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The application of redemption
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“We are products of our past, but we don't have to be prisoners of it” (Rick Warren, The Purpose Driven Life: What on Earth Am I Here for?). People do bad things - it’s human nature. It is how these wrongs are fixed that make a person truly remarkable. People have strived to make themselves better and are always searching for ways to fix the things they did wrong. This idea of redemption is especially evident in Victor Hugo’s classic, Les Miserables. Les Miserables, is based in the post French Revolutionary period and through the events in the story, characters such as Jean Valjean and Javert are tried and tested. Many characters within this French epic commit their lives to redeeming themselves, Jean Valjean and Javert are only two examples of those who seek redemption. In Les Miserables, Victor Hugo uses symbolism, characterization, and archetypes to develop the theme of redemption.
Victor Hugo astutely uses symbols to represent many of the characters’ endeavors for redemption. When Jean Valjean is first released he seeks shelter at Digne, where he meets Bishop Myriel. Despite the kindness of the Bishop, known to many as Monseigneur Bienvenu, Jean Valjean steals from him. Jean Valjean pilfers objects of high value, like silver, but the gendarme eventually catch and return him to the Bishop. Monseigneur Bienvenu acts as if he is not surprised by the stealing and goes on to tell the gendarme that he had given the silver to Jean Valjean. The Bishop goes on to take “the two candlesticks ...‘Now,’ said the bishop,, ‘go in peace’...‘Forget not, never forget that you have promised me to use this silver to become an honest man” (Hugo 34). The two silver candlesticks are symbolic of redemption and mark the beginning of Jean Valjean’s ch...
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... in a true act of redemption confesses his true identity even though it would ruin his new life as mayor. Ironically, both fire and water are used as archetypes to show redemption. When Jean Valjean escapes from Toulon by “falling” off the Orion, he is reborn from his old-life as a convict. He uses this opportunity for redemption by keeping his promise to Fantine and taking Cosette. Ascent is used as an archetype when Jean Valjean saves Cosette and himself by scaling the wall. As they ascend higher and higher, it becomes evident that Jean Valjean is changing. He is no longer a convict, but both a mother and father figure to Cosette. Jean Valjean loves and protects Cosette no matter what it costs him. In conclusion, Victor Hugo presents the fault in human society that we do do bad things - even good people, but it is how people fix their wrongs that they are redeemed.
Giving is an activity that people do every day. Receiving something in return tends to be the motivation for people to be generous. Very few people in this world will actually donate their time, effort, or money without acquiring a service or gift in return. The author of Les Misérables, Victor Hugo, knew of one of these magnanimous and charitable people. Inspired by all the altruistic deeds he has seen and heard about, Hugo created the Bishop of Dignes. The Bishop of Dignes time and time again demonstrates what it means to be a selfless Christian through his actions.
hoping maybe he would get a confession, but it didn't happen. The two soon lived together, while Chillingworth still prodded. From then on, Dimmesdale's life became miserable. 'Roger Chillingworth's aspect had undergone a remarkable
Meursault, an unemotional, a moral, sensory-orientated character at the beginning of the book, turns into an emotional, happy man who understands the "meaninglessness" and absurdity of life by the end of the book. Meursault realizes that the universe is indifferent to man's life and this realization makes him happy. He realizes that there is no God and that the old codes of religious authoritarianism are not enough to suffice man's spiritual needs. One has to create one's won meaning in an absurd, meaningless world.
Diction shows the difference in Meursault’s views and beliefs as he spends more and more time in prison, adapts to his new lifestyle, and understands the future of his life. Camus diction displays Meursault’s change toward growth in self-reflection, realization of the purposelessness of his life, and unimportance of time.
The protagonist, Meursault, was interesting character. His ideas and beliefs seem to point to a time when there is no hope to be had. Although he is able to accept the fact that everyone dies and in so doing realizes that you can live better. He lives a controlled life in which he takes responsibility for all of his actions. This is a direct reflect of Camus personal beliefs about absurdism.
