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The dirty war of argentina essay
The dirty war of argentina essay
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Antiparallel consequences of occupational memory in La Historia Oficial In response to the 30,000 "disappearances" of young revolutionaries in Argentina, mothers of missing children combated the structural violence of oppressive military dictatorship by protesting in the Plaza de Mayor in Buenos Aires. Moved by these demonstrations, Luis Puenzo wrote and directed La historia oficial in Argentina during the "Dirty War" (1874-1983), which pitted the Argentine Anticommunist Alliance against the left-wing guerillas. Instead of discussing the ramifications of the war directly, Puenzo centers his film around the fragile marriage of Alicia, a bourgeoisie history teacher, and her husband, Roberto, a wealthy businessman. Throughout the movie, Puenzo embeds Alicia's …show more content…
Although Alicia initially denounced a student's remark that "History was written by Assassins", after befriending Benitez, the anarchist literature professor, she learns to accept and later embraces the call to rebellion. In fact, the students prank of posting newspaper articles on the board galvanized her search for Gaby's true mother and insistence to understand her students' version of history. The extent of her ideological shift is understood after she awarded the same student who she initially rebuked an A- on his history assignment. Roberto, who experiences antiparallel character development, transforms from jovial dinner guest to abusive spouse after his business and network collapse. While Roberto initially enjoyed the economic and political refugee of his business and friend the general, Roberto's life crumbles after growing public opposition to his business, coworker disappearances, and marriage issues resulting from business trips. The audience foreshadows Roberto's belligerency and strong military connections after he very calmly dealt with and tortured a fearful man with complaints about his jail
With several astute observations in his memories, Aires gets to deceive and confuse readers. The diary covers two years in the life of a sexagenarian with his proverbial wisdom but placid, deceives and misleads the reader with small observations. The narrator reports people who lived with the narrator, reading quotes and works that read as a diplomat and reflections on past events that occurred in politics. One of the main characters depicted by Aires is Fidelia, a young girl who he was interested. Due to his old age, Ayres never revealed his love to Fidelia, but considered a daughter to the couple Dona Carmo and Aguiar, who cannot have
These three characters’ behaviors, personalities, and their thoughts affect the story “Catch a Killer”. Also Tawney’s behaviors, that shoots Gladston’s theory down and finds Corso and Andrew, show his honesty. The beginning of the story tells how rebellious Andrew is. Bullying and cruelty is the reason that Corso becomes a killer. These three main characters are revolved around each other in the
Although Patria is concerned with the regime she isn’t on board with the revolution yet, unlike her sisters Minerva and Mate. While on the church retreat Patria watches a boy get shot in the back by guards. She is so stricken by his death that she feels like she has lost another child, “My stillborn of thirteen years ago. My murdered son of a few hours ago.” (162). Patria is so devastated by the loss of her “son” that she decides for herself that it is time to take action. The unforeseen murder prompts Patria to begin another metamorphosis. Because Patria is so pious and protective over her family it is not expected of her to take part in such a risky movement, but it is those same characteristics that give her the courage to resist the regime. The concern for the well being of her family and the involvement of the church in the revolution bring Patria to form her new conclusion: “Amen to the revolution” (164). Patria wants a better life for her family and she now sees that the only way to achieve this is through the revolution; she must make a sudden change which is similar to the quick transition of a caterpillar to a butterfly. After some convincing, Patria is able to persuade her husband Pedrito to allow revolutionaries to meet in their backyard and eventually turn their home into a rebel control center. Patria evolves from an innocent bystander to a
As the next few weeks go on we see Pedro and Tita's relationship develop. The biggest change is when Pedro's son Roberto is born. Tita begins to breast feed Roberto because Rosaura had no milk after the strain of her pregnancy. The author uses imagery to express the feelings of longing between Pedro and Tita by writing about the looks they gave each other. Specifically when Pedro looked at Tita, it was a look that, when matched with Tita's "fused so perfectly that whoever saw them would have seen but a single look, a single rhythmic and sensual motion." This look changed their relationship forever, it bonded them together and they would never be separated in their hearts. This shows that the theme of, true love can withstand anything, is true. After this interaction between them they had been less careful about hiding from Mama Elena and when the baptism rolled around Mama Elena had seen enough. She decided, in the middle of the party that Pedro, Rosaura and Roberto would be moving to San Antonio to be with her cousin. They left and after about a year Mama Elena passed
Throughout time, stories have been passed down from generation to generation in order to make sense of our world and to share that understanding with others. “Los tres hermanos (The Three Brothers)” and “El indito de las cien vacas (The Indian and the Hundred Cows)” are two Tales of the Hispanic Southwest that I feel the reader could truly relate to in terms of the important moral lessons that were meant to be taught, inferred and understood. The lesson in “Los tres hermanos (The Three Brothers)” involves understanding that the characters involved failed to reflect on the needs of the thirsty, hungry and poor, the lonely, as well as the elderly and are ultimately fairly served by means of moral ruin, death, and worst of all, eternal damnation, while “El indito de las cien vacas (The Indian and the Hundred Cows)” in due course, involves the notion that God helps those who help themselves.
