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More handpicked essays just for you.
The importance of art in society
How art promote society
Art as a catalyst for social change
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Levi Ponce was an American with Salvadorean roots from his father, Hector Ponce, and Guatemalan roots from his mother. He was born in 1987 in Pacoima in the San Fernando Valley. At an early age, Levi Ponce was surrounded by art. His father was a sign maker, so Levi helped his father complete many of the signs made. Helping his father allowed Levi to exhibit many artworks and designs along Los Angeles. Since, Levi was surrounded by art at a young age, he decided to remain in the art world. As he got older, he applied to California State University of Northridge, where he received his bachelor's degree in animation in 2009. As two years past, Levi finally decided to start creating art. In order to make a change with his art, he decided to start creating murals back in his community of Pacoima. He wanted to change the negative attention Pacoima …show more content…
received through his art. Levi Ponce believed the vibrant color and the communities value could change the negative image his community was given.
Levi was a self employed muralist. As he began to create murals, he first found a relevant person to include, like a celebrity and a message he wanted to share. He then combined the both to create a beautiful mural on the wall. In Muralist Levi Ponce Uses Van Nuys as a Gallery by Ed Fuentes describes the different art works created by Levi Ponce. In Fuente’s article, he includes Levi’s reason for his murals, "I try and find these things that unite us and get them on the walls. I don't go into a neighborhood with my ideas. It reflects the neighborhood that raised me"(Fuentes,2013) Basically, Levi has a reason for doing the murals. He does not randomly do art on the walls. With his art, his ultimate motivation was creating a change in the place he called home. Levi’s background of Pacoima allowed him to get a better idea of the images he wanted portrayed on walls. Additionally, many of his artwork uses a different culture of what he saw growing up instead of the image other people believed Pacoima to
be. Levi Ponce has created many murals, with different meanings and reasons. One of his murals, I find interesting is called , ‘Art Revolution’. This mural is really interesting the way he combined an image as iconic as the Mona Lisa with weapons and a mexican sombrero. As I was reading the reason for the mural, Levi talked about how he felt that during this time he was fighting to get his art portrayed as something positive instead of something negative. The reason he was creating this art revolution was because art on walls during that time was considered graffiti, which was illegal. However, with the help of his community he helped create the ‘Art Revolution’ and change the negative aspect Pacoima has. This particular mural was also interesting for me because this art is opened to different interpretations. Many believed that the image of Mona Lisa with the weapons and the sombrero was a resemblance to mexican “Soldaderas”. In Mexico, women were taking over the roles of men like participating in war, so beautiful women like the image of Mona Lisa were wearing sombreros and holding weapons. Many people considered this interpretation of women being seen as stronger and brave because Levi participated in the H.O.O.D sisters group, which was a group of feminist women that fought for equality. So they considered his artwork to be a montage to the fight the H.O.O.D. sisters were fighting. After adding the first mural, Levi went on to having a full mile of murals behind different buildings. This mural runs along the street of Van Nuys. As you are riding down the street, his murals are hard to miss because all his murals are big and colorful. In ‘Interview with Levi Ponce’ by Anita Malhotra discusses a various amount of questions with Levi to get a better understanding of the different aspects that shaped Levi as a person and the art he has been involved in. In her article, Anita shares some of the other art Levi has been apart in ,”Ponce has worked on such films as Star Wars: The Force Awakens and Interstellar. He currently works at Walt Disney Imagineering” (Malhotra, 2017). Aside from murals, Levi has also participated in movies. He has left his mark not only in the Pacoima community but now is also spreading through his participation in films. Levi is beginning to spread his passion of art all through the different art he has done. In all, the reason for choosing Levi for this project was because he is something I see every morning to my way to school through his murals. I also like the change he has made with his art in my community of Pacoima. That’s another reason I understand the change he wanted to make, I am born ad raised in Pacoima so I understand the changes he wanted to create and I relate to him a lot. His artwork has inspired many artist to create murals for a reason instead of for a price. He has honesty an influential person for his murals. The change he has created is astonishing and incredible to have just a few houses away from my houses.
The mission was established initially in 1690 as Mission San Francisco de los Tejas in East Texas. The mission was abandoned and moved to the West Bank of the San Antonio River and was called Mission San Francisco de la Espada in 1731. Its purpose was to serve the Coahuiltecan tribes and educate them in religion.
Guillermo González Camarena was a Mexican electrical engineer who was the inventor of a color-wheel type of color television, and who also introduced color television to Mexico,
“We are never more truly and profoundly human than when we dance.” Jose Arcadio Limon was a dancer and choreographer born and raised in Mexico. He was inspired to begin his studies in modern dance when he saw a performance of Harald Krutzberg and Yvone Georgi. Limon enrolled at the dance school of Doris Humphrey and Charles Weidman. He continued to work with Humphrey until 1946, when he founded the José Limón Dance Company. His most successful work is called The Moor's Pavane and it is based on Shakespeare's Othello. The Limón Dance Company still exists and is part of the Jose Limon Dance Foundation, an institution dedicated to preserve and disseminate his artistic dance work and technique. Jose Limon is important in the American Dance History
Many countries have the pleasure of celebrating Independence Days. These historic holidays are filled with nationalistic celebrations and delicious traditional food. In Chile, the natives celebrate their break from Spain with Fiestas Patrias. In Mexico, the president begins the celebration by ringing a bell and reciting the “Grito de Dolores” and he ends his speech by saying “Viva Mexico” three times.
