La Movida Madrileña, meaning “The Action of Madrid”, was an unplanned countercultural movement from 1977 to 1985 in Spain. It began when Dictator Francisco Franco died and Spain erupted with pent-up energy. It was a movement that valued style over substance. The cultural revolution was evident in the music, subculture, fashion, alcohol, drugs, and sexual experimentation. La Movida took place primarily in Madrid, although some other cities such as Barcelona and Vigo had their own Movidas. Popular nightlife slang of the time reflected the spirit of the movement: “¿Dónde está la movida?”— “Where’s the action?”
La Movida began when Dictator Francisco Franco died in Madrid on November 19th, 1975. Franco’s 36-year reign had been one in which rigid public and church laws preserved the traditional role of family, enforced formal relations between the sexes, and controlled expression in the press and media. Eager to distance themselves from Franco’s repression and censorship, Spain quickly began the move to democracy called the “Transition”. King Juan Carlos I helped the transition by quickly naming Adolfo Suárez Prime Minister. Spain’s first democratic vote in over 40 years took place in 1977, and a new constitution was signed in 1978. That constitution is still in place now. In 1979, Enrique Tierno Galván became the mayor of Madrid, the capital of Spain. In this position he had a lot of power to help or hinder La Movida. His choices helped Spain to move past its repressive past. Then, in 1982 the Socialist PSOE party, headed by Felipe González, was voted in by a landslide and became Spain’s first leftist government since the 1930s.
Politics had played a large part in the movement’s beginning, and they continued to be important to La M...
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...le artists include Mariscal, Guillermo Perez-Villalta, and the artist duo La Costus. An unconventional but wildly popular artist of La Movida was the graffiti artist Juan Carlos Argüello, usually known by his tag, “Muelle”. He painted his tag all over Madrid and became extremely well-known. Once as he was driving away after painting his tag a police officer pulled him over. After asking him if he had painted the tag, the officer just asked for Muelle’s autograph! Another personality was Francisco Umbral, a writer for the periodical El País.
Today, “La Movida” is an interchangeable term for hedonistic partying. The spirit of the movement lives on in Madrid Malasaña neighborhood, the place La Movida was first born. Plaza Dos de Mayo and the surrounding area is frequented by people of all walks of life. Many nightlife premises play music that pays homage to the era.
Alfredo Corchado — is the author of the book named " Midnight in Mexico:A Reporter's Journey through a Country's Descent into Darkness”. We are, probably, all interested in finding out the facts, news, and gossips about Mexico. This country was always associated with something mysterious. For me personally, the title of the book seemed to be very gripping, I was interested in revealing the secrets of life in Mexico, thus I decided to read this book. I was really curious, what can Alfredo Corchado tell me about the life in this country, the country, where the constant massacre is the picture, people used to see. In his book, the author tells the reader about the real situations, which took place in Mexico, reveals the secrets of the people’s lives and tells the story from the “inside”. He describes the way he lives his life, and does his work. The " Midnight in Mexico: A Reporter's Journey through a Country's Descent into Darkness” is a memoir. Author tries to transform his own experience into the story line. Corchado shows the reader the darkest episodes of Mexican society, while relying on his own experience.
The Movements of the New Left by Van Gosse documents the events that shaped American’s lives during the 1960s and 1970s. In these 45 documents, Gosse touches on topics of race, antiwar, gay rights and nonviolent demonstrations. The Civil Rights Movement and the Feminist Movement both shared the ideas of equal rights for everyone. Both movements relate to mainstream liberalism, share similar goals or differences, evolved in the 1970s, and still have an impact on American’s to this day.
Francisco Franco (1892-1975) was a lifelong military leader. He rose through the ranks until the early 1930s, when he found himself, a right-wing monarchist, in the middle of a left-wing republic. He was demoted, but later rose up again, and by 1935 he had been named chief of staff of the Spanish Army, a position he used to get rid of left-wing figures and their military institutions. When the left- wing social and economic structure of Spain began to fall, Franco joined the rebellion. He soon led an uprising and took control of Spain after the Spanish Civil War (1939). From then unti...
Lafaye sets the stage of his story by putting New Spain into context Lafaye emphasizes the peculiar nature of New Spain and its intricacies with in that society. Lafaye presents New Spain not as an intermediate between Indian Mexico and modern Mexico, but rather as transitional period that changed the composition of that society. The author cites the myths of Quetzalcoatl and Guadalupe as one of the most complex and original creations to come out of that period. The development of syncretic myth making according Lafaye to offered an answer to the question of the origins of an orphaned people. These new myths also are telling of a search for legitimacy in Mexican
Murch uses this to explain why the Party was successful in maintaining itself on the local level but often failed on the national level. One can not argue that the Black Panther Party wasn’t a socially driven movement, but Murch argues that the movement itself was driven by the social structures of the Bay Area African American community. Murch approaches the success of the Black Panther Party at an angle that examines how the Party’s positions and it’s course was driven by the public it was centered within. Murch details that the African American community of Oakland was deeply rooted in family values as well as social organizations, such as churches.
