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Jazz impact on African Americans
Essays on jazz history
Essays on jazz history
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Latin jazz research
Latin jazz is a form of jazz that was inspired by Afro Cubism and has been affected by amazing jazz artist like Dizzy Gillespie and Mongo Santamaría. Latin jazz got its big start between 1940-1950 in New York City. Latin jazz is a mixture of classic jazz and Afro-Cuban music. One of the great jazz artist was DIzzy Gillespie an extraordinary trumpeter who was one of the founders of latin jazz. Another Latin Jazz artist, Mongo Santamaría was a Latin Jazz percussionist who wrote the song Watermelon Man which is a song that is played all over the world by jazz bands.the third and final jazz artist is Stan Getz a Jazz tenor saxophonist who grew up loving music and eventually made careers in latin jazz music. Latin jazz has
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A jazz article by Raul Fernandez talks about Latin jazz and says “Latin jazz, also called Afro-Cuban jazz, a style of music that blends rhythms and percussion instruments of Cuba and the Spanish Caribbean with jazz and its fusion of European and African musical elements”(Fernandez). The quote explains that rhythm combined with influences from all around the world prove once again that music is the language spoken by all and when it comes together it makes one amazing sound. One of the big factors that brought Latin jazz to be such a great and amazing music was the percussionist or to be more specific, the drummers. “Afro-Cuban drummers played a fundamental role in the development of Latin jazz from the late 1940s through the 1960s, giving the genre its seemingly inexhaustible stream of rhythmic patterns, phrasing, and styles”(Fernandez). Latin jazz continued to gain popularity as big bands started to break apart and get smaller. And play lighter music and different kind of style that had never been heard of …show more content…
He has always loved jazz and what it stands for, the new york times says “Mongo Santamaria, a Cuban conga player and percussionist who arrived in New York at the beginning of the jazz-Latin fusion and was arguably the most popular Latin musician of the 1960's, died on Saturday. He was 85”(Ben Ratliff). This quote from the New York Times tells us that Mongo was one of the founders of Latin Jazz in New York. He is an amazing percussionist who has brought together different cultures into music and dance because he was big into dance as a young kid in Havana, Cuba. The New york times article also says “His given name was Ramon Santamaria. After establishing himself as a professional musician in his hometown of Havana, performing at the famous Tropicana Club with Conjunto Matamoros and Conjunto Azul, he toured Mexico with a dance team. In 1950 he arrived in New York and began working with Gilberto Valdés, playing charanga music, with its recognizable, courtly flutes-and-violin mixture in the frontline”(Ben Ratliff). The second quote says that when he was a kid he loves music and being in a family with little money he did it to make a career out of it. This also proves how he learned different styles of music traveling around mexico and seeing different cultures. That's how he formed the wonderful music of latin jazz. The final quote from the new york times article says “Mr. Santamaria retired from
The Latin Americans never wanted to be left in this music development. The Latin Americans had their own music, Jazz (Gordon, 2005). They wanted to influence in the development of the music. Soon, Salsa was born out if mixture from the Jazz music and Mambo. Salsa took the bodily movements and the Cuban beats as a contribution from the Caribbean culture. The Latin America contributed the wording of Salsa music. Diversity necessitated the growth of Salsa as Mambo had been viewed with suspicion as it was linked to ghetto status hence it was
His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal You (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonist of jazz.
Morales, Ed. The Latin Beat: The Rhythms and Roots of Latin Music from Bossa Nova to Salsa and Beyond. Cambridge, Massachusetts: Da Capo, 2003. Print.
Jazz was introduced directly after World War I by African-Americans (Boundless.com par. 1). Although jazz was composed by many different African-Americans the main founder of jazz was Ethel Waters (McCorkle par. 8). Jazz was first played in New Orleans, but as the African-Americans moved north, white citizens caught on and tuned jazz into a new craze (Lindop 107). Even though jazz was created in New Orleans, Chicago became the home of jazz music (Bingham 8). The first jazz players derived the tune from a mixture of Latin American, African, and European rhythms, making it very popular among many different types of people (“Latin Jazz” par. 1). Jazz was so well-liked because it gave the artists the opportunity to make the predetermined tune their own (“What is jazz par. 1). When listening to jazz the same song is never heard twice because the band members each put their own spin on the way they play their instrumen...
The increase and changing demography in the United State today, with the disparities in the health status of people from different cultural backgrounds has been a challenge for health care professionals to consider cultural diversity as a priority. It is impossible for nurses and other healthcare professionals to learn and understand theses diversity in culture, but using other approaches like an interpreter is very helpful for both nurses and patients. In this paper of a culturally appropriate care planning, I will be discussing on the Hispanic American culture because, I had come across a lot of them in my career as a nurse. The Hispanic are very diverse in terms of communication and communities and include countries like Mexico, Cuba, Puerto Rico, South and Central America, and some of them speak and write English very well, some speaks but can’t write while some can’t communicate in English at all but Spanish.
Salsa is one of the most distinctive genres of the 1900s in the music industry; characterized by a very lively, powerful and danceable upbeat. Salsa is a fusion of many Latin musical genres that combines rhythms, instruments and musical elements primarily from the Cuban son based on a three-two beat with syncopation rhythmic pattern known as the clave and Afro-Cuban dance. The roots of salsa originated in Eastern Cuba, but by mid-century the Havana came to be home to this music and many foreign musical genres such as the American Jazz and popular music. Even though, salsa genre has evolved differently across Latin America with the unique sounds of their country of origin, such the Colombian salsa and Puerto Rican salsa, it is still today the most popular style of dance in many Hispanic communities
Jazz music prospered in the 1940’s and 1950’s. Jazz was created by African Americans to represent pain and suffering and also represented the adversity that racial tension brought. (Scholastic) African American performers like Dizzy Gillespie and Charlie “Bird” Parker came to be recognized for their ability to overcome “race relati...
