How does Fear and Lack of Happiness alter the Iranian’s obedience to the Government?
Persepolis: The Story of a Childhood by Marjane Satrapi is a graphic novel autobiography of Satrapi’s experience during the 1979 Islamic Revolution in Iran. Throughout this book, there is a great deal of sorrow because of the Islamic Revolution’s effects on Satrapi. Although, Satrapi tries to make her own happiness, within the repressed country by the government, the government will create fear and take away freedoms to coerce the Iranian’s to obey them. Within Persepolis, the government will try to compel the obedience of the Iranian’s to their power by restricting them of pop culture, manipulating their domestic lives, and reversing the viewpoint mentality
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These demonstrations were one of the ways the Iranian’s could reveal their refusal to allow the government to dominate their lives. These demonstrations played a role in impacting Satrapi’s view of politics for Iran. Satrapi pretends to be historical revolutionary leaders such as Che Guevara or Fidel Castro; this symbolizes Satrapi’s innocence of her surroundings. “For a revolution to succeed, the entire population must support it,” Satrapi is trying to convince her parents of letting her go to a demonstration with them, but she is not allowed to go because the demonstrations are dangerous and lead to conflicts. Children like Satrapi were examples of how living during a Revolution forces them to either live in fear of not obeying the government’s orders or taking action to be victorious. Satrapi’s mentality changes throughout the novel as she starts to grow older and progresses to see the reality of the situation. Part of this is because of how the revolution takes part in Satrapi’s domestic life within the division of the social classes. Satrapi has a maid named Mehri who lives with them because her family was not financially capable to raise her. Mehri falls in love with Satrapi’s neighbor, Hossein, who is from a higher social class than Mehri, but is unaware of it. When Hossein is told that Mehri is from a lower social class, he ends the relationship with her. “You must understand that they’re love was impossible…because in this country you must stay within your own social class,” it is there that Satrapi experiences the division of the social class. This social class system brings unhappiness to unfortunate people, like Mehri, and what keeps them from associating with one another. The division of the social class is another reason the
Persepolis is a inspirational story written by Marjane Satrapi in the perspective of a young girl’s life during a powerful, historical moment in Iran. The Islamic Revolution was a life-changing moment that impacted her view on the world around her and her innocence shaping her into the woman she is today. Not many people understand what it feels like to feel pain, hurt and abandonment as a child from major and minor things. The author writes this story and decides for it to be a graphic novel to allow the not only young readers, but also for those who do not understand what happens everyday in the world they live in. Satrapi uses all rhetorical stances, ethos, pathos, and logos to show problems, purpose and emotions.
“Persepolis 2: The Story of a Return” by Marjane Satrapi is a memoir that depicts the troubled life of Marjane Satrapi. Marjane Satrapi, the author, was born in Rasht, Iran in the year 1969. She was born to a rich family in Iran and grew up in Tehran during the revolution and revolt against the Shah, the ruler at the time. She lived during the era where Islam was emerging in Iran and becoming the predominant religion. Marjane lacked academics for two years in Iran and suffered indeed from the bombings of Iraq. These horrific events impacted her and her parents, so as a result was sent to Austria for a better life. Her juxtaposed life in Austria and emergence of maturity is described in Marjane’s second installment of Persepolis.
In Marjane Satrapi’s memoir, Persepolis, the characteristics and qualities of revolution are portrayed through rhetorical devices such as visual text, similes, and pathos. Satrapi’s use of rhetorical devices enhances and supports her expression of the revolution in Iran. Persepolis was Marjane Satrapi’s way of allowing people to see how the revolution in Iran affected her family's lifestyle and her upbringing. This memoir also allows the readers to analyze how war changes the way of the people and government in a country.
Due to the serious tensions looming in the air, many people would think it is strictly forbidden to laugh a little or have fun in Iran. The constant political instability makes it seem like the citizens live like robots under extreme oppression. However, in Marjane Satrapi’s biography, Persepolis, she gives an inside look at her experiences growing up in Iran and adds comic relief throughout the novel. As the main character, Marjane, evolves from an innocent girl into a mature woman, Satrapi adds bits of comic relief to highlight her typical personality while living in the midst of an oppressive society.
In Marjane Satrapi’s graphic novel Persepolis, Satrapi states that her goal in writing the book was to dispel many of the hasty generalizations made by the western world about Iran, a principal sentiment being that the country is little more than a nation founded by fundamentalists and home to terrorists and extremists. To combat the misconception, Satrapi enlists the assistance examples of barriers and dissent towards the new conservative regime in Iran from her adolescence. By employing events from her childhood in Iran Satrapi rattles the foundation of the myths and false beliefs assumed by the occident. Satrapi writes that the initial waves of conservative fundamentalism in Iran were met with unified national dissent. To support this claim she employs both personal and familial examples of dissent felt towards the emerging reactionary regime. Satrapi successfully challenges the stereotypes, but limits as to the extent to which she succeeds in doing so could be brought up. A limit one might place on the historical accuracy of her writing is that it cannot truly be taken as historically accurate as a first-person narrative from a child’s perspective, which although persuasive, is biased.
