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Recommended: Gender in society
The final character that goes through gender fluidity is Macduff. Macduff is feminine when he proclaims “O horror, horror, horror! Tongue nor heart/
Cannot conceive nor name thee”.(2.3,69-69)
This is Macduff's reaction to the King's death. This reaction is considered very feminine , because masculine people react to death by portraying stoicism and are less emotive. In masculinity, a man is not supposed to be emotive and cry, instead a man tends to be strong, stoic, sometimes angry and men usually do whatever they can to avenge death . Instead Macduff's is very emotive and is in such shock where he is almost to the point of fainting which is very feminine which is characterized by Lady Macbeth. Macduff does not grief like a man until he hears the news of his family’s death . At first Macduff’s reaction to his family's death is feminine when he says
“All my pretty ones?/
Did you say all? O hell-kite! All?/
What, all my pretty chickens and their dam/
At one fell swoop?”.(4.3,253-257)
Malcolm interjects by saying “Dispute it like a man.”.(4.3,258)
Macduff responds to Malcolm by saying “I shall do so,
But I must also feel it as a man./
I cannot but remember such things were/
That were most precious to me”.(4.3,259-264)
Malcolm interjects
…show more content…
Gender fluidity can be especially seen with the characters Macbeth, Lady Macbeth and Macduff. Shakespeare proves that the point that gender is a fluid social construct within society. It can be seen with in current time today, people go in and out of gender roles by portraying the opposite or their traditional gender roles when they want or people dress in another gender which is opposite what was assigned to them at birth. Shakespeare destroys the preconceived notions about concrete ideas about gender by making the characters of the play, Macbeth, go in and out of them so easily. Shakespeare proves that gender is a fluid social
While the women in Harper Lee’s novel To Kill a Mockingbird come in a variety of personalities and backgrounds, all of their lives are led by one constricting factor; their gender. Scout's upbringing as a young woman greatly contrasts that of her brother Jem. Jem is educated as a young boy growing into a man while Scout’s journey is taken as a woman. The manacle of womanhood is but a concept if one does not consider the harsh faults and inhibiting limits of men or rather the struggle for “masculinity” that men are similarly constrained. Though she is repeatedly told to have ladylike manners and to dress in more feminine way, Scout mostly denies this norm but is still able to become a young
...d, he is apathetic to her death. All he holds value of is keeping his crown, and his greed for power leads to his cockiness in his last battle with Macduff. Because he does not believe one of women-born can stop him, he overlooks Macduff, and when Macduff’s history is revealed, Macbeth loses all confidence and loses the battle, and his life.
Throughout Macbeth, Shakespeare dramatically shows what can happen when our common gender roles are broken. He shows the power that people can have over others when they aren’t acting the way they’re expected to.
Macduff displays different aspects of what a man is, by feeling grief as a man and mourning the loss of his loved ones. The lack of traditional gender roles in the play affect the male characters and their manhood. Macbeth is constantly emasculated by Lady Macbeth to be the stereotypical traits of a man, strong and not-emotional, which leads him to his eventual downward spiral. Whereas Macduff dismisses the stereotypes of a man, and realizes for him to be effective in battle, he needs time to grieve the loss of his family. Despite his unknown motives for leaving, Macduff’s honest and respectable character proves the loyalty and love he feels to his family.
In the old Shakespeare play Macbeth, women wear the pants, while the men wear the dresses, this is the theme throughout the play. It focuses on the marriage of Macbeth and Lady Macbeth takes the lead role, while she convinces her husband to kill Duncan. Shakespeare play concerning gender roles, shows the untraditional marriage in Scotland; what one sees is not what one gets. It also show how one starts is not how they end. The story of Macbeth shows power and betrayal. It shows power because it shows how one can take charge and get it done. It shows betrayal because he kill Duncan just to get the crown.
Judith Butler’s concept of gender performativity suggests that there is a distinction between “sex, as a biological facticity, and gender, as the cultural interpretation or signification of that facticity” (Butler, 522). Performing certain actions that society associates with a specific gender marks you as that gender. In this way, gender is socially constructed. Alfar defines the societal expectation of women as the “constant and unquestioning feminine compliance with the desires of the masculine” (114). Considering Macbeth from a modern perspective and taking this distinction into account, it is necessary to determine if the play is concerned with sex or with gender. Before the action of the play even begins, the audience is warned that “Fair is foul, and foul is fair” (1.1.11). The first scene of the play casts the world of Macbeth as a land where everything is opposite or disordered. This line at the very start of the play cautions audiences to not take the play at face value because things are not always as they appear to be. Because of this, “all the binaries become complicated, divisions blurred. Thus the binary nature of gender identities, male/female, is eliminated” (Reaves 14). In the world of Macbeth, the typical gender constructions are manipulated and atypical. If the play does not deal with sex, the qualities of Lady Macbeth cannot be applied to all women but rather, representative of society’s construction of gender, “the patriarch, and the limited, restrictive roles of women” (Reaves 11). Within this reading of Lady Macbeth, Shakespeare’s examination and questioning of gender construction allows modern day readers to recognize the enduring relevance of
Ideal Elizabethan women portrayed a simple beauty with gentle, empathetic, tender, caring, and sensitive qualities. When Banquo encounters the Three Sisters he addresses them as women “and yet your beards forbid me to interpret that you are so.” They control fate, sustain full independence, being pictured as outcasts in the play’s starting stasis. Lady Macbeth shows prominent contrast to ideal assets. Her debut features an aside questioning Macbeth’s abilities to fulfill prophecy, and takes charge of the situation herself: “That I may pour my spirits in thine ear, and chastise with the valor of my tongue all that impedes thee from the golden round.” Soliloquies reveal a spirit of independence and an unsubmissive nature; she calls upon spirits to silence her sensitivity and remove her tender nature: “That no compunctious visiting’s of nature shake my fell purpose…” Lady MacDuff embodies the one female character portrayed as an ideal Elizabethan woman, submissive to her husband and caring towards their children. Exchanges between Lady MacDuff and her son illustrate a strong woman capable of living life and working through issues, without the need of cruelty.