Marcario Garcia was not born in Texas; rather his parents carried him across the border from Mexico to Texas as an infant. The family settled in Sugar Land, Texas, where they worked as lowpaid farm workers and raised ten children. The land was originally owned by the Mexican government and was part of the land grant to Stephen F. Austin. Very early, sugarcane stalks from Cuba were brought to the area and a
Velazauez’s 1650 portrait of Juan de Pareja and Peale’s 1782 portrait of George Washington differ greatly in their places and times of origin, as well as the historical contexts in which they were painted. Their color palates and compositions appear as polar opposites to each other, and their subject matters are entirely dissimilar. Despite these apparent contrasts between the two works, they both preserve the likeness and honor the characters of their respective subjects. The comparison of these works illuminates how although both structure and context may vary significantly from portrait to portrait, there are characteristics inherent to many if not all portraits that remain unaltered even when in seemingly disparate contexts.
Being part of a revolution is quite rare since the fact of it being a change in era isn’t really obvious until the change is actually accepted by most. Still, being part of such a cause, even unknowingly, means much to the entire world, whether it be at the time or later on. Digging deeper into a specific man who was part of such a transformation was Juan de Pareja, an African man of his own ways. Why take his example and what did he contribute? Well, Pareja was a very cogent counterexample for many stereotypes. He was his own person, living his life his own way, even if it meant concocting African and European cultures. Some of his and others’ ideas which were present in the early modern European era were major causes to the shaping of Europeans’
Francisco De Montejo was a Spanish conquistador in the time period of the conquest of the Aztec Empire with Hernan Cortes. Francisco was born in Salamanca, Spain in 1479. In 1514 Francisco moved to the Island of Cuba, while in Cuba he helped established Havana the Modern capital of Cuba today.
The story of Inês de Castro may not compare to that of the Petrichor potion or the Cure for Dragon Pox at a glance, but is none the less important in illustrating how potions can affect a large population in a short period of time.
The murals represented the social ideas of the revolution. The Mexican muralists painted all over the world impacting Mexicans and non-Mexicans alike. Siqueiros stated that the goal of mural painting was to, "direct itself to the native races humiliated for centuries; to the officers made into hangmen by their officers, to the peasants and workers scourged by the rich". Siqueiros believed that "art must no longer be the expression of individual satisfaction which it is today, but should aim to become a fighting educative art for all."
Pablo Picasso was born in 1881 in Malaga, Spain, to an artist and museum curator, Jose Ruiz Blasco. As a young child he surprised his elders with his astounding artistic abilities; and, as Rachel Barnes points out in her introduction to Picasso by Picasso: Artists by Themselves, there seemed to be no doubt that Picasso would become a painter.
Racism has resided within the Dominican Republic for centuries after the defeat of the Haitian Empire. Yet, the profuse racism came from the Presidency of Rafael Trujillo. Rafael Trujillo yearned to withhold the prevalence of white skin-tone in Dominican individuals. Trujillo initiated an anti-Haitian regime as he was determined to whiten his country. To present himself as a white Dominican, Trujillo wore makeup to lighten his appearance, to uphold his standards. Yet, the horrific, defining moment of his presidency was the Parsley Massacre. Trujillo started the massacre in 1937, as he sought to deceive his people by claiming the Haitians were practicing witchety, while claiming they kept a Dominican opponent in hiding. Dominican troops slaughtered
Diego Rivera was deemed the finest Mexican painter of the twentieth century; he had a huge influence in art worldwide. Rivera wanted to form his own painting fashion. Although he encountered the works of great masters like Gauguin, Renoir, and Matisse, he was still in search of a new form of painting to call his own (Tibol, 1983). His desire was to be capable of reaching a wide audience and express the difficulties of his generation at the same time, and that is exactly what h...
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, formally referred as Diego Rivera, was born on December 8, 1886 in Guanajuato, Mexico. His father Diego de la Rivera y Acosta was a municipal counselor in Guanajuato, and his mother Maria del Pilar Barrientos was an obstetrician. At the age of three, Rivera began to encounter with his artistic side and thus began his journey with murals. Furthermore, his parents created a special room that allowed young Rivera to be able to freely express himself on canvases rather than on the walls of his house.
At the age of 12, he joined the National School of Fine Arts of San Carlos in Europe, with a state scholarship. Upon his return, he exhibited his work in Mexico, and it was a largely successful. To escape the civil war in his country, Rivera travelled to Paris in 1911. The artist leaded a bohemian life between Spain and Paris. His works were exhibited at the Modern Gallery in New York, with particularly Picasso’s. In 1920, he returned to Mexico, where he completed his first mural. After delivering ‘ultra-intellectual’ experiments and embracing the people’s cause, Rivera returned from his studies to Mexico. He quickly evolved a simple language for the adornment of public buildings. Very soon, this style of creation, which included vibrant and vivid colors, becomes his trademark. He was a passionate artist who was devoted his art to civil wars and revolution. He also elaborated on US frescoes, he only worked with themes that he wanted to denounce and were dear to