In the graphic novel, Persepolis, by Marjane Satrapi, Satrapi’s childhood was highly impacted by American culture. The purpose of this paper is to analyze the effect of American culture on Satrapi’s view of the Iranian Revolution.
Persepolis is a graphic novel depicting the life of author Marjane Satrapi’s life throughout the Islamic revolution, starting from her childhood. At one point in the story, the Shah of Iran has left the country, and Marjane’s parents think that they will have new freedoms. Later, however, the country is bombed and fundamentalists occupy the United States embassy. After these events, Marjane is ultimately forced to leave the country without her parents to live in Europe. This was foreshadowed in arguably the most significant panel in Persepolis, the 7th panel on page 43. It features Marjane and her parents, sitting in the family’s living room, the news on a television in the background. They are discussing the fact that the Shah recently left Iran to live in Egypt. Around the panel’s frame is a serpent-like creature. In this panel, Marjane Satrapi uses the frame, and contrasting facial expressions and dialogue to show that the Shah is not the only problem in Iran, foreshadowing the unexpected events of unrest that fill the rest of the story.
Persepolis is a coming of age story written by Marjane Satrapi in 20001. Depicting a young girl growing up during the religious revolts in Iran. Throughout the story the main character loses her innocence. The author uses the appeals of genre, ethos, pathos, and logos, historical context, and illustration to depict the loss of innocence in the main character.
Growing up in Iran is hard enough as it is, take a smart, brave, independent young girl, put her in Iran and one gets Marjane Satrapi. The autobiography Persepolis written by Marjane Satrapi tells the story of her kid to early teen years growing up in Iran. The story mainly focuses on the political aspect of Iran of the 1980s along with some more personals tales about her relationship with her family. Marji’s personality alters a great deal during the story of persepolis. It is safe to say that Marji is a brave, smart, independent young girl with a very interesting story.
Because the topic of this novel is life in Iran after the Iranian Revolution, it naturally covers difficult and somber issues. There are points in the novel where Marjane is angry, sad, and frustrated about having witnessed the impact war and the oppressive Iranian regime has had on her family and country. “The key to paradise was for poor people. Thousands of young kids, promised a better life, exploded on the minefields with their keys around their necks” (p. 102). The Iranian regime recruited children from poor families to fight for the government. They were told that they would receive a better life after death if they died for their country, so thousands of boys lost their lives for no good reason. Tackling topic such as this one leads to a naturally distressing and somber tone. However, to lighten the overall tone of the novel, Satrapi also employs humor, which serves to make the novel more approachable. For instance, when describing her favorite comic book, Dialectic Materialism, Marjane paints a picture of Marx and Descartes challenging each others ideas. During this, Marx throws a stone at
Persepolis: The Story of a Childhood by Marjane Satrapi captures life in Iran during the 1980’s through a child's eyes. Marjane Satrapi grew up during a time when both the Islamic Revolution and the Iran/Iraq War took place. Personal experiences are expressed through themes including revolution, imperialism, nationalism, religion and loss of innocence and affect Marjane personally as she grows up.
There are many different influences in the world today; a big one that most people in the world face is religion. Religion is an influence that people first encounter during their childhood. They grow and learn to have faith. People’s perspective on religion is affected by their culture, their family and the events they witness during childhood. Persepolis by Marjane Satrapi is the story of a young girl growing up in Iran, during the Islamic Revolution, and the war with Iraq. Throughout the novel religion develops along with the plot, in good and bad ways. In the story Marji loses her faith and it changes who she is, religion also changed her lifestyle by the government putting religion into the law. Religion is a topic that people label as
Marjane Satrapi in her memoir, “The Complete Persepolis” enlightens readers with the reality of living in Iran, as she tells her journey through her life of becoming a woman during the Islamic Revolution. Iran similar to other countries has made different prescribed roles for their women and men based on their cultures religious and traditional set of laws. Society to them was a depiction of what their people were expected to look, and act like when in public. When trying to understand the importance of gender along with their roles in society, it’s crucial to acknowledge outside factors, for instance things like culture and social class. The characters throughout her memoir illustrate how their
Persepolis, a graphic novel by Marjane Satrapi, is not a run-of-the-mill comic book. It is written with purpose. Satrapi wrote and illustrated this book to show Americans that their perspective of her home country, Iran, is askew. She believes Americans are too focused on the “fundamentalism, fanaticism, and terrorism” (Satrapi ii), of the nation and that they forget to notice the normality and humanness of it. Since these two perspectives have vast differences, Satrapi wants to change their minds.
The novel Persepolis, written by Marjane Satrapi, portrays a diverse amount of symbolism throughout the novel which contributes to the protagonist developing into a young women. The main character, Marji Satrapi flourishes at an early age in her life due to the setting of the novel. Satrapi acquires knowledge about different insights of the Iranian government which constitutes her self judgement. Satrapi reckons that the individuals that make up the population of Iran should all support the idea of the government before the ministry of Iran can commence a war. “For a revolution to succeed the entire population must support it" (Satrapi 17).