Macduff was the first to openly defy Macbeth by his decision to go to his castle in Fife rather than Macbeth’s coronation in “Scone” (2.4). Macduff flees to England to rally support and revolt against Macbeth (4.3). Macduff acts on his free will, uninfluenced by the power of Macbeth nor others, and does what he believes to be the best for himself and everyone else. He retains his independent thoughts and his sense of masculinity despite the consequences he might suffer, standing his grounds with his beliefs and ideology of being a true patriot. Later on, upon hearing the news of his family’s murder, Macduff shows his sensitivity: “I shall [disput it like a man], but I must also feel it like a man” (4.3). He depicts the ability to have emotions and link it to his masculinity as a part of human traits, embracing his weaknesses and flaws and showing that he also acts as he believes he should act. The sharp contrast between Macbeth’s cowardly actions and Macduff’s strong will is shown at the final battle between the two; Macbeth refuses to fight with Macduff when Macbeth learns Macduff is that one person in the prophecy that would defeat Macbeth until Macduff threatens to capture him alive and humiliates him in front of the crowd (5.8).Once again, Macbeth masculinity is threatened, and he gives in to the threat rather than stand his ground, leading to his ultimate demise. Macduff’s
Gender is evidently out of its traditional order within the play, and thus the three chosen exemplar characters to showcase this are Lady Macbeth, the Witches, and Macbeth. In saying this, Lady Macbeth is a clear example of how the traditional characteristics of a woman are non-existent as they are taken over by masculinity and strength. The witches challenge their womanhood due to the power they hold and attributes they have, all while Macbeth challenges his gender as he shows femininity through weakness and fretfulness.
... truly seen as a character when he discovers the just previously murdered Duncan. He shows utter shock at the sight of the deceased Duncan and is first to question Macbeth about the suspicious act, including the death of the servants. Macduff provides Macbeth with paranoia that is evident through the rest of the play and Macduff continues to show his loyalty to Duncan even after the murder by making it his goal to ensure the rightful king is crowned. Macbeth is told by the witches to beware of Macduff, but also that he may not be harmed by anyone “born of woman”. Macduff is therefore destined to slay Macbeth and end the conflict that Macbeth has created with his ambition as his was “untimely ripped” from his mother’s womb. The heroic Macduff through bravery and fate is able to withstand the prophecy and kill Macbeth honoring his family, morals and all of Scotland.
Shakespeare, one of the most famous play writers in history, wrote Macbeth in 1606. Many women were not allowed to perform in plays during that time period; however, Shakespeare did have very few females act out roles in his play (Shakespeare: Sample). Shakespeare viewed his women as strong-willed individuals (“Macbeth.” 227 ) when in reality they were often gone unrecognized (Women in Anglo). The character, Lady Macbeth, was a frightening, ambitious woman. Lady Macbeth often wished to “unsex herself” to carry out the killing of King Duncan on her own as her husband showed no manly characteristics to do it. Women during the Anglo-Saxon time period however, were way different then the way Shakespeare viewed his women during his time period.
The Impact of Gender on Shakespeare’s Othello. In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello.
.... The theme of masculinity being displayed throughout the play, particularly by Macbeth himself, reinforces his position in terms of importance. This revolving notion can be justified through the manner in which the audience views Macbeth’s own urge for power- over femininity and also for the throne; thus slowly developing a setting for the preceding plot. Once again Macbeth is also imperative in regards to the story line, as he is the figure in which Shakespeare tends to propose certain principles and consequences.
Characters in Macbeth frequently dwell on issues of gender. Lady Macbeth manipulates her husband by questioning his manhood, wishes that she herself could be ?unsexed,? and does not contradict Macbeth when he says that a woman like her should give birth only to boys. In the same manner that Lady Macbeth goads her husband on to murder, Mac...
In the play, Macbeth, the power of a woman is a strong force to be reckoned with. Many times in the play, the female characters have proven their equality with any man. From the witches to Lady Macbeth, these characters show their power either in words or in actions. The women, in the play Macbeth, contradict the roles set by society in 1606. Women who over stepped their boundaries were considered a threat to the people and were punished severely. It was shocking to the public to see such masculine female characters in Macbeth.