed by giving the children cyanide-filled injections. Alex came to this realisation when he called to mind something that Julia Rothman had told him, “... I guess you could say his death was a shot in the arm for all of us…” (134) Once Alex understands how threatening Scorpia’s project really is, he agrees to become a double-agent for MI6. The truth about Alex Rider’s familial life is revealed towards the completion of the Young Adult novel. The truth desired by Alex changed his surroundings. His parents had not died by what he had believed the MI6 but was killed by a plane crash caused by Scorpia. Alex felt relieved by the information, “...But at the same time, there was an overwhelming sadness, as though he were mourning his parents for the very first time…” (378) As well the truth came to light as he discovers that Alex’s father had not been working for Scorpia but for MI6. Although the news had not been what Alex expected, he feels that his goals from the beginning of the novel have been accomplished in ways Alex could never dream
of. Alex Rider has developed his character through his various adventures and missions. The lies and deceitfulness which surround his life have left him with confusion and trust issues. He had a test of character when faced with the mission to kill Mrs.Jones and when he finally discovers the truth about his parent’s death. To the reader's eye it has been properly acknowledged that Alex Rider’s character has matured and fully grown into a determined, courageous young man.
The diverse alternation of point of views also provides the story an effective way to reach out to readers and be felt. The characterisation is effectively done and applied as Sam, Grace, and the other supporting characters play individual, crucial roles in the course of the story. All the elements of a typical young adult novel, consisting of a gap-filled relationship between children and parents, emotion-driven teenagers, and a unique conflict that makes the book distinct from fellow novels, combined with the dangerous consequences of the challenges the couple encounter, make the book different from all other of the same genre. The plot unfolds slowly giving readers enough time to adjust and anticipate the heavy conflict when it arises. It has gotten us so hooked but the only thing we could possibly dislike about it was the slow pace of plot. The anticipation was too much to handle and we were practically buzzing and bouncing to know how the story turns out as we read. It builds the anticipation, excitement, thrill, sadness, grief, loss, and longing in such an effective way to entice and hook readers further into the world of Sam and
In this particular case, the plot is satisfying particularly due to the presentation and buildup of suspense throughout the book and also due to the usage of foreshadowing of future events. In detail, Anthony Horowitz’s use a particular presentation of suspense in the manner of building up one’s urge to read more and then releasing the demand in a series of decisive events. In other words, Anthony Horowitz builds up such urgency in the reader by first presenting events that do not reveal many details other than the environment and the character actions, which leads to the reader wanting more action. In an example, such style is used when Alex first meets the Aussies at the barbecue. The Australians, who are SAS recruits, invite Alex to an afternoon barbecue at a beach after Alex meets up with ASIS. The men, however, act strangely during the gathering and command Alex to perform bizarre acts that one would simply not think of. Furthermore, the crew landed on a restricted military operation zone, which is off limits for non-military personnel. Secondly, the same style is brought about when Alex explores the cargo ship of Scorpia entirely by himself with only his thoughts and statements. And lastly, such suspense is built up when Alex is formulating a plan to escape the snakehead hospital alone and with no M16 assistance. Evidently, by describing the character's thoughts and environment, Horowitz creates a sense of urgency and vagueness within the reader that wants the full truth of the situation. Correspondingly, Horowitz releases the urgency that is built up within the reader by disposing of the vagueness in a series of petrifying events. In this situation, Horowitz releases the suspense that is built up within the barbecue scene by allowing the area
This chapter enucleates the scenario of Alex Rogo’s family life. His family feels uncomfortable to adjust in a small town while, they were used to lead a city life. For Alex it’s not a big deal though he brought some memories with him, while moving back to his home town. Alex has been felling pressurized since he had given deadline to meet the production improvement. Meanwhile he is successfully accomplished the shipment criteria (# 41427) set by Mr. Peach.
After this, Christopher mails his final college transcript and a brief note to his parents’ home with a note saying that they will never hear from him again. Shortly after these events, Chris decides to call himself Alex, short for Alexander Supertramp. This represents the rejection of his parents, along with their values. With getting rid of his materialistic belongings and gaining a new identity, he decides to cross the first threshold and continue on his journey and plan to rid himself of the materialistic world and seek adventure. Chris decides to embark on a journey to achieve his goal of adventure.
To begin, Alex is one out of the four characters that reveals self-awareness broadly. Alex begins by stating, “What’s it going to be then, eh” (Burgess 1). The use of this quote explains to the reader that Alex is not only self-aware of himself, but he is careless, and he is an outlaw. Another quote that Alex states throughout the novel is, “O my brothers” (Burgess 5). “O my brothers” reve...
Judith Viorst is an American journalist. Her essay “The Truth about Lying”, printed in Buscemi and Smith’s 75 Readings: An Anthology. In this essay, Viorst examines social, protective, peace-keeping and trust-keeping lies but doesn’t include lies of influence.
chosen to undergo a new “treatment” that the State has developed to “reform” criminals. After the State strips him of his choice to choose between good and evil, Alex can only do good now and even thinking of doing something bad makes him violently ill. Then, Alex is “rehabilitated” considered “rehabilitated”. Afterwards Alex is released where he encounters an “ex-droog” and one of his enemies, they beat him to a pulp and leave him out in the middle of nowhere. After coming to his senses, Alex makes his way to a house and in that house, right before Alex went to prison, h...
