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Recommended: Chaucer and satire
“Every poet arrives at some sense of how language works. Chaucer 's engagement, like that of the greatest literary figures, goes beyond the brilliant, skillful use of language as a tool of expression, beyond what we usually call 'talent, '" note academics Douglas Wurtele, David Williams, and Robert Myles. They eloquently phrase the wit and mechanics adeptly applied by Chaucer in his forging of a new written language. Not only does he manage to forge this language, but he uses his academic wit and knowledge to critique and criticize the two most sacred institutions of his day. Through his dexterous use of satire and irony, he finds a revolutionary way to reach the general multitude, whose language he adopts in his writing. Chaucer successfully While French, Italian, and Latin were all fluent and viable options for Chaucer’s choice of language, he instead settles upon the disdained language which would later be known as English. His decision to write in English rather the other “more beautiful” languages was not only an action of satire but also an effort to communicate with the general public. John Fisher avers in The Importance of Chaucer that, “It is [Chaucer’s] introduction of satire and realism and his experiments with philosophical and scientific prose that demonstrated the capacity of the language…No other writer ranges more widely from serious to comic, from spiritual to bawdy, from lyric to narrative, from poetry to philosophy and science. By the time he finished, the prejudice that English was not capable of expressing any kind of sentiment or conveying any kind of information could no longer stand.” In the General Prologue, Chaucer expertly captures reader attention by his satirical slights and implications towards many of the characters. “The Rule of good St. Benet or St. Maur as old Gilbert Highet affirms Chaucer’s satire in these tales to address the institution of marriage in his book The Anatomy of Satire: “Such is that delightful satire on marriage seen from the woman 's point of view, the Wife of Bath 's Prologue in Chaucer 's Canterbury Tales.” In Chaucer’s day, the idea that women were not supposed to and generally did not enjoy sex was widely accepted. Chaucer immediately shatters this societal assertion when his character, the Wife, avows, “I can’t keep continent for years and years…One may advise a woman to be [a virgin]; Advice is no commandment in my view.” Chaucer secondly attacks the assumption that women are inferior to men throughout the prologue and her tale, but it is clear that the Wife knows how to manipulate her men. Her only challenge was her last husband, married for love: he believed readily in the wickedness of women. In physical confrontation, they fought it out, until he apologized, although she herself was also hurt. “In the end we made it up together…So help me God I was as kind to him as any wife from Denmark to the rim of India, and as true. And he to me,” vividly indicates that their relations were not peaceful until a mutualistic and equivalent understanding was
Boardman, Phillip C. "Geoffrey Chaucer (c. 1343-1400)." Enduring Legacies: Ancient and Medieval Cultures. 6th ed. Boston: Pearson Custom Pub., 2000. 430-54. Print.
Cox, Catherine S. Gender and Language in Chaucer. Gainesville, Florida: U of Florida P, 1997.
Fichte, Joerg. " Genre in The Merchant's Tale." New Views on Chaucer: Essays in Generative Criticism. Ed. William Johnson. Denver: Society for New Language Study, 1973. 9-16.
At times, he appears to be pandering to expectations of modesty, telling the readers at the outset that "my wit is short, ye may wel understonde." On multiple occasions, he breaks the fourth wall, jokingly criticizing his own rhyming abilities (through his own characters, of course) or having others lament that there is no story they can tell that Chaucer has not already told. Before the Miller 's tale, he apologizes for the crudity of the story (giving the excuse that it is the Miller spewing such ribaldry, not Chaucer himself), and asking his readers to "noght make ernest of game " (advice which perhaps his overly competitive pilgrims would do well to heed). Chaucer 's moments of uncertainty arise in his tales as well as his prologues, such as when he inserts himself into the Knight 's Tale after Arcite 's death, saying that he cannot possibly know where departed souls go when they leave the Earth. Chaucer 's proud quest to turn previously foreign classics into informative English poetry is in many ways a quest to prove the extent of his knowledge and abilities, which makes it most conspicuous that he inserts himself into a tale to tell the reader that there is a gap in his knowledge. Perhaps Chaucer 's ostentatious confusion when it comes to pagan theology is a subtle means by which he intends to distance himself from the non-Christian beliefs widespread in the setting of his opening
In the Geoffrey Chaucer’s Canterbury Tales, Chaucer illustrates the different perspective between men and women on the concept of marriage and love. In The Wife of Bath’s tale, it is shown the woman appreciating marriage and wanting to be able to love a man unconditionally as where in The Miller’s Tale, love isn’t anything, but sex with the man in the story. In accordance with Chaucer, the complication with marriage is that men are consumed by sexual desire and are easily abused by women like The Wife of Bath. As noticed, The Miller’s Tale is all about adultery. “Just like men, the wives have secrets, as does God”, says the Miller. Both have information that the other do not know about that are sacred and better left unsaid.