Filene makes the bold yet practical statement that, in reference to the progressive movement, when “research has produced less rather than more conclusions…historians are asking a false question.” His main goal thus is to prove that the progressive movement itself “never existed.” He begins his argument by defining the word “movement” as “a collectivity acting with some continuity to promote or resist a change in society.” By creating this fundamental framework Filene then breaks down the progressive movement into four basic dimensions: program, values, membership, and supporters. He first attacks the basic progressive ideology.
...e role of women but also keep alive the struggle between civilization and barbarism during the begging of the oil era and the political criticism to Venezuela’s president Juan Vicente Gomes (1857 – 1935) regime. Romulo and De Fuentes used themes such as Mr. Danger, Coronel Pernalete and Doña Barbara to describe his presidency. Coronel Pernalete, and specifically the scene of dotting the H to have them sound makes reference to Gomez illiteracy; a man who rose to power due to his ample knowledge of military strategies. Doña Barbara and Mr. Danger represent Gomes mismanage of the country; on one side, Mr. Danger serves as an example of the US domination in Latin America while Dona Barbara on the other makes reference to his violent way of governing and the fact that, during his presidency, a significant percent of Venezuela’s wealth ended up on his hand and Wall Street.
Reviewing the relationships between each of these movements shows the connection they all shared in influencing each other. The development and growth of the African-American civil rights movement ultimately led to their success in realizing their goals being met. The New Left movement stemmed from this growth and success and as a result made their own impact on America through their similar tactics and approach to the issues of war and injustice. Feminism stemmed from the inequality with the New Left groups and the awareness brought on by the civil rights movements of the 1960s.
During the sixties and seventies there was an influx of social change movements, from civil rights, gay rights, student’s rights and feminism. In the early sixties the US was experiencing
Throughout its history Mexico has had many revolutions. The most famous perhaps is the Mexican Revolution from 1910-1920. The people of Mexico were getting tired of the dictator rule of President Porfino Diaz. People of all classes were fighting in the revolution. The middle and upper classes were dissatisfied with the President’s ways. The lower and working class people had many factors such as poor working conditions, inflation, inferior housing, low wages, and deficient social services. Within the classes everyone was fighting; men, women, and children all contributed to the fight for freedom from Diaz (Baxman 2). This revolution proved to be the rise and fall of many leaders.
Stalin, Joseph. "Madrid." Letter to The Central Committee of the C.P. of Spain. 16 Oct. 1936. MS. Revolutionary Democracy Journal, Moscow.
Born in 1886 Diego Rivera was born to a wealthy family living in Guanajuato, Mexico. At the age of two his twin brother died and a year later Diego Rivera started drawing, his parents caught him drawing on walls and instead of punishing him nurtured his artistic side by enabling him with the supplies he needed. Throughout his life Diego Rivera was dedicated to art, “He began to study painting at an early age and in 1907 moved to Europe. Spending most of the next fourteen years in Paris, Rivera encountered the works of such great masters as Cézanne, Gauguin, Renoir, and Matisse.” Influenced by the work of such great minds Rivera began the search for his own signature and contribution to modern art, “Rivera was searching for a new form of painting, one that could express the complexities of his day and still reach a wide audience.” Rivera found the medium he was looking for, a form of street art involving murals painted on fresh plaster, he returned to Mexico to introduce this new form of art to the public. Rivera soon sewed himself into the art community in America, “His outgoing personality puts him at ...
The Second Spanish Republic was founded on April 14, 1931 with popular support. However, politics quickly became severely polarized to the Left or Right between 1931 and July 18, 1936. In the 1933 general election, CEDA (The Spanish Confederation of the Autonomous Right) which was founded by Gil Robles after fascist models made coalitions and garnered the largest support. (Preston 18, 62) In 1934...
During the 1960s, the accepted American way of life was challenged. People began to question, and ultimately reject, traditional societal roles and values. This led to the mobilization of like minded individuals who sought to effect change through gaining political influence. The Civil Rights Movement, the Free Speech Movement, the Women's Rights Movement, and the Antiwar Movement were the result of such mobilizations. Participants in these movements were uniformly deemed leftists or radicals or revolutionary bums by the mainstream. This oversimplification obscured the true linkages that existed between the different movements. From the inception of the Women's Rights Movement, it has drawn on ideas originating in the Civil Rights Movement. In particular, the Civil Rights Movement played a significant role in sparking the Women's Rights Movement, and it continued to influence the women's movement because of their shared ideologies.
Martinez, Ibsen. "Chaos, Chavismo and Telenovelas." The New York Times. The New York Times, 8 Apr. 2014. Web. 26 May 2014. .