Importance of Language and Appearance in Frankenstein
The individual identified as the monster in Frankenstein demonstrates, through his own problems with understanding and being understood by the world, the importance and power of language on the one hand and of outward appearance on the other. As this essay will show, the novel shows these two factors to have very different functions indeed.
First, let us look at the function of appearance as the monster perceives it. From the first time he views himself in a pool of water, he knows that he has the features which make up a monster. Then he states: "Alas! I did not yet entirely know the fatal effects of this miserable deformity" (p. 109). After this he experiences time and again how people, including the one who created him, flee in terror from his deformed shape, and finally, when all hope of a reversal of that situation has disappeared, he starts to use this deliberately for purposes of revenge.
The incident where he loses his last hope of ever being seen as anything but a monstrosity is when William Frankenstein, the younger brother of his creator and also a young and hopefully unprejudiced child, proves to see him the way any adult would, with disgust and horror. After completing the act of killing the child, he resolves to "carry despair to [Victor Frankenstein], and a thousand other miseries shall torment and destroy him" (p. 137). According to the monster, the function of appearance is to make society react to you. Whether the reaction is appropriate or not is beside the point; all that matters is the way you look.
Then we have language and communication. The first time he encounters spoken words, the monster reports that "this was indee...
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...and then in the scene with the blind man), but sooner or later you have to reveal your true shape to people you want respect from, and then a malformed outer shell will drive away the impressions left on them by your mind, however worthy and elevated that mind is. In the end, the only one who cares about who you really are is yourself, and everyone else sees just your surface. The exception from this is love, because love is the ability to see through the masks and understand who is behind them. The monster, understanding this, entreats his creator to give him an equal to love and be loved by, but his pleas are denied. He then sets out to destroy his creator and then himself, preferring death to a meaningless existence. In short: in order to stay sane and loved, nurture your mind, but in order to stay socially accepted and popular, nurture your body.
Which rule in the AICPA Code of Conduct is most related to Article 1.5 of the California Accountancy Act? Explain your conclusion.
The principles of the AICPA Code of Conduct should guide the work that Jose and Emily do as auditors. The principles that specifically apply to this situation are Responsibilities, The Public Interest, and Due Care. CPAs have the responsibility to “exercise sensitive professional and moral judgments in all activities.” (Mintz, p. 19)
As human nature, we tend to judge too much. We judge others by the color of their skin, their weight, if they have acne or not, and how they dress The Creature, from Mary Shelley's novel, Frankenstein, is judged throughout the entire novel. He looks different,
Frankenstein is the story of an eccentric scientist whose masterful creation, a monster composed of sown together appendages of dead bodies, escapes and is now loose in the country. In Frankenstein, Mary Shelly’s diction enhances fear-provoking imagery in order to induce apprehension and suspense on the reader. Throughout this horrifying account, the reader is almost ‘told’ how to feel – generally a feeling of uneasiness or fright. The author’s diction makes the images throughout the story more vivid and dramatic, so dramatic that it can almost make you shudder.
After reading McKibben and Hurst’s articles in the book Food Matters, both authors present arguments on “industrial farming”, and although Hurst provides a realistic sense on farming, McKibben’s suggestions should be what we think about.
...estions if not 100% sure of something or use a double checking system. When a nurse is administrating medication, they should use the ten rights of medication administration (right patient, right drug, right route, right time, right dose, right documentation, right action, right form, right response, and right to refuse). Nurses should always keep good hand hygiene and always wear appropriate clothing to prevent from the spread of disease. Good communication with patients and healthcare team members is also key to success. Keeping on the eye on the patient within an appropriate time is important. If the patient ever seems to be looking different than their usual self vitals should be taken immediately. Encouraging patients to ask questions if they are unaware of something can prevent errors as well. Nurses should make sure the patient is on the same page as they are.
A monster can be characterized by an extreme deviation from the normal standards of society including an internal or external wickedness. In the case of Mary Shelley’s Creature, his appearance overwhelms those who lay eyes upon him. A mere glance can send a villager running for the hills. It was not until the Creature caught a glance of his own reflection that he understood why villagers were so afraid of him. The realization of his ghastly appearance began the monster’s journey into hopelessness. In Peter Brooks’ article he writes, “Self recognition as the ‘filthy type’ completes the mirror stage of the Monsters development.” (Brooks 377). Seeing oneself as ugly and slovenly can cast shadows on even the most compassionate of hearts.
Pro-choice versus pro-life argues over the issue of what should be the right stance when dealing with the life of an unborn child. From the perspective of a person who is pro-choice, they believe that “individuals have unlimited autonomy with respect to their own reproductive systems, just as long as they don’t violate the independence of others.” Pro-choice also argues that the government should not have the right to decide whether a woman should exterminate her pregnancy or not. From their viewpoint, they believe that what should be legal in the eyes of the government is contraception use, celibacy, abstinence, and abortion for the first two trimesters of pregnancy. On the stance of pro-life, they argue that the government has a right
The main focus in Frankenstein is the immense accentuation put on appearance and acceptance in the public eye. In society and in addition in the general public of Frankenstein, individuals judge one singularly on their appearance. Social bias is frequently established on looks, whether it is one 's skin color, the garments that one wears and even the way a man holds himself or herself. People make moment judgments taking into account these social biases. This recognition in light of appearance decides the conduct towards the individual. In Frankenstein, the general public of that time is like our own today. It is an appearance-based society that the ugly figure of Victor Frankenstein 's creature can be compared to a typical person of today.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Peter Brooks' essay "What Is a Monster" tackles many complex ideas within Mary Shelley's Frankenstein, and the main concept that is the title of the essay itself. What is the definition of a monster, or to be monstrous? Is a monster the classic representation we know, green skin, neck bolts, grunting and groaning? A cartoon wishing to deliver sugary cereal? or someone we dislike so greatly their qualities invade our language and affect our interpretation of their image and physical being? Brooks' essay approaches this question by using Shelley's narrative structure to examine how language, not nature, is mainly accountable for creating the idea of the monstrous body.
The definition of ‘monstrosity’ and what it means to be ‘monstrous’ can be understood to mean something that is visually unattractive, malformed and/or terrifying. However, monstrosity is not exclusively about something aesthetically ugly, it can also apply to what differs from what is considered ‘normality’. What is ‘normal’ versus what is ‘monstrous’ is closely linked when exploring ideas about the human condition. The representations of monstrosity in Frankenstein and in The Tempest reveal how what is monstrous and what is normal are often found side by side, challenging the idea that it is limited to outcasts who do not ‘fit-in’, and that deep down, a desire to be understood, accepted and included and to live life with meaning are central to the human condition and that monsters in society often reveal our deep seated fears and anxieties about our own existence.
Throughout every individuals life there are experiences of unfair judgments based on someone’s appearance. While this is never a good thing, it is an action that everyone takes part in, whether it is purposeful or not. In Frankenstein, Mary Shelley’s message is very clear as she illustrates the cruel events that take place in a society focused only on outside beauty. The central message that Shelley communicates with Frankenstein, is that while appearance is just one of an individuals many characteristics; it is always a factor they are judged on regardless of all the other qualities they may possess.
Taoism offers the belief that evil and good are complimentary in the universe because they are a manifestation of extreme opposites. The belief is that the Tao is always in a constant balance of Yin and Yang. For instance, in the abstracting beauty, ugliness is usually implied. Similarly, an individual who abstracts good, evil is also suggested.