Grande introduces to the audience various characters that cross Juana 's path to either alter or assist her on her journey to find her father. Through those individuals, Grande offers a strong comparison of female characters who follow the norms, versus those that challenge gender roles that
Claudio's interest in Hero is on account of her wealth, but her outward beauty also attracts him. Claudio is hence revealed to be a slave to social assumptions. He regards love and marriage as a sensible way in which to obta...
The four scenes that best illustrate the theme of selfishness and the realities of a self-centered life, and empathy are the first scene in which Juvencio begged his son to save him, the scene in which Juvencio describes the crime he committed with a total lack of empathy, the scene in which don lupe describes the viciousness with which Juvencio killed his father, and the scene in which don lupe’s son orders that Juvencio be killed. All of these factors add up to a very interesting work of
Memory is a tool through which Campanella attempts to uncover the dark days in Argentina’s political history; the country was moving away from democracy and into a military regime, despite having democratically confirmed Isabel Perón as president . Through memory, the film becomes a political narrative of the terrible violence, murder rape and other forms of injustices associated with La junta Militar (The military Junta) overtaken of power in the mid-1970s. “El Secreto De Sus Ojos” (The Secret in Their Eyes) is particularly noteworthy as it is among the fewest forms of art, including existing literature that peeks into these chaotic years in Argentina. A time of terror known as the Dirty Warm, seven y...
“The Passion of Perpetua and Felicitas” is a document written in ancient Roman times that exhibits the role religion plays in the forming of a culture and the lives of individuals in the ancient world. For her belief in Christianity, they throw Perpetua into jail. Her execution is fighting animals in an arena. She does not renounce her faith in the face of persecution and thus becomes a martyr. This text is a unique key into the past in many ways. Part of it is written by a woman, it gives a detailed account of her martyrdom and gives us some insight into the culture of ancient Rome. For these reasons, this document provides us with valuable knowledge, specifically concerning the purpose for the composing and preservation of this document.
While being taunted he takes his role as prisoner and breaks down from that with the taunting. His role as the prisoner continues as his cries and taunts from the other inmates bring the attention of the guards for being noisy. He is then reprimanded by the guards for causing noise with his crying. The prisoner is being disciplined by the guard, it is the case where the both the inmate and guard are assuming their roles in
Taylor, Diana. "Trapped in Bad Scripts: The Mothers of Plaza de Mayo". Disappearing Acts. Spectacles of Gender and Nationalism in Argentina's "Dirty War." Duke Univ. Press: 1997. 183-222.
Between the years of 1976 to 1983, the period known as the ‘Dirty War’ was in full force in Argentina. During this period, thousands of people mysteriously went missing, and are referred to now as the ‘Disappeared’. It is believed that many of the disappeared were taken by agents of the Argentine government, and perhaps tortured and killed before their bodies were disposed of in unmarked graves or rural areas. Whenever the female captives were pregnant, their children were stolen away right after giving birth, while they themselves remained detained. It is estimated that 500 young children and infants were given to families with close ties to the military to be raised. Within this essay I would like to touch on the brief history of the Dirty war and why the military felt it was necessary to take and kill thousands of Argentina’s, and also the devastating affects the disappeared, and stolen children are having on living relatives of those taken or killed. It is hard to imagine something like this happening in North America relatively recently. To wakeup and have members of your family missing, with no explanation, or to one day be told your parents are not biologically related is something Argentina’s had to deal with, and are continuing to face even today.
Amongst other things, “The Dead Man” is a story of political ambition, and personal pride which ends up being the downfall of our protagonist. Benjamin Otalora, the Argentinean Buenos Aires hoodlum turned Uruguayan gaucho, is ambitious and most of all brave. However, he is also reckless and lacks any kind of discretion whatsoever. His physical daring is un-complimented by any higher meaning or purpose. He doesn’t save Azevedo Bandeira, the mobster boss, in the knife fight because of any morals or virtues he believes in, but simply because he was drawn “to the sheer taste of danger.” Otalora’s braveness is also completely selfish. It is a raw, violent, braveness that ultimately blinds him to the reality to which he becomes self-aware in the last moments of his life; he is a man who is completely oblivious to forces outside himself. Otalora’s uncontrolled ambition and unchecked bravery disallows him the ability to calmly make calculations, to make the most intelligent choices, to think things through; all essentials in leadership and especially in ultimately coordinating a power grab from someone the likes of Azevedo.
Chapter one starts off with the topic question, “What do Historians Do?”, which John Fea slowly starts to answer for the readers. First, he tells what a historian is and qualities and abilities he or she is required to possess. He explains that a historian must be proficient in bringing stories from the past to life. Some people become easily bored by a history book, however “in the hands of a skillful historian-writer, can be a page-turner” (Fea 5-6). Fea also mentions that an effective historian will not only tell about the event that took place, but that he or she will also review the causes and effects of that event.