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The Downfall of Men in Le Morte Darthur: Lust A woman can either make or brake a man. In this case let’s just say the women of the Middle Ages and Le Morte Darthur do a lot of braking. Powerful men throughout medieval history and in Sir Thomas Malory’s, Le Morte Darthur, all fall under the rule of lust which causes nothing but turmoil for themselves and their country. Malory writes about three influential and authoritative men that all fall to lust: King Arthur of England, Merlin the Wizard, and Sir Lancelot Du Lake. Each man brakes in some form or fashion because of the lust for a women; Arthur’s lover, Morgouse, gives birth to a son, who is destined to destroy him and camelot, Merlin’s lover, The Lady of the Lake, traps him in a cave, and Lancelot’s lover, Guinever, literally drives him mad into the woods and keeps him from The Holy Grail. First, Arthur’s love affair with Morgouse, his own sister, results in a son, Mordred, who is destined to destroy him. “But ye have done a thing late that God is displeased with you, for ye have lain by your sister, and ye have begotten a child that shall destroy you and all the knights of your realm” (23). Merlin gives this prophecy disguised as an old man to Arthur early on in the book to warn him. This prophecy, that Merlin tells, does in fact come true by the end of the book. And …show more content…
when Sir Mordred felt that he had his death’s wound, he thrusted himself with the might that he had up to the bur of King Arthur’s spear; and right so he smote his father, King Arthur, with his sword holding in both his hands, upon the side of the head, that the sword pierced the helmet and the tay of the brain (513). In the last chapter of Le Morte Darthur, Sir Mordred finally fulfills Merlin’s prophecy by killing his father, King Arthur, by a blow to the head with a sword. The death of King Arthur also meant the death of Camelot and the knights of the round table. He works so hard throughout his life for the Kingdom of Camelot to thrive, but it takes only one lustful mistake, early on, that brings turmoil. Arthur’s lust for a women results in not only incest, but a son that destroys himself and Camelot. Second, Merlin , the all powerful wizard, also falls victim to lust early on in the book by Nenive.
“So by her subtle working she made Merlin to go under that stone to let her wit of the marvels there, but she wrought so there for him that he came never out for all the craft that he could do. And so she departed and left Merlin” (59). The Lady of the Lake, Nenive, undoes this compelling and influential wizard, that could even see the future, because of his lust for her. Because of Merlin’s lust, he stays trapped in the cave for eternity unable to escape and powerless. Even wizards in the middle ages cannot escape the power of lust for a
woman. Third and final, Sir Lancelot’s lust for Guinever, the Queen of England and wife of King Arthur, causes nothing but trouble over and over again. “…and when Sir Lancelot awoke out of his swoon, he leapt out at a bay window into a garden, and there with thorns he was all to-scratched of his visage and his body. And so he ran forth he knew not wither, and was as wild as ever was man; and so he ran two years, and never man had grace to know him” (288). Lancelot, a well respected and strong knight of the round table, lives all alone for two years in the forest, not in his right mind, due to the desire of one woman, Guinever. She not only brakes his heart, but she really brakes him mentally. Also, Sir Lancelot’s greed and lust for Queen Guinever keeps him from the most sought out item of all knights of the Middle Ages, The Holy Grail. “ Then they told him how he had lain there four and twenty days and nights. Then him thought it was punishment for the four and twenty years that he had been a sinner, wherefore Our Lord put him in penance the four and twenty days and nights” (388). The lust affair between Sir Lancelot and Guinever keeps him from experiencing the presence of God and The Holy Grail. These are two examples of the many others that show the turmoil Sir Lancelot’s lust and affair with Guinever causes. The Lancelot, best knight in Camelot and of the round table, in the end chooses his desires and wants for a women over his country. To conclude, lust brings problem after problem to these three authoritative men in Malory’s book. First, Lust controls King Arthur to sleep with his sister, bringing forth a son that ends up being Camelot’s and his own undoing. Second, Lust controls Merlin, the wizard, by leading him into a trap forever that takes his power and magic. Finally, Lust controls Sir Lancelot by driving him mad and keeping him from the Holy Grail. Lust brought nothing but turmoil to the three men of the Middle Ages and in Le Morte Darthur. Morgouse, Nenive, and Guinever brake these men in every possible way mentally and physically.
During the medieval ages, women were described as evil creatures that would destroy anyone standing in their way to get what they want. People claimed that women's malicious intentions clouded their judgment from doing the right thing forcing them to be selfish. In Chaucer's The Canterbury Tales and Malory’s The Death of King Arthur, both focus on women’s behavioral impulses through their dishonesty, manipulation, and their promiscuity.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
The struggle between Christianity and the religion of Avalon is one of the central parts of the story. Arthur, whose mother was Igraine, sister to Viviane, grows up to be High King of Britain after his father, Uther Pendragon, dies. In this era there were two religions that the people studied. One was under the Christians vows. They believed that their was only one god, theirs. They believed that all other gods were false and sinful. In the Christian beliefs, the women were believed to be the ultimate sinners. Under this belief they were always made to feel subservient to their men. The other religion was under the Goddess, who the people in the mystical world of Avalon believed were responsible for man and all of its creations. It is stated of...
