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Music as an agent of social change
Music and society
Music and society
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On April 10, I watched the TED Talk of the Christian and social justice rapper, Lecrae. He claimed that good and bad isn’t always black and white. Specifically, he claimed that heroes and villains are subjective terms. As he said, “heroes are sometimes more villainous than we think and sometimes our villains are more heroic than we give them credit for.” Lecrae relates this to hip-hop music when he introduces its timeline. He stated that beginning in the ‘70s and ‘80s, hip-hop was a narration of a struggle, but the ‘90s began a new type of story within the music that seemed to glorify the stigmas created by the media. He elaborates on his theory using the timeline that shows drug trafficking into American neighborhoods increasing as unemployment …show more content…
Although some people believe that these rappers didn’t have to sell drugs and create these stigmas, or even glorify them in the music, Lecrae insisted that with unemployment shooting through the roof, the only feasible choice was to sell drugs and produce records that …show more content…
In my view, everyone does what they need to do to take care of their families. Not only were individuals faced with unemployment, they also began to be stigmatized in the media for finding ‘villainous’ ways to cope with it. In addition, drugs were basically handed to them as a way out of unemployment, and artists sold the music that would sell even if it embraced the stigmas placed on them. Some might object to drugs being sold, of course, on the grounds that there are plenty of legit and legal ways to obtain currency. Yet I would argue that a recession coupled with a lack of education posed a challenge for many of these people, causing them to resort to an off-the-books method that allowed them to care for their families. With hip hop being almost a documentary, artists would rap about their struggles, which essentially fed into the stigmas placed on them. As those records sold at greater rates, that stigma was embraced to continue to provide care for families. Overall, I believe that the ‘villainous’ acts are justified because they committed were for heroic reasons--an important point given that survival requires
Some weaknesses of James McBride’s “Hip Hop Planet” include its cynical tone and his attitude towards the musical side of Hip Hop. McBride opens the essay with a reflection on what his ultimate nightmare is. He showcases the Hip Hop community in a negative light with phrases like, “music that doesn’t seem to be music—rules the world” (McBride, pg. 1). This starts the essay off negatively because it misleads the reader by letting them think he is not a supporter of the Hip Hop movement. As you read the entire essay you realize this is not the case. The article itself isn’t very inviting because tone of the entire essay is very cold and cynical. He also doesn’t agree with the typical Hip Hop sound saying things like, “It sounded like a broken record” (McBride, pg. 1). The sound of Hip Hop music is what helps define it and is a crucial aspect of
When looking at the landscape of Hip-Hop among African Americans, from the spawn of gangsta rap in the mid 1980s to current day, masculinity and an idea of hardness is central to their image and performance. Stereotypical to Black masculinity, the idea of a strong Black male - one who keeps it real, and is defiant to the point of violence - is prevalent in the genre. This resistant, or even compensatory masculinity, encompasses: the hyper masculinity rife in the Western world, misogyny, and homophobia, all noticeable in their lyrics, which is in part a result of their containment within the Black community. The link of masculinity and rap music was established due to this containment, early innovators remaking public spaces in their segregated neighbourhoods. A notion of authentic masculinity arose from the resistant nature of the genre, but the move to the mainstream in the 90s created a contradiction to their very image - resistance. Ultimately, this in part led to the construction of the masculinity defined earlier, one that prides itself on its authenticity. I’ll be exploring how gender is constructed and performed in Hip Hop, beginning with a historical framework, with the caveat of showing that differing masculine identities in the genre, including artists
The Black Youth’s Rebellion is criminalized, mocked and appropriated, all at once. Though the rebellion of White-American teenagers may spark reminiscence and nostalgia in White-American Adults, the rebellion of Black teens is viewed as inappropriate and destructive. In the 80’s and 90’s, films like “Juice”,”Boyz n the Hood”, and “Menace II Society” vividly depicted the coming of age of Black youths in urban neighborhoods. These movies told stories that were familiar to youth like myself, and were shocking to people that weren’t. Despite that most of the lifestyles that were portrayed, were not to be glamorized, they were still pictures that undeniably captured the essence of life in urban communities. These images told the unspoken truth of what it is like for African American youth in the city. Tupac Shakur became the “Fonzie” of the “Hood”. The depictions of Blac...
George covers much familiar ground: how B-beats became hip hop; how technology changed popular music, which helped to create new technologies; how professional basketball was influenced by hip hop styles; how gangsta rap emerged out of the crack epidemic of the 1980s; how many elements of hip hop culture managed to celebrate, and/or condemn black-on-black violence; how that black-on-black violence was somewhat encouraged by white people scheming on black males to show their foolishness, which often created a huge mess; and finally, how hip hop used and continues to use its art to express black frustration and ambition to blacks while, at the same time, refering that frustration and ambition to millions of whites.
Hip-hop through out the years has been involving and become universal in everyday life. You will here presidents, senators, republicans, and democrats talk about their favorite rappers and songs they hear. The president was asked if he liked hip-hop music, he replied, “I’ve got to admit, lately I’ve been listening to a lot of Jay-Z. This new ‘American Gangster’ alb...
