Laughter And Game In Sir Gawain And The Green Knight Analysis

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Originally written as a medieval romance, Sir Gawain and the Green Knight, Pearl, and Orfeo translated by J.R.R Tolkien, has been the center attention for many literary critics. Depicted especially in “Laughter and Game in Sir Gawain and the Green Knight” by Martin Stevens, the author argues that the playful nature of the games and the bright holiday atmosphere in the poem “may not be entirely out of order” since it is done so to mask the poem’s underlying concepts of tension, darkness, and sense of foreboding (Stevens). According to the author, the games seem to represent larger aspects of society in more distorted recreations. By first examining the vocabulary used by the poet to refer to such playful elements in the poem, Steven then proceeds …show more content…

Seen especially in the Hunting and Temptation scenes, the host, Bertilak, first suggests the terms and conditions of his play, asking Gawain “whatever I win… and whatever gain you… shall give in exchange” (65). However, little did Gawain realize his fall for yet another test which Stevens attempts to explain the parallel between the host’s hunt and Gawain’s temptations by Bertilak’s wife. Each animal that was hunted by the lord corresponds to the behavior of Sir Gawain in his bedroom at the palace, however, it was only until the third and final day of the game where the lord captures a fox, an animal known for its deceit and falsehood, did Gawain broke his agreement with the host. As the young wife seduces Gawain each night to succumb to her temptations, she is ultimately testing two knightly virtues of chastity and courtesy. Though he refuses her advances to be unchaste, Gawain accepts her kisses as a mannerly knight. However, in the final night of the game, a certain fatal flaw is exposed as Gawain accepts the ladies green silken girdle not out of greed or unchastity, but because of self preservation. Whoever wears it “could not be killed by any cunning …show more content…

Seen in the literary criticism, “Laughter and Game in Sir Gawain and the Green Knight,” Martin Stevens argues that “this pervasive reference to game, laughter, and festival is not accidental” like many denounce it to be, but actually of great purpose (Stevens). Since of the poem 's setting revolves around the medieval period on specific holidays and seasons, Stevens seek to defend his argument by first mentioning how the poet incorporates such festive elements into the text before describing the significance of two major games: the Beheading Games and the Exchange of Gifts. The playful spirit of the poem only hids more brooding details of sin, debasement, and failed tests of chastity and courage. Steven’s most remarkable justification, however, follows the play of the Exchange of Gifts that ultimately acts as a reference to one’s mortality, capable of mistakes and errors even in the best of

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