The heartfelt emotion of charity shines throughout Victor Hugo’s Les Miserables. Each character shows love and charity differently to numerous people. Charity can also be called “love” from the various translations of the King James Bible. Jesus Christ imitates the perfect way to express charity. His example represents the perfect way for people to show the feeling of love within their heart to the others around them.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
While he lies on the ground gasping for breath, Caderousse tells the Abbe Busoni that he does not believe in God. Only moments later, Edmond Dantes reveals himself to him, and he spends his dying breath asking the Lord to forgive him. Edmond Dantes, looking at his corpse, whispers “one”. This was the first evident moment in Alexandre Dumas’s The Count of Monte Cristo where Edmond Dantes achieves any justification on his enemies for the wrongs they have done to him. After twenty years of meticulous planning, Dantes carries out his plan of ultimate revenge on his enemies in order to achieve the justice he believes he deserves. In his novel, Dumas shows that to obtain true justice—whether personal or societal—one must understand the limits of
...'s anguishes with obsession, help him to more effectively relate his novel, Les Misérables, to the reader. In the book's ending, Jean Valjean dies knowing he is happy, content and prepared for his death. His adoration for Cosette has left her loving him and satisfied with the life he has helped her create. Before Jean Valjean dies, he says to Cosette and Marius, "I die happy. Let me put my hands upon you dear beloved heads" (399). Like Jean Valjean, Javert's obsessions rule his life, but with negative intentions rather than positive ones. Once Javert realizes his obsessions are nothing but empty promises, he too is empty and chooses to end his life. Three of the main characters of the story, find that their perseverance and obsession to have the life they wish for ends triumphantly.
...able option. Camus’s main character, Meursault, embodies this third option; by accepting his circumstances and being indifferent to them, Meursault is able to break free of all possible causes of anxiety and find happiness. Furthermore, Meursault’s rejection of religion as belief, his acceptance of the “benign indifference of the universe”, and his acceptance of his circumstances all leading to happiness personifies Camus’s take on Absurdism, the philosophy that Camus is trying to depict in The Stranger (76). By using foil characters to contrast Meursault in actions or personality, Camus creates several polarizing situations, making Meursault the extreme epitome of Absurdism in every contrasting relationship and thus, shining light on his ideology in the process.
9. Valjean’s punishment certainly did not fit his crime. Neither did Fantine deserve the treatment she received in his factory. Discuss Hugo’s purpose in using these situations in his social commentary.
...he world, which causes him to encounter a form of enlightenment that makes him come to realization of the true world. The realization of the world sprouts the idea that the universe is indifferent and life has no true meaning. Because Meursault realizes that the universe is indifferent to people and that he makes no importance to the world, he is reborn to a life that makes sense to him. The nonexistent emotions from the first part and the outburst of emotions from the second part cause a juxtaposition of Meursault as a character in the two sections. Camus uses elemental diction and sentence structure to portray this change in character and his acceptance of the universe around him. He accepts his death, finding that his life is truly meaningless, and believes that his life is a model for the philosophical ideas that he has come in terms with.
First off, is the element of forgiveness. In a book of mistrust, poverty, and hate…forgiveness thrives in the world of Les Miserables. The first example of this was at the very beginning, when Jean Valjean stayed with the bishop. Valjean stole his silver…and ran off. He ends up being caught by police, but when the police questioned the bishop, he claimed to have given the silver to Valjean. Jean was confused…and the bishop claimed that with the silver, he had purchased the convicts soul, and had given it to God, and from that day forward, Valjean must be a good man. Another example of forgiveness goes two ways. Javert, in his relentless pursuit of Valjean, is captured by revolutionaries. In reward for saving the lives of a few of these revolutionaries, Valjean asks for, and gets, permission to take Javert outside, and kill him. Once outside, a small monologue occurs…and Valjean releases Javert, and lets him go free. Valjean just wanted to be left alone in peace, and hoped this act of kindness would change Javert, and make him realize that Valjean was no longer the man he was. The second way…is that in the end, after Javert finally captures Valjean, he lets him go. Since Javert had broken the law… that he loved so dearly, he kills himself shortly thereafter, by jumping into a river.
Making the right decisions in life can lead to good things happening, but making the wrong decision can lead to a great downfall. In the song Viva la Vida by Coldplay, it references the life and downfall of King Louis XVI as he had everything, then lost it due to poor decisions. In the Count of Monte Cristo, a novel written by Alexandre Dumas, a man named Villefort has a very similar story. When a man named Edmond Dantes is falsely accused of being a bonapartist, Villefort chooses to betray Edmond and protect his name. Edmond is sent to a prison, the Chateau d’If, where he spends 14 years of his life building up a thirst for vengeance. Edmond is told of a massive fortune and becomes beyond powerful when he escapes. Edmond makes it his personal goal to destroy the ones who wronged him, including Villefort. Years back, Villefort had a baby, who he attempted to kill. This baby is saved by an enemy of Villefort when he mistakes the baby for buried treasure. He ends up raising Villefort's kid, who ends up exposing Villefort and giving Villefort a criminal case.
The authors' relations to us on the characters' places in society help us to relate to and comprehend their actions. If Meursault hadn't been so detached from society, Noboru so discontented with society, and Medea so vengeful toward society, we wouldn't have half of the justification needed to understand the murders that took place in the works. Given the presented material about conformity, I conclude that the stories' plots indeed grow around the unique attributes of the non-conformers, and as result, spark the reader's imagination to the fullest.