In the words of rapper Busta Rhymes, “hip-hop reflects the truth, and the problem is that hip-hop exposes a lot of the negative truth that society tries to conceal. It’s a platform where we could offer information, but it’s also an escape” Hip-hop is a culture that emerged from the Bronx, New York, during the early 1970s. Hip-Hop was a result of African American and Latino youth redirecting their hardships brought by marginalization from society to creativity in the forms of MCing, DJing, aerosol art, and breakdancing. Hip-hop serves as a vehicle for empowerment while transcending borders, skin color, and age. However, the paper will focus on hip-hop from the Chican@-Latin@ population in the United States. In the face of oppression, the Chican@-Latin@ population utilized hip hop music as a means to voice the community’s various issues, desires, and in the process empower its people.
...atching MTV music shows or any music channel on television. As we continue to watch these programs, we will then notice that almost all the rap and hip-hop artists being shown are African-Americans. It is the particular lifestyle, and behaviour that is connected to what particular artists chose to vocalize about. This usually can harm the image of African-Americans due to the fact that many artists aid in the misconceptions of their particular race such as the example provided with 50 Cent’s song entitled P.I.M.P. These lyrics and song titles simply reinforce the negative image some individuals may have of both Caucasian’s and people of colour. Rap and hip-hop is one of the most intimate, personal, legitimate and important art form. Instead of perpetuating injustice, and prejudice artists should be addressing these different issues in a different matter.
In Total Chaos, Jeff Chang references Harry Allen, a hip hop critic and self-proclaimed hip hop activist. Harry Allen compares the hip hop movement to the Big Bang and poses this complex question: “whether hip-hop is, in fact a closed universe-bound to recollapse, ultimately, in a fireball akin to its birth-or an open one, destined to expand forever, until it is cold, dark, and dead” (9). An often heard phase, “hip hop is dead,” refers to the high occurrence of gangster rap in mainstream hip hop. Today’s hip hop regularly features black youths posturing as rich thugs and indulging in expensive merchandise. The “hip hop is dead” perspective is based on the belief that hip hop was destined to become the model of youth resistance and social change. However, its political ambitions have yet to emerge, thus giving rise to hip hops’ criticisms. This essay will examine the past and present of hip hop in o...
These articles depict the controversies of the hip hop industry and how that makes it difficult for one to succeed. Many of these complications and disputes may be invisible to the population, but these articles take the time to reveal them.
The first article, “About a Salary or Reality? – Rap’s Recurrent Conflict” by Alan Light, explains the evolution of hip hop from the various camps to become what it is today – a mix of the gangster rap it was from the beginning and the rap pop that grew out of it. Rappers felt that no matter how graphic they were they would sell albums, and at the same time prove commitment to their street heritage. Many said this was the whole point of rapping. San Francisco rapper Paris said that “[e]verybody gets into rap just to get the dollars or get the fame” (Light 143). Others believe that money and fame should not and have not been the sole reason. Light explains this when he says:
Hip hop has multiple branches of style and is a culture of these. This essay will examine Hip Hop from the point of view of the following three popular music scholars, Johnson, Jeffries and Smitherman. It will delve deeper into their understanding of what hip hop is and its relation to the different people that identify with its message and contents. It will also identify the history of Hip hop and its transition into popular music. In particular this essay will focus on what hip hop represents in the black community and how it can be used as a social movement against inequalities faced by them. This will then open up the discussion for the how this has influenced society, and the impact it has had in terms of race issues which hip hop itself often represents through music.
Hip hop has permeated popular culture in an unprecedented fashion. Because of its crossover appeal, it is a great unifier of diverse populations. Although created by black youth on the streets, hip hop's influence has become well received by a number of different races in this country. A large number of the rap and hip hop audience is non-black. It has gone from the fringes, to the suburbs, and into the corporate boardrooms. Because it has become the fastest growing music genre in the U.S., companies and corporate giants have used its appeal to capitalize on it. Although critics of rap music and hip hop seem to be fixated on the messages of sex, violence, and harsh language, this genre offers a new paradigm of what can be (Lewis, 1998.) The potential of this art form to mend ethnic relations is substantial. Hip hop has challenged the system in ways that have unified individuals across a rich ethnic spectrum. This art form was once considered a fad has kept going strong for more than three decades. Generations consisting of Blacks, Whites, Latinos, and Asians have grown up immersed in hip-hop. Hip hop represents a realignment of America?s cultural aesthetics. Rap songs deliver a message, again and again, to keep it real. It has influenced young people of all races to search for excitement, artistic fulfillment, and a sense of identity by exploring the black underclass (Foreman, 2002). Though it is music, many people do not realize that it is much more than that. Hip hop is a form of art and culture, style, and language, and extension of commerce, and for many, a natural means of living. The purpose of this paper is to examine hip hop and its effect on American culture. Different aspects of hip hop will also be examined to shed some light that helps readers to what hip hop actually is. In order to see hip hop as a cultural influence we need to take a look at its history.
References to illegal drugs use in rap music jumped sixfold in the two decades since 1979. Previously, rap music was more likely to depict dangers
In recent discussions of hip hop culture, a controversial issue has been whether hip hop makes people believe that money is everything they need to get respect and power. Some argue that you need to build respect and by building respect you become powerful and that will lead you to money. On the other hand, however, others argue that hip hop life helped them a lot by writing the lyrics and saying the things that they can’t do or say. One of this view’s main proponents, “money brings power,” according to this view, people who have more money will get more power and then they usually use this power to do the most disturbing activities, such as crime. In sum, then, the issue is whether having too much power is good or it’s just a life destroyer.
Dixon, Travis L., TaKeshia Brooks. “Rap Music and Rap Audiences: Controversial Themes, Psychological Effects and Political Resistance.” Perspectives. 7 April 2009. .