Jazz culture to be exact, is the topic at hand. Jazz culture expands throughout many genres and is expressed in many ways. The many genres of jazz are Big Band, jazz funk, modern jazz, smooth jazz, Latin jazz, and jazz fusion. Each of these comes with its own unique sound and origin. Latin jazz, for example, employs rhythms from both African and Hispanic backgrounds. The sound is particularly up tempo with divided eight beat patterns. Jazz artists who have portrayed these qualities of jazz to the world are at the very core of its culture. Many people who are in places of power in this society or are held in some form of esteem have had some exposure to the arts, whether it is classical or jazz. This is due to a desire to be culturally diverse which is a quality held in high esteem in regards to a more worldly point-of-view. There are many aspects of Jazz music that could be approached, but there is one point in particular that must be expressed in detail. The influence on the genre ...
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
Bachata originated from the Dominican Republic in the early 20th century. During dictator Trujillo’s rule, Merengue was the official music to the nation. Because many Dominicans did not accept their African roots, their dances and rhythms were oppressed. Bachata, with its African influences, was considered crude and lower class, only played by campesinos- peasants. It was only popular in the rural parts of the Dominican Republic. However beginning in the early 60s, bachata was steady becoming tolerated, and eventually loved. (Pacini)
The Jazz Age was one of the many highlights of the 1920’s before the stock market crash that triggered the start of the Great Depression in 1929. Because of the distress that the American soldiers faced during World War 1, many of them returned questioning the true meaning of life. Their solution was to recklessly enjoy their lives since you only live once. A completely new culture bloomed during the decade through it’s new music, crazy dancing and brand new atmosphere. While the country seemed to be rather optimistic as a whole during the 1920’s, this decade actually had quite a few issues. Although the United States demonstrated confidence throughout the decade, there were many situations in which the country experienced disillusionment and isolation.
Jazz comprises of a wide range of music from the ragtime to the present music listened to by many people. The music evolution has taken roughly 100 years and jazz has been put in this particular evolution as one of the music styles today. In the definition of jazz, there is no actual definition of jazz because it a composition of very many music styles hence making it hard to get the required definition that would describe it fully. Attempts being made to define jazz have a basis of traditional music that have similar characteristics as jazz but not real jazz. Using the American or African music examples, the researchers argue that the definition is very broad and wide. Ernest Berendt one of the researchers says that jazz originated from America in the process of confronting Negros with Europeans in terms of music. This can then be termed as a tool of identity between the two groups of people due to the racist and discrimination aspects that faced America. This was now a tool that could identify the two groups to bring about national integration and understanding among the members of America. In America jazz has incorporated time as a special factor and is now referred to as swing. Swing means spontaneity and vitality of the production of music which has an improvisation role to play to the listeners. This particular jazz music contains a particular manner of phrasing which acts as a mirror to an individual and the personality of the musician performing that particular jazz music on stage. The early jazz musicians include Double Bassist Reggie Workman, saxophone player Pharaoh Sanders, and drummer Idris Muhammad who were performing in 1978 hence dating back to early jazz performance and presentation.
Ironically, it is nearly impossible to find the pinpoint of where jazz got started. Many early types of music, such as: Blues, Afro-Latin Caribbean rhythms, work songs, Protestant church hymns, Jewish songs, silly contemporary tunes, English and Irish dance music, gospel and spiritual, and ragtime, all went into the creation of jazz. A lot of credit goes to the African Americans for the creation of jazz. (Taborelli, Giorgio). “Jazz was born out of the cultural experience of African Americans and can be traced in a direct line to the slave songs of the plantations through the Negro Spirituals, Ragtime, and the Blues”("Jazz Musicians as
Even though jazz was associated with interracial sex and illegal drugs, jazz made a great influence on society, because it was the prayers and answer to the hard tim...
The word tango is most likely from African origin and referred to popular music and dance celebrations that the slaves performed throughout the Caribbean and Atlantic coastal regions. The genre overlapped with milonga, candombe and the Cuban habanera. During the 20th century, around the time that the urbanized samba emerged in Brazil, the tango emerged as an independent dance genre. The rioplatense tango arose in poverty stricken areas known as arrabeles in the outskirts of Buenos Aires and Montevido. The compadrito was a quintessential early figure that emerged out of the arrabales; his dress and behavior mocked the elite, posing as an arrogant bully. He blended gaucho and immigrant characteristics and spoke lunfardo (a dialect with references to the criminal underworold). Most people considered him vulgar and disreputable but many secretly admired his provocative sensuality. The first stage of tango history is known as Guardia Vieja and lasted until 1920. During the period, the tango emerged as a genre of instrumental music based on a three-part form with different sections. The Guardia Veja ensembles had one violin, flute, guitar, and bandoneón (an accordion-like instrument of German origin associated with the tango that is also used in contemporary traditional music ensembles. It has 38 buttons in the upper and middle registers and 33 buttons in the lower register. What is argued to be the most famous tango ever written was “La cumparsita” (“The Little Carnival Procession”) by Gerardo Matos Rodriguez in 1917. Early tangos used rhythms related to the habanera and milonga in duple meter, but bandleaders began to slow the tempo and adopted a quadruple meter with sharp accents during the 1910s. The marcato and sincopa characterize...