Are everyday rituals, such as, facades reflected as to being a lie? Simply preparing for a meeting or interview does not come off as lying, although another type of façade such as when someone asks, “Are you okay,” after a death of someone close to you, in reality it is a form of a lie, because you are not being honest. In Stephanie Erricsson’s article “The Ways We Lie,” she discusses many different types of lying, that most wouldn’t even consider. Ericsson claimed, “But façades can be destructive because they are used to seduce others into an illusion” (409). Depending how a façade is used, the outcome can be beneficial or damaging. There are facades that are used to cover up one’s true feelings, in order to protect an individual and then there is a type in which one puts on a mask to cover up how awful of a person they are. Charity, a former friend, deceived me with the qualities of everything she was not, my mom is a great example of when it comes to hiding when she is saddened. In this article “The Ways We Lie,” Stephanie Ericsson has a great point of view on the destructiveness of facades, although, it can very well be used in a good way just as much as in a bad way, in fact, like my protective mother, using facades for mine and my sisters own good and then a conniving friend using facades in
In “The Truth about Lying” Judith Viorst explains the four different kinds of lying. She categorizes lies as social lies, peace-keeping lies, protective lies, and trust-keeping lies. Social lies are lies that are “acceptable and necessary”, they are the little white lies most people use all the time. Peace keeping lies are told when the liar is trying to protect themselves from getting in trouble or causing any conflict. The protective lies are far more serious, are often told because of fear that the truth would be “too damaging” for the person being lied to. Lastly, there are the trust keeping lies, which are lies in which the liar is lying for a friend in order to keep a promise. Viorst finds that most of these lies, while some are more acceptable than others, are necessary and she can understand them.
Alex made up his own mind already and he said refused!’” When I first heard what Jack Starbright was saying about Alex Rider’s decision to not go and save the lives of thousands of people when he has the ability to, even if it means risking his life, I thought that he was a complete coward. As I kept reading, I discovered how wrong I truly was. Alex Rider is the main character in the book Snakehead by Anthony Horowitz, an action book that
Incomplete An exploration of Shakespeare’s presentation of trickery and deception in his play ‘Much Ado about Nothing.’ In William Shakespeare’s play ‘Much Ado about Nothing’, there are many instances of trickery and deception, which seem to surround the whole of the play. These instances are as follows: Don Pedro wooing hero for Claudio, Don Pedro wooing hero for himself, Claudio pretending to be Benedick to find out information from Don John and Borachio, Don John and Borachio both know that Claudio is not Benedick but trick Claudio into thinking that they believe that Claudio is in fact Benedick, Benedick pretending to be somebody else whilst talking to Beatrice, Beatrice pretending to believe that she is in fact talking to Benedick, Beatrice having romantic feelings for Benedick, Benedick having romantic feelings for Beatrice, Beatrice not having romantic feelings for Benedick, Benedick not having romantic feelings for Beatrice, Hero is unfaithful with Borachio, Hero is dead, and Antonio having another daughter.
In conclusion it is seen that Alex has effectively changed into a man and has become a morally sensitive individual. He, for himself has chosen good
At the bank where Alex’s uncle's office had been, an undercover MI6 agent greeted him and said the door was locked. When she left the room to take a phone call, Alex crawled out a
In this novel Alex shows his freedom of choice between good and evil, which is that, his superiority over the innocent and the weak. In the beginning of the novel he chooses to be evil, he shows us that by committing violence act like stealing, raping, and also murdering an innocent person which he got arrested for and put into prison for about 12 years. The amount violence he commits shows his abuse of power and his decisions toward evil. The violent acts that are described in this novel are very graphical and are intended to shock the reader but they also show that the suppression of others is wrong, because it is destructive to the natural rights of humans. Alex consistently chooses evil and violence to show his freedom of choice, ?Now I was ready for a bit of twenty-to-one . . . then I cracked this veck" pg 7. Alex beats, rapes, and robs the weak and ...
All Alex knew was to be violent due to the failure and lack of family structure, the school system and the law. The lack of these assertive institutions Alex couldn’t properly generate proper moral values and social norms. According to Mead he analyzed that a child gets some sort of understanding of how to act properly by how others act toward the child. Later on in the child’s development he/she learns and understands “the generalized other”, values and cultural rules (textbook). Alex was never pressured into going to school, there is one scene where his mother wakes him and tells him to get ready for school and Alex tells her “he doesn’t feel like going today” and that was the end of it. With Alex missing out on school he never really self-aware and knowledgeable. His family is absent also. Again with Alex telling his mother he doesn’t feel like going to school and his mother just lets it go shows the carelessness of his parents. Alex can pretty much do whatever he wants when he wants. With their lack of parenting he never truly gained proper values and morals and instead he created his own by the morals and values his “droogs” know. He had many run in’s with the police even before he was