In the article “Courtly Love: Who Needs It?” by E. Jane Burns, the author establishes what would be considered the quintessential female persona as it appears in medieval literature, particularly in the romance genre. She begins by calling attention to the similarities between the expected mannerisms of women in the structure of courtly love and the modern book The Rules. The text is a self-help guide for women who are looking to attract a husband by employing medieval methods of attraction (Burns 23). It employs outdated strategies to encourage women to become unemotional and disinterested, but also subservient, with anticipation of attaining the unwavering affection of a potential suitor. Thereby perpetuating the well-established “ideology
Expanding the Legend of King Arthur, the Legend of Queen Guinevere claims the most important woman figure during the Medieval time period. In the beginning of literature during Arthur’s reign, writers describe Guinevere as a manipulative cheater who only stays with Arthur due to his enormous power, protection, and money. Eventually, Guinevere proves this action by cheating on Arthur with multiple men and getting away with it. The early authors also demonstrate how and why Guinevere commits these acts against her husband. Over time, new writers change Guinevere into a considerate woman, but they keep some of her old actions and traits such as her political power. Using different point of views, the new storytellers develop the queen’s character
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
“The love business is a powerful thing. I must say it is probably the greatest force on Earth.'; (p110) Merlin said this line with such assurance and confidence that young Arthur, formerly known as the Wart, only longed to believe that this statement was true. He was unaccustomed to such “petty'; things as love, in which he was blind to, so in the beginning, he was hesitant on Merlin’s teachings on the topic of love and trust.
“In women, love runs deep and true, spanning the life cycle from maiden, to mother, to crone. Thus, it is a woman’s job to slay the dragon, despite what the chroniclers tell you.
Arthur was King of Camelot, but he had no queen. He loved Guinevere, daughter of the King of Lodegreance, but she was in love with Lancelot, Arthur’s finest knight. He was told this by Merlin, Arthur’s advisor. “For he warned him that Lancelot should
During the Medieval time period, a woman would generally be forced to depend upon a man for her livelihood. However, in the world of courtly love, some could say that this was the first idea of goddess worship. Where the man is unable to survive without his beloved. As a result of this, her love causes him to achieve noble deeds, and become obedient to her in hopes of winning her affection. In The Lais of Marie de France, specifically Chevrefoil and Yonec, the author does not follow all of the rules of courtly love, yet she does illustrate to the reader the relationship between the man and his woman. She describes the beauty, intelligence, and wisdom of her female characters, giving them power over the men who love them. While Marie de France often confines women to the oppressive realities of the Middle Ages, she allows her characters to rebel against society, and uses the courtly love relationship as a way of empowering women in her lais. In the twelfth century, the majority of marriages were arranged. Men were often the ones given the privilege of choosing a spouse. Many times women were forced to marry men that they barely knew, and did not love. Through allowing the women in her lais to escape from their husbands and be with men who they have power over, Marie de France elevates women up onto pedestals.
The whole plot of the tale revolves around Sir Lancelot and Queen Guinevere’s extramarital affair. However, when the Sir Agravain exposes and catches the couple red-handed, King Arthur is enraged more towards Guinevere, rather than Sir Lancelot. In fact, King Arthur is hesitant to punish Sir Lancelot even though he is also guilty. However, Arthur doesn’t think twice about punishing Guinevere--his own wife--to a death sentence. Not only does this show the relationship between Sir Lancelot
Guinevere is almost as ubiquitous to the Arthurian legends as Arthur himself, although much less ink has been spilt characterizing her than her king. Where Arthur is always the prefect king for his era, some mix of wise and fair, just and war-like, usually with golden hair, Guinevere is must less consistent, with many fewer character traits. She is always beautiful, is usually Arthur’s true love, is rarely true to him, and is always blamed for the fall of Camelot, no matter how little or how much she had to do with it. The specifics of Guinevere’s part of the tale vary from retelling to retelling, throwing the changes each author in each time period makes into sharp relief because there is so little about her to begin with.
Merlin, sometimes spelled ‘Merlyn’, is a magician most commonly known for the role that he plays in legends about Arthur. Merlin uses his foresight and other magical abilities to help guide Arthur. Merlin knows that Arthur is to be the king of Britain, and so he works to help protect him. Merlin is also well known for the stories written about his childhood and youth. Merlin possessed great power, and he used it to help others around him. The legends also discuss the involvement of Nimue, also known as Vivien, in Merlin’s life. Merlin loved her, but in some of the legends, she is written to be his ultimate downfall. Many authors have portrayed Merlin differently in their papers throughout the years. T.H. White writes Merlin as a wise mentor
The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127). Hero’s plight in Much Ado About Nothing is a perfect example of how the skewed male perspective can turn a sweet and innocent girl into a scheming strumpet in no time. The main problem is young Count Claudio. He is immature when it comes to matters of love, and it shows when he hints of his growing feelings for Hero when he asks Benedick what he thinks of her (I.i.161).