In Geoffrey Chaucer's The Canterbury Tales, The Wife of Bath is a strong woman who loudly states her opinions about the antifeminist sentiments popular at the time. Chaucer, however, frequently discredits her arguments by making them unfounded and generally compromising her character. This brings into question Chaucer's political intent with the Wife of Bath. Is he supportive of her views, or is he making a mockery of woman who challenge the patriarchal society and its restriction and mistrust of women? The Wife's comedic character, frequent misquoting of authorities, marital infidelity, and her (as well as Chaucer's) own antifeminist sentiments weaken the argument that Chaucer supported of the Wife's opinions.
Sexual relations between men and woman have created issues of life and death from the beginning of time. In most classic Western beliefs it began when Eve with the help of the Devil seduced Adam thus leading the downfall of humanity into an abyss of sin and hopelessness. This issue arises in all literature from Genesis, Chaucer and into modern day. Authors, clerks and writers of all types have aided stereotyping women throughout history and Geoffrey Chaucer is not an exception in most cases. However, in Chaucer's Wife of Bath we can find the beginnings of a new type of woman arising from the dark ages of the post-Roman era. And of course at the center of his character's struggle is sex. As this topic develops, we shall take a brief look into sex, women, the Middle Ages and Chaucer's Wife of Bath as an example of Middle Ages reflections.
In medieval England, society’s roles were dominated by men and women were either kept at home or doing labor work. Among the most famous medieval English literature, “The Canterbury Tales” by Geoffrey Chaucer, lies ‘The Wife of Bath's Prologue’ and ‘The Wife of Bath's Tale.’ Within, Chaucer shares his perspective of the Wife of Bath, the Queen, and the Crone. Through the use of symbolism and diction, Chaucer aims to change society’s expectations of women.
Tatlock, John S.P., and Arthur G. Kennedy. A Concordance to the Complete Work of Geoffrey Chaucer. Gloucester: Peter Smith, 1963.
The Wife of Bath is one of the most famous characters within Chaucer’s The Canterbury Tales. In her prologue, it is quickly made clear that she has had a lot of husbands and by a lot I mean five. Since she has all this experience with men, The Wife of Bath dedicates her prologue to describing how each of her marriages went. In her five marriages she has been accused of lusting too much, to being too controlling, and being abused. While some good husbands were good and some were bad, The Wife of Bath depicts a solid image of her feelings toward men. In her relationships, she must always have the upper hand. She is the type of woman who gets what she wants when she wants it. While describing one of her marriages, The Wife of Bath explains how
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
...an see, when reading a work such as The Canterbury Tales, there are many advantages and disadvantages to the work being in both middle and modern English. Before reading such a work, one must realize his or her own purpose for reading the work and then decide on which version to read. It is the opinion of many that it is beneficial to read both versions in order to educate one self about both languages as well as to experience the evolution of the English language. The English language has changed greatly over the many centuries since the time this work was written. However, this work helps create a bridge between the languages of the middle and modern English worlds. This was a work that transcended any work previously written and one that will continue to have an important place in the history of English literature and the English language as a whole.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.
The debate of which individual should have the authority in a marriage, the man or the woman, is a topic that has remained unanswered for centuries. While he does not solve this debate, Geoffrey Chaucer attempts to unpack the different elements that factor into it. In Canterbury Tales, primarily in the prologue of the Wife of Bath and both tales of the Wife of Bath and the Clerk, Chaucer displays different types of marriages. These marriages analyze how a man or woman can gain authority over the other. These marriages vary in terms of their dynamics due to the unique individuals and their environments. Through an analysis of the marriages depicted by Chaucer in the prologue and tales of the Clerk and the Wife of Bath, one can see the different
In this novel, in comparison, there are more men than women. Most of the tales told by the men stretch over a wide range of how female should be. On the other hand, the women tend to focus on one idea and stick to it to prove their point. Since there are more men, the women tend to loose the importance and focus from the men. The women figure in this book are the Prioress, the Wife of Bath, and the Second Nun. Chaucer description of the women in this novel is very stereotypical. Although he describes them with great elegance and respect, there is always a condition to it. These conditions then tend to leave no importance for the reader. The Nun is described a “charitable solicitous” who “weep[s] is she … saw a mouse caught in a trap”1. These small details put a wrong impression on the readers therefore leaving no interest and meaning for the tales the women have to say. Even after the tales are done, the